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pitch-production

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Journal Articles
Music Perception. 2014; 314359–371 doi: https://doi.org/10.1525/mp.2014.31.4.359
Published: 01 April 2014
...Anders Dohn; Eduardo A. Garza-Villarreal; Lars Riisgaard Ribe; Mikkel Wallentin; Peter Vuust Absolute pitch (AP) is the ability to identify or produce pitches of musical tones without an external reference. Active AP (i.e., pitch production or pitch adjustment) and passive AP (i.e., pitch...
Journal Articles
Music Perception. 2007; 25295–115 doi: https://doi.org/10.1525/mp.2007.25.2.95
Published: 01 December 2007
...Peter Q. Pfordresher; Steven Brown THE TERM "TONE DEAFNESS," COMMONLY APPLIED TO poor-pitch singing, suggests that the cause lies in faulty perception. However, it is also plausible that problems lie in production, memory, and/or sensorimotor integration. We report the results of two experiments on...
Journal Articles
Music Perception. 2017; 345585–604 doi: https://doi.org/10.1525/mp.2017.34.5.585
Published: 01 June 2017
... production and rec- ognition tasks can shed light on whether VPID deficits are either limited to tasks that require multimodal asso- ciations or are also found in tasks that can rely simply on auditory imagery. What is a Vocal Pitch Imitation Deficit (VPID)? VPID is a deficit of pitch matching most commonly...
Journal Articles
Music Perception. 2015; 323232–241 doi: https://doi.org/10.1525/mp.2015.32.3.232
Published: 01 February 2015
... efference systems that control vocal monitoring, as well as the white matter pathways that connect frontal and temporal regions that are involved in perception and production. I will also consider disruptions of the perception-production network that are evident in tone-deaf individuals and poor pitch...
Journal Articles
Music Perception. 2003; 203241–262 doi: https://doi.org/10.1525/mp.2003.20.3.241
Published: 01 March 2003
... scale, then map the judgments onto a toroidal stimulus space formed by the product of two pitch circles. Perceptual dynamics are explored by systematic excursions through the stimulus space. The results indicate that spatial models of pitch provide an incomplete description of the higher than/lower than...
Journal Articles
Music Perception. 2015; 324355–363 doi: https://doi.org/10.1525/mp.2015.32.4.355
Published: 01 April 2015
... production may be accommodated compositionally. Number of skips and their distribution within a melody’s pitch range were compared between diverse statistical samples of vocal and instrumental melodies. Skips occurred less frequently in vocal melodies. Skips occurred more frequently in melodies’ lower and...
Journal Articles
Music Perception. 2013; 305441–462 doi: https://doi.org/10.1525/mp.2013.30.5.441
Published: 01 June 2013
... linguistic forms, and to compare spoken to called production. Analysis of several acoustic variables (involving pitch, duration, intensity, and timbre) demonstrates many significant effects of sentence-type and production, which together establish the characteristics of the English stylized interjection and...
Journal Articles
Music Perception. 2015; 323254–265 doi: https://doi.org/10.1525/mp.2015.32.3.254
Published: 01 February 2015
..., Canada, M5S 1V6. E-mail: Sean.Hutchins@rcmusic.ca absolute pitch singing tuning perception and production Linked Dual Representation model SYMBOLIC AND MOTOR CONTRIBUTIONS TO VOCAL IMITATION IN ABSOLUTE PITCH SEAN HUTCHINS The Royal Conservatory of Music, Toronto, Canada STEFANIE HUTKA...
Journal Articles
Music Perception. 2020; 375373–391 doi: https://doi.org/10.1525/mp.2020.37.5.373
Published: 10 June 2020
... features, and that rondos would involve more acoustic cues for happiness (e.g., higher average pitch height and higher average attack rate). In a corpus analysis, we examined paired movement openings from 180 instrumental works, composed between 1770 and 1799. Rondos had significantly higher pitch height...
Journal Articles
Music Perception. 2012; 30149–70 doi: https://doi.org/10.1525/mp.2012.30.1.49
Published: 01 September 2012
... preference and intensity of a new set of 105 instrument sounds were rated by participants. These sounds were also uniform in pitch, duration, and playback dynamics but contained systematic manipulations in the dynamics of sound production, articulation, and ratio of high-frequency to low-frequency energy...
