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preference

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Journal Articles
Music Perception. 2015; 325507–514 doi: https://doi.org/10.1525/mp.2015.32.5.507
Published: 01 June 2015
...Daniel Shepherd; Nicola Sigg Social identity theory posits that membership to social groups serves to enhance and maintain self-esteem. In young people music plays a prominent role in defining social identity, and so a relationship between music preference and self-esteem is expected, but is as yet...
Images
Published: 01 December 2019
FIGURE 4. Effect of cognitive load on preference for metal music, in both metal fans and non-fans ( Experiment 3 ), top: all trials, bottom left: trials with slow responses, bottom right: trials with fast responses. While cognitive load had no effect on slow responses, the manipulation had an
Images
Published: 01 September 2018
FIGURE 2. Total preference scores of different chord types for the CI participants (left) and the NH control participants (right). The group mean is shown. Error bars indicate standard deviations. FIGURE 2. Total preference scores of different chord types for the CI participants (left) and the
Journal Articles
Music Perception. 2011; 29137–50 doi: https://doi.org/10.1525/mp.2011.29.1.37
Published: 01 September 2011
...Thomas Schäfer; Peter Sedlmeier people often report changes in emotional arousal when listening to their preferred music. Can this subjective impression be related to objective physiological measures? And if so, does preference induce arousal or could arousal also influence preference? In Study 1...
Journal Articles
Music Perception. 2018; 353376–399 doi: https://doi.org/10.1525/mp.2018.35.3.376
Published: 01 February 2018
...Tan-Chyuan Chin; Eduardo Coutinho; Klaus R. Scherer; Nikki S. Rickard Music engagement is complex and is influenced by music training, capacity, preferences, and motivations. A multi-modular self-report instrument (the Music Use and Background Questionnaire, or MUSEBAQ) was developed to measure a...
Includes: Supplementary data
Journal Articles
Music Perception. 2007; 243247–264 doi: https://doi.org/10.1525/mp.2007.24.3.247
Published: 01 February 2007
...- icity ratings against each other and against ß indicated that: (1) a melody s spectral power density slope ( ß) can be used as an objective measure of its perceived com- plexity; (2) ß 1.50 for optimally preferred melodies; (3) perceived complexity is determined by the distribu- tion of pitch...
Journal Articles
Music Perception. 2015; 332179–198 doi: https://doi.org/10.1525/mp.2015.33.2.179
Published: 01 December 2015
... melodic direction (rise vs. fall) did not affect tempo preferences; nevertheless, pitch change in both directions elicited faster tempi than a repeating, unchanging pitch. The effect of register on tempo preference was stronger for participants with music training, and also (unexpectedly) for female...
Journal Articles
Music Perception. 2002; 202187–194 doi: https://doi.org/10.1525/mp.2002.20.2.187
Published: 01 December 2002
...Laurel J. Trainor; Christine D. Tsang; Vivian H. W. Cheung The preferences of 2- and 4-month-old infants for consonant versus dissonant two-tone intervals was tested by using a looking-time preference procedure. Infants of both ages preferred to listen to consonant over dissonant intervals and...
Journal Articles
Music Perception. 1992; 10163–72 doi: https://doi.org/10.2307/40285538
Published: 01 October 1992
... piece, the original version consistently failed to elicit greater preference than the altered versions did in both subject populations, although all versions were much liked by these nonmusician and musician subjects. References Batt, R. Comments on "The effects of instrumentation, playing style...
Journal Articles
Music Perception. 1991; 9171–91 doi: https://doi.org/10.2307/40286159
Published: 01 October 1991
... affected the performance. For most rules, there was a reasonable agreement between the musicians regarding preference. The preferred quantities seemed close to the threshold of perceptibility. References Bengtsson, I., & Gabrielsson, A. Rhythm research in Uppsala. In Music room acoustics...
