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pitch-time-interactions

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Journal Articles
Music Perception. 1993; 104385–415 doi: https://doi.org/10.2307/40285580
Published: 01 July 1993
... surfaces, regardless of which conceptualization one favors: empirical studies of interval perception have fallen short of confirming the phenomenal reality our concepts describe so confidently. In an attempt to outflank these empirical/phenomenal clashes, a scheme of pitch/time interaction, or "vectoral...
Journal Articles
Music Perception. 2015; 33120–31 doi: https://doi.org/10.1525/mp.2015.33.1.20
Published: 01 September 2015
... traditional analyses using unidimensional, sequential statistics. The first is that music is hierarchical, with important relationships between non-adjacent events. The second is that the dimensions of music, specifically, pitch and time, interact. The third is the assumption that probabilities remain...
Journal Articles
Music Perception. 2000; 18125–57 doi: https://doi.org/10.2307/40285900
Published: 01 October 2000
... induction in which bottom-up processes interact in real time with top-down processes of two kinds: recognition of harmonic pitch patterns and recognition of key profiles. [Footnotes] 1 Cohen's (1991) 2 Krumhansl and Kessler's (1982) References Auhagen, W. (1994). Experimentelle...
Journal Articles
Music Perception. 2011; 284367–386 doi: https://doi.org/10.1525/mp.2011.28.4.367
Published: 01 April 2011
... displaying a higher pitch and/or a brighter timbre—even when no actual tempo differences existed. Experiment 2 converged on these findings by demonstrating that the perceived tempo of a melody was judged faster when it increased in pitch and/or loudness over time. These results are suggested to stem from an...
Journal Articles
Music Perception. 2012; 294387–428 doi: https://doi.org/10.1525/mp.2012.29.4.387
Published: 01 April 2012
... of this paper is to propose a quantita- tive model that can predict real-time tension judgments for complex musical stimuli based on the interaction of any variable number of musical parameters. This parametric, temporal model of tension takes into account the real-time dynamics of listening, and...
Journal Articles
Music Perception. 2020; 375373–391 doi: https://doi.org/10.1525/mp.2020.37.5.373
Published: 10 June 2020
... predicting the probability that participants would classify a piece as a rondo: Weighted Pitch Variance ( B = -0.52 ± 0.21, p = .015) and Time to PAC ( B = -1.23 ± 0.35, p < .001). Pieces with higher Weighted Pitch Variance and longer Time to PAC were less likely to be classed as rondos by...
Journal Articles
Music Perception. 2020; 375403–422 doi: https://doi.org/10.1525/mp.2020.37.5.403
Published: 10 June 2020
... with the video, 2) take turns with the video, or 3) imitate the video. Participants from the duo group engaged in the same learning trials, but with a partner. Novices in both groups performed more accurately in pitch and time when learning in synchrony and turn-taking than in imitation. No differences...
Journal Articles
Music Perception. 2020; 375423–434 doi: https://doi.org/10.1525/mp.2020.37.5.423
Published: 10 June 2020
... the musicians and the nonmusicians across the vowel, level tone and contour tone contexts. ** p < .01. Figure 1. The fundamental frequency time graph of the six Cantonese tones, embedded in /ta/, naturally produced by a male Cantonese speaker. HL = high level; HR = high rising; ML...
Journal Articles
Music Perception. 2020; 374298–322 doi: https://doi.org/10.1525/mp.2020.37.4.298
Published: 11 March 2020
.../BF03205482 Bonetti , L. , & Costa , M. ( 2018 ). Pitch-verticality and pitch-size cross-modal interactions . Psychology of Music , 46 , 340 – 356 . https://doi.org/10.1177/0305735617710734 Brainard , D. H. ( 1997 ). The Psychophysics Toolbox . Spatial Vision , 10...
Journal Articles
Music Perception. 2020; 374323–338 doi: https://doi.org/10.1525/mp.2020.37.4.323
Published: 11 March 2020
... subsequently indicated whether they also felt the emotion they had perceived. Measures of accuracy and reaction time were collected from the emotion recognition judgements, while yes/no responses were collected as indication of felt emotions. Musicians were more accurate than nonmusicians at recognizing...
