Search Results for pitch-perception
1-20 of 1018 Search Results for
Music Perception (2019) 37 (1): 57–65.
Published: 01 September 2019
...Frank A. Russo; Dominique T. Vuvan; William Forde Thompson N ote - to - note changes in brightness are able to influence the perception of interval size. Changes that are congruent with pitch tend to expand interval size, whereas changes that are incongruent tend to contract. In the case of singing...
Music Perception (2015) 32 (5): 460–469.
Published: 01 June 2015
... (Experiment 2). We conclude that the perception of the lower but not the upper pitch in a two note harmonic interval is affected by the interval’s consonance or dissonance. We discuss the results in terms of the theoretical framework of processing fluency and aesthetics proposed by Winkielman, Schwarz...
Music Perception (2001) 19 (2): 199–222.
Published: 01 December 2001
... reprint to Rights and Permissions, University of California Press, 2000 Center St., Ste. 303, Berkeley, CA 94704-1223. Context Effects on Pitch Perception in Musicians and Nonmusicians: Evidence from Event-Related-Potential Recordings E LV I R A B R AT T I C O & R I S T O N Ä Ä T Ä N E N University of...
Music Perception (1991) 8 (3): 291–314.
Published: 01 April 1991
.... Pitch motion with random chord sequences. Perception & Psychophysics, 1989, 46, 513-527. Bregman, A. S., & Doehring, P. Fusion of simultaneous tonal glides: The role of paral- lelness and simple frequency relations. Perception & Psychophysics, 1984, 36, 251- 256. Burns, E. M...
Music Perception (1988) 6 (1): 1–20.
Published: 01 October 1988
...-166. Burns, E. M. Circularity in relative pitch judgments for inharmonic complex tones: The Shepard demonstration revisited, again. Perception & Psychophysics, 1981, 30, 467- 472. Deutsch, D. Octave generalization and tune recognition. Perception & Psychophysics, 1972, 11. 411-412...
Music Perception (2017) 34 (5): 569–584.
Published: 01 June 2017
... context was weaker (Experiment 1 as compared to Experiment 2). Results suggest that implicit absolute pitch perception, reflecting key and pitch class occurrence frequency, significantly affects tonal music processing; such absolute pitch effects may be activated principally when tonal perception or tonal...
Music Perception (2018) 35 (5): 573–578.
Published: 01 June 2018
... second possibility is that it takes time to establish the precise pitch perception necessary for assigning each syllable a musical scale degree. Here we tested these hypotheses by asking participants to rate the musicality of spoken phrases and complex tones with matching pitch contours after each of...
Includes: Multimedia, Supplementary data
Music Perception (2014) 32 (2): 186–200.
Published: 01 December 2014
...Christopher Aruffo; Robert L. Goldstone; David J. D. Earn When a musical tone is sounded, most listeners are unable to identify its pitch by name. Those listeners who can identify pitches are said to have absolute pitch perception (AP). A limited subset of musicians possesses AP, and it has been...
Music Perception (2017) 34 (5): 541–556.
Published: 01 June 2017
... discussed. © 2017 by The Regents of the University of California 2017 8 1 2016 29 12 2016 tonality atonality multiple causation pitch class-related factors pitch-related factors PITCH DISPERSAL AND THE PERCEPTION OF TONAL STRENGTH IN SCHOENBERG S OEUVRE J. FERNANDO ANTA...
Music Perception (2003) 20 (4): 411–429.
Published: 01 June 2003
... unstructured 12-tone representation (e.g., pitch-class set or MIDI pitch representation). This study provides useful insights both into the domain of pitch perception and into musicological aspects of score notation strategies. A computational model is described that transcribes polyphonic MIDI pitch files...
Music Perception (2013) 30 (5): 463–479.
Published: 01 June 2013
..., University of Southern California, University Park Campus, B29b Hedco Neurosciences, HNB B29b, M/C 2520, Los Angeles, CA 90089-2520. E-mail: firstname.lastname@example.org auditory event-related potentials electroencephalography pitch perception music training pitch deviations CORTICAL ACTIVITY DURING...
Music Perception (2011) 29 (2): 157–163.
Published: 01 December 2011
... of 69 children with and without formal music training. Pitch perception was correlated with phonological awareness, a finding consistent with the hypothesis that basic auditory processing skills underlie the association between music and reading abilities. Nevertheless, the correlation between music...
Music Perception (2005) 23 (2): 153–164.
Published: 01 December 2005
... perception. In Experiment 1, we asked 13 musicians with absolute p itch t o select k eys for 60 stim ulus t one sequences consisting of the same pitch set differing in pitch sequence. In Experiment 2, we asked 31 nonmusicians to select tonal centers for the 60 stimulus tone sequences. Responses made by the...
Music Perception (1992) 10 (2): 151–184.
Published: 01 December 1992
... humans go through a stage in early childhood in which absolute (as distinguished from relative) pitch perception plays a role. Without doubt, absolute pitch is important in perception of serial acoustic (melodic) structures by animals. For both humans and nonhumans, melody perception appears to be...
Music Perception (2005) 22 (3): 425–440.
Published: 01 March 2005
... permission to photocopy or reproduce article content to University of California Press s Rights and Permissions website, at www.ucpress.edu/journals/rights.htm. Music Perception Spring 2005, Vol. 22, No. 3, 425 440 The Influence of Pitch Interval on the Perception of Polyrhythms D I R K M O E L A N T S & L E...
Music Perception (1999) 16 (3): 265–294.
Published: 01 April 1999
... music performance. Music Perception, 14, 23-56. Palmer, C, & Krumhansl, C. L. (1987). Pitch and temporal contributions to musical phrase perception: Effects of harmony, performance timing, and familiarity. Perception & Psychophysics, 41, 505-518 Parncutt, R. (1989). Harmony: A...
Music Perception (1995) 12 (4): 379–386.
Published: 01 July 1995
... three- tone "melody," the tones were perceived as having a greater temporal separation if a wide gap in pitch separated the two tones than if a narrow pitch gap separated the tones, even when the objective timing was identical. References Abbe, M. (1936). The spatial effect on the perception of...
Music Perception (1992) 9 (4): 413–426.
Published: 01 July 1992
.... Burns, E. M., & Ward, W. D. Categorical perception— phenomenon or epiphenomenon: Evidence from experiments in the perception of melodic musical intervals. Perception & Psychophysics, 1978, 63, 456-468. Cuddy, L. L. Practice effects in the absolute judgment or pitch. Journal of the Acoustical...
Music Perception (1991) 9 (1): 105–119.
Published: 01 October 1991
... intervals: they can either use the relative-pitch strategy, or they can first identify the two pitches and then infer the musical interval between them (AP strategy). This study investigates the perception of sequential musical intervals by two groups of musicians, one group with AP and the other without AP...
Music Perception (2018) 36 (1): 24–39.
Published: 01 September 2018
...Kai Siedenburg; Stephen McAdams T he goal of the current study was to explore outstanding questions in the field of timbre perception and cognition—specifically, whether memory for timbre is better in trained musicians or in nonmusicians, whether short-term timbre recognition is invariant to pitch...