Search Results for popular-music
1-20 of 291 Search Results for
Music Perception. 2016; 334472–492 doi: https://doi.org/10.1525/mp.2016.33.4.472
Published: 01 April 2016
... Western popular music using both categorical and dimensional models of emotion, and to examine the influence of individual listener differences on their emotion judgment. A total of 80 musical excerpts were randomly selected from an established dataset of 2,904 popular songs tagged with one of the four...
Music Perception. 2012; 293269–284 doi: https://doi.org/10.1525/mp.2012.29.3.269
Published: 01 February 2012
...: firstname.lastname@example.org concatenism restructured songs repeated exposure liking predictability The Role of Form in Popular Music 269 Music Perception volume 29, issue 3, pp. 269 284 issn 0730-7829, electronic issn 1533-8312. © 2012 by the regents of the university of california all rights...
Music Perception. 2018; 355607–621 doi: https://doi.org/10.1525/mp.2018.35.5.607
Published: 01 June 2018
...Shannon L. Layman; W. Jay Dowling Previous research indicates that people gain musical information from short (250 ms) segments of music. This study extended previous findings by presenting shorter (100 ms, 150 ms, and 200 ms) segments of Western popular music in rapid temporal arrays; similar to...
Music Perception. 2018; 353332–363 doi: https://doi.org/10.1525/mp.2018.35.3.332
Published: 01 February 2018
... natural timbres scaled into ordinal levels of “noisiness.” Experiment 2 employed the same design with a focus on polyphonic timbre, using brief (400 ms) excerpts from 6 popular music genres as stimuli. In Experiment 3, functional magnetic resonance imaging was used to explore neural activations associated...
Includes: Supplementary data
Music Perception. 2013; 303237–257 doi: https://doi.org/10.1525/mp.2012.30.3.237
Published: 01 February 2013
... mode in both classical and popular music, is the happiest, and happiness declines with increasing distance from Ionian. However, familiarity does not entirely explain our results. Familiarity predicts that Mixolydian would be happier than Lydian (since they are equally similar to Ionian, and Mixolydian...
Music Perception. 2015; 325470–483 doi: https://doi.org/10.1525/mp.2015.32.5.470
Published: 01 June 2015
...Nathaniel Condit-Schultz; David Huron Although purely instrumental music is commonplace, much of the world’s most popular music is sung with lyrics. However, it is evident that listeners don’t always attend to lyrics and that those who do aren’t always successful in deciphering them. An empirical...
Music Perception. 2017; 343352–365 doi: https://doi.org/10.1525/mp.2017.34.3.352
Published: 01 February 2017
... aligns well with corpus data representing the frequency of different modes in popular music. There was also a significant interaction between ending and context, whereby listeners rated an ending higher if its mode matched the context. Our findings suggest that (1) our earlier “happiness” results cannot...
Music Perception. 2012; 293297–310 doi: https://doi.org/10.1525/mp.2012.29.3.297
Published: 01 February 2012
...Vinoo Alluri; Petri Toiviainen polyphonic timbre perception was investigated in a cross-cultural context wherein Indian and Western nonmusicians rated short Indian and Western popular music excerpts (1.5 s, n = 200) on eight bipolar scales. Intrinsic dimensionality estimation revealed a higher...
Music Perception. 2006; 234305–318 doi: https://doi.org/10.1525/mp.2006.23.4.305
Published: 01 April 2006
... 10.7 years) were exposed to three experimental listening conditions: Mozart piano sonata K. 448, popular music, and silence. Each condition was followed by a spatiotemporal task, and mood and music questionnaires. The results showed no evidence of a Mozart effect. Speculation about applications of the...
Music Perception. 2010; 273223–242 doi: https://doi.org/10.1525/mp.2010.27.3.223
Published: 01 February 2010
..., Experiment 1, to devise a framework of subjective rating scales for quantifying the perceptual qualities of polyphonic timbre and Experiment 2, to rate short excerpts of Indian popular music and correlate them with computationally extracted acoustic features. A factor analysis of the ratings suggested three...