Journal Articles
Music Perception. 2020; 374363–365 doi: https://doi.org/10.1525/mp.2020.37.4.363
Published: 11 March 2020
...Jeremy Day-O’Connell In charting the “territory between speech and song,” Cummins (2020) identifies various forms of vocal behavior involving “multiple people uttering the same thing at the same time”—what the author calls “joint speech.” I interrogate this conceptual framework in light of specific...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
... the duration of each stimulus after tapping to a given metrical level (Block 2). Stimuli in both blocks were presented twice and in randomized order. Figure 3. Results of the time estimation ratios for each main factor and significant interaction effects. Error bars indicate 95% confidence...
Journal Articles
Music Perception. 2020; 374278–297 doi: https://doi.org/10.1525/mp.2020.37.4.278
Published: 11 March 2020
... in the world? Behavioral and Brain Sciences , 33 , 61 – 83 . Hove , M. J. , Marie , C. , Bruce , I. C. , & Trainor , L. J. ( 2014 ). Superior time perception for lower musical pitch explains why bass-ranged instruments lay down musical rhythms . Proceedings of the...
Journal Articles
Music Perception. 2020; 374347–358 doi: https://doi.org/10.1525/mp.2020.37.4.347
Published: 11 March 2020
... examples that can help to map out the territory between the more speech-like and more sung-like kinds of joint speech. In each case, we will naturally be concerned with the objective properties of the voice, such as pitch, timing, and so on. But we will be especially interested in drawing links between...
Journal Articles
Music Perception. 2020; 373208–224 doi: https://doi.org/10.1525/mp.2020.37.3.208
Published: 01 February 2020
... from wandering over time. Two features received regression weights that did not differ statistically significantly from zero: Exposed octaves (outer parts) and Number of pitches (difference from previous) . The lack of statistical significance for the exposed-octaves feature is particularly...
Journal Articles
Music Perception. 2020; 373183–184 doi: https://doi.org/10.1525/mp.2020.37.3.183
Published: 01 February 2020
... rhythm. Such a continuous measure allows for a more fine-grained understanding of interaction between structural aspects of music and corresponding human behaviors. Steve was in the process of testing this construct at the time of his death and this work will continue through his collaborators and...
Journal Articles
Music Perception. 2020; 373196–207 doi: https://doi.org/10.1525/mp.2020.37.3.196
Published: 01 February 2020
... keystrokes performed by pianists and non-pianists facilitate perceptual timing judgments for both groups. This observation offers further support for the perceptual benefits that may arise from timed movements, highlighting interactions between motor synchronization and perceptual timing abilities ( Chemin...
Journal Articles
Music Perception. 2020; 373185–195 doi: https://doi.org/10.1525/mp.2020.37.3.185
Published: 01 February 2020
... and non-isochronous metrical subdivision afford precise and stable ensemble entrainment: A corpus study of Malian jembe drumming . Frontiers in Neuroscience , 10 , 285 . DOI: 10.3389/fnins.2016.00285 Polak , R. , & London , J. ( 2014 ) Timing and meter in Mande drumming from...
Journal Articles
Music Perception. 2020; 373225–239 doi: https://doi.org/10.1525/mp.2020.37.3.225
Published: 01 February 2020
... tonality pitch child development enculturation bi-musicals References Butler , D. , & Brown , H. ( 1994 ). Describing the mental representation of tonality in music . In R. Aiello (Ed.), Musical perceptions (pp. 191 – 212 ). New York : Oxford University Press...
Journal Articles
Music Perception. 2020; 373240–258 doi: https://doi.org/10.1525/mp.2020.37.3.240
Published: 01 February 2020
... Psychedelic Trance 1 Romantic 1 Single Tones 1 Trance 1 Table 4. Comparison of Induced-perceived Stimuli with Their Duration in 306 Studies on Music and Emotion Both Induced Perceived Time Length Number Time Length Number Time Length Number < 30 s 38...