Journal Articles
Music Perception. 1989; 64431–445 doi: https://doi.org/10.2307/40285441
Published: 01 July 1989
...Colin Martindale; Kathleen Moore Two experiments were conducted in order to test predictions derived from Berlyne's theory of aesthetic preference. According to the theory, preference is an inverted-U function of arousal potential; the determinants of arousal potential are summed, with the...
Journal Articles
Music Perception. 1987; 52218 doi: https://doi.org/10.2307/40285395
Published: 01 December 1987
... Music Perception Errata, Vol. 4, No. 4 Grouping Conditions in Listening to Music: An Approach to Lerdahl & Jackendoffs Grouping Preference Rules Irene Deliège The lefthand portion of Figure 16 on p. 353 should appear as follows: b a A fl. V V trp The top portion of Figure 27 on p. 355 should...
Journal Articles
Music Perception. 1987; 44325–359 doi: https://doi.org/10.2307/40285378
Published: 01 July 1987
... © 1987 by the regents of the Summer 1987, Vol. 4, No. 4, 325-360 university of California Grouping Conditions in Listening to Music: An Approach to Lerdahl & Jackendoff ' s Grouping Preference Rules IRENE DELIEGE I.R.C.A.M., Paris & Université de Liège Lerdahl and Jackendoff propose a grouping theory...
Journal Articles
Music Perception. 2011; 283297–306 doi: https://doi.org/10.1525/mp.2011.28.3.297
Published: 01 February 2011
... opposite direction: Real or imagined body movements during music listening may codetermine music preferences. We had participants listen to music and concurrently activate muscles whose innervation has been shown to be associated with "positive" and "negative" affect (activation vs. inhibition of smiling...
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
... musicians consistently tapped with higher stability than nonmusicians, reflecting an effect of rhythmic expertise. Except for the condition most closely resembling real music, participants preferred the on-the-grid grooves to displacements in microtiming and bass-succeeding-drums-conditions were preferred...
Journal Articles
Music Perception. 2019; 365448–456 doi: https://doi.org/10.1525/mp.2019.36.5.448
Published: 01 June 2019
..., thereby contributing to (dis)preference for a musical stimulus. Bonin et al. (2016) conducted two experiments, the results of which were ostensibly consistent with the SDH. However, their research designs introduced major confounds that undermined the ability of these initial studies to offer unequivocal...
Journal Articles
Music Perception. 2019; 364335–352 doi: https://doi.org/10.1525/mp.2019.36.4.335
Published: 01 April 2019
...Jan-Peter Herbst R esearch on rock harmony accords with common practice in guitar playing in that power chords (fifth interval) with an indeterminate chord quality as well as major chords are preferred to more complex chords when played with a distorted tone. This study explored the interrelated...
Journal Articles
Music Perception. 2012; 302161–185 doi: https://doi.org/10.1525/mp.2012.30.2.161
Published: 01 December 2012
...Peter J. Rentfrow; Lewis R. Goldberg; David J. Stillwell; Michal Kosinski; Samuel D. Gosling; Daniel J. Levitin there is overwhelming anecdotal and empirical evidence for individual differences in musical preferences. However, little is known about what drives those preferences. Are people drawn to...
Journal Articles
Music Perception. 2013; 312139–156 doi: https://doi.org/10.1525/mp.2013.31.2.139
Published: 01 December 2013
...Hauke Egermann; Stephen McAdams Previous studies have shown that there is a difference between recognized and induced emotion in music listening. In this study, empathy is tested as a possible moderator between recognition and induction that is, on its own, moderated via music preference...
Journal Articles
Music Perception. 2019; 363300–313 doi: https://doi.org/10.1525/mp.2019.36.3.300
Published: 01 February 2019
... musical corpora. I argue that abstract mathematical measures ought to be avoided in preference for more concrete empirical descriptions of specific rhythmic features, and that, rather than focusing on a single measure, multiple measures ought to be used. Finally, I conclude that the usage of nPVI in music...