Music Perception. 2000; 174437–459 doi: https://doi.org/10.2307/40285828
Published: 01 July 2000
... stylistically different popular music excerpts, two other constraints must also be considered: (1) brain plasticity and (2) degree of exposure to music of particular styles. The importance of a final factor, (3) formal music performance training, is shown in studies of (a) the benefits of the major triad...
Music Perception. 2017; 345501–514 doi: https://doi.org/10.1525/mp.2017.34.5.501
Published: 01 June 2017
...William M. Randall; Nikki S. Rickard Personal music listening on mobile phones is rapidly growing as a popular means of everyday engagement with music. This portable and flexible style of listening allows for the immediate selection of music to fulfil emotional needs, presenting it as a powerful...
Music Perception. 2008; 253253–255 doi: https://doi.org/10.1525/mp.2008.25.3.253
Published: 01 February 2008
.... This library has over 6000 sound samples representing most classical and popular musical instruments and a wide variety of articulation styles.A closer scrutiny revealed a conspicuous amount of labeling errors, intonation inaccuracies, and the absence of an integrated database. These errors are...
Music Perception. 2007; 25143–58 doi: https://doi.org/10.1525/mp.2007.25.1.43
Published: 01 September 2007
...W. Tecumseh Fitch; Andrew J. Rosenfeld THE PROCESSING OF COMPLEX, METRICALLY ambiguous rhythmic patterns, of the sort found in much popular music, remains poorly understood. We investigated listeners' abilities to perceive, process and produce complex, syncopated rhythmic patterns. Rhythmic...
Music Perception. 2018; 355527–539 doi: https://doi.org/10.1525/mp.2018.35.5.527
Published: 01 June 2018
... music training confers an additional benefit to intelligibility. In a 2 × 2 between-subjects factorial design (fans/non-fans, musicians/nonmusicians), four groups of participants ( n = 16 per group) were presented with 24 sung words (one per trial), extracted from the popular American Death Metal band...
Includes: Supplementary data
Music Perception. 2019; 364353–370 doi: https://doi.org/10.1525/mp.2019.36.4.353
Published: 01 April 2019
... another syllable on or before the next nth-note beat . 30 1 2018 20 11 2018 Ivan Tan, Eastman School of Music, 26 Gibbs St., Rochester, NY 14604. E-mail: email@example.com rhythm and timing popular music metre corpus music and language Notes 1. The reader may...
Music Perception. 2011; 292203–213 doi: https://doi.org/10.1525/mp.2011.29.2.203
Published: 01 December 2011
...Jennifer Haimson; Deanna Swain; Ellen Winner accompanying the view that music training leads to improved mathematical performance is the view that that there is an overlap between the kinds of skills needed for music and mathematics. We examined the popular conception that mathematicians have...
Music Perception. 2016; 333332–343 doi: https://doi.org/10.1525/mp.2016.33.3.332
Published: 01 February 2016
...Lincoln G. Craton; Daniel S. Juergens; Hannah R. Michalak; Christopher R. Poirier Popular mainstream music (hereafter, rock) employs the basic set of chords built on the diatonic scale but also many others (de Clercq & Temperley, 2011; Stephenson, 2002). In an initial investigation of listeners...
Music Perception. 2011; 284425–432 doi: https://doi.org/10.1525/mp.2011.28.4.425
Published: 01 April 2011
... document each experience as it happened. Study 2 was an extension of the diary study with a larger sample and a focus on triggering events. Consistent with popular belief, these persistent musical memories were common across people and occurred frequently for most respondents, and were often linked to...
Music Perception. 2020; 374278–297 doi: https://doi.org/10.1525/mp.2020.37.4.278
Published: 11 March 2020
... , M. , Sager , R. , & Will , U. ( 2004 ). In time with the music: The concept of entrainment and its significance for ethnomusicology . European Meetings in Ethnomusicology , 1 , 1 – 86 . Collins , J. ( 2012 ). Contemporary Ghanaian popular music since the 1980s . In E...