Journal Articles
Music Perception. 2020; 375423–434 doi: https://doi.org/10.1525/mp.2020.37.5.423
Published: 10 June 2020
..., Taipo, Hong Kong. E-mail: willchoi@eduhk.hk OPERA hypothesis musical advantage pitch perception tone perception music-to-language transfer References Alexander , J. , Wong , P. C. M. , & Bradlow , A. R. ( 2005 ). Lexical tone perception in musicians and non...
Journal Articles
Music Perception. 2020; 375403–422 doi: https://doi.org/10.1525/mp.2020.37.5.403
Published: 10 June 2020
... with the video, 2) take turns with the video, or 3) imitate the video. Participants from the duo group engaged in the same learning trials, but with a partner. Novices in both groups performed more accurately in pitch and time when learning in synchrony and turn-taking than in imitation. No differences...
Journal Articles
Music Perception. 2020; 374298–322 doi: https://doi.org/10.1525/mp.2020.37.4.298
Published: 11 March 2020
.... Tension was perceived higher in dissonant intervals and in intervals presented in the high register. The higher the high-pitch energy content in the standard noise, the higher the perceived tension. The visual analog scale resulted in higher tension ratings than the proprioceptive device. Perception of...
Journal Articles
Music Perception. 2020; 374363–365 doi: https://doi.org/10.1525/mp.2020.37.4.363
Published: 11 March 2020
... musings concern song-like pitch in vocal production, but what about music per se ? Musical patterning—through rhythm, melody, and harmony (and whether sung or otherwise)—capture the ear and the imagination like no spoken utterance can. The roles of such musical elements in joint speech are alluded to by...
Journal Articles
Music Perception. 2020; 374323–338 doi: https://doi.org/10.1525/mp.2020.37.4.323
Published: 11 March 2020
... Research , 33 ( 3 ), 217 – 238 . DOI: 10.1080/0929821042000317813 Kishon-Rabin , L. , Amir , O. , Vexler , Y. , & Zaltz , Y. ( 2001 ). Pitch discrimination: Are professional musicians better than non-musicians? Journal of Basic and Clinical Physiology and Pharmacology...
Journal Articles
Music Perception. 2020; 374347–358 doi: https://doi.org/10.1525/mp.2020.37.4.347
Published: 11 March 2020
... examples that can help to map out the territory between the more speech-like and more sung-like kinds of joint speech. In each case, we will naturally be concerned with the objective properties of the voice, such as pitch, timing, and so on. But we will be especially interested in drawing links between...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
... include tempo (BPM), note duration, and event density ( Drake, Gros, & Penel, 1999 ; London, 2011 ; Madison & Paulin, 2010 ; Parncutt, 1994 ). Non-temporal cues include pitch, harmonic progression, tonal movement, loudness changes (i.e., musical accents), timbre, and the listener’s motor...
Journal Articles
Music Perception. 2020; 373208–224 doi: https://doi.org/10.1525/mp.2020.37.3.208
Published: 01 February 2020
... Melodic voice-leading distance 1.133 1.486 −0.240 0.006 < .001 .164 .100 Treble pitch height (distance above C5) 0.742 1.430 −0.237 0.008 < .001 .103 .052 Bass pitch height (distance below C3) 0.801 1.814 −0.173 0.006 < .001 .072 .038 Interference ( Hutchinson...
Journal Articles
Music Perception. 2020; 373183–184 doi: https://doi.org/10.1525/mp.2020.37.3.183
Published: 01 February 2020
...-talent-everyone-can-sing-74047 Demorest , S. M. , & Clements , A. ( 2007 ). Factors influencing the pitch matching of junior high boys . Journal of Research in Music Education , 55 ( 3 ), 190 – 203 . http://doi.org/10.1177/002242940705500302 Demorest S. M. , Kelley , J...
Journal Articles
Music Perception. 2020; 373185–195 doi: https://doi.org/10.1525/mp.2020.37.3.185
Published: 01 February 2020
.... , Cornelis , O. , & Leman , M. ( 2013 ). Tarsos, a modular platform for precise pitch analysis of Western and non-Western music . Journal of New Music Research , 42 ( 2 ), 113 – 129 . Stevens , C. , & Byron , T. ( 2016 ). Universals in music processing: Entrainment, acquiring...