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perceptual-learning

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Journal Articles
Music Perception (2017) 34 (3): 335–351.
Published: 01 February 2017
... 2015 20 6 2016 congenital amusia auditory training pitch threshold pitch direction musical processing PERCEPTUAL LEARNING OF PITCH DIRECTION IN CONGENITAL AMUSIA: EVIDENCE FROM CHINESE SPEAKERS FANG LIU University of Reading, Reading, United Kingdom CUNMEI JIANG Shanghai Normal...
Journal Articles
Music Perception (2018) 35 (5): 527–539.
Published: 01 June 2018
... between musicians and nonmusicians was statistically similar. In the non-fan group, intelligibility was significantly greater for musicians relative to nonmusicians. Results are discussed in the context of perceptual learning and the benefits of expertise for decoding linguistic information in sub-optimum...
Includes: Supplementary data
Journal Articles
Music Perception (2009) 26 (4): 303–320.
Published: 01 April 2009
... perceptual learning could underlie early improvements in performance during music rehearsals. ©© 2009 By the Regents of the University of California perceptual span learning gaze musical skill rehearsal Music Perception VOLUME 26, ISSUE 4, PP. 303 320, ISSN 0730-7829, ELECTRONIC ISSN 1533-8312...
Journal Articles
Music Perception (2014) 32 (2): 201–217.
Published: 01 December 2014
... pitches tend to attract taps more than high pitches and can thus be seen as being more perceptually salient. They explain these findings using a statistical learning hypothesis, proposing that sounds with lower pitch are perceived as more salient because in the musical culture of their participants, lower...
Journal Articles
Music Perception (2020) 37 (5): 423–434.
Published: 10 June 2020
...William Choi The OPERA hypothesis theorizes how musical experience heightens perceptual acuity to lexical tones. One missing element in the hypothesis is whether musical advantage is general to all or specific to some lexical tones. To further extend the hypothesis, this study investigated whether...
Journal Articles
Music Perception (2020) 37 (5): 392–402.
Published: 10 June 2020
... provide complementary information about cued autobiographical memories, and suggests that MEAMs differ from memories evoked by pictures in some aspects (e.g., perceptual and episodic content) but not others (e.g., emotional content). Figure 1. Autobiographical Interview (AI) data. From left to right...
Journal Articles
Music Perception (2020) 37 (5): 373–391.
Published: 10 June 2020
...? Psychological Bulletin , 129 , 770 – 814 . Lartillot , O. , Toiviainen , P. , & Eerola , T. ( 2008 ). A Matlab toolbox for music information retrieval . In C. Preisach , H. Burkhardt , B. Schmidt-Thieme , & R. Decker (Eds.), Data analysis, machine learning...
Journal Articles
Music Perception (2020) 37 (4): 323–338.
Published: 11 March 2020
... . Gabrielsson , A. ( 2002 ). Perceived emotion and felt emotion: same or different? Musicae Scientiae, Special Issue 2001–2002 , 123 – 147 . Gardiner , M. F. ( 2008 ). Responses to music: Emotional signaling, and learning . Behavioral and Brain Sciences , 31 ( 5 ), 580 – 581 . DOI...
Journal Articles
Music Perception (2020) 37 (4): 263–277.
Published: 11 March 2020
... calculated using the “mircentroid” function as a descriptor of perceptual brightness. For each of these three patterns, different versions with tempi at 83, 120, and 150 BPM (quarter notes) were produced and each version consisted of eight bars, resulting in 3 x 3 stimuli. While 120 BPM refer to the...
Journal Articles
Music Perception (2020) 37 (4): 298–322.
Published: 11 March 2020
... three dimensions of affect . Music Perception , 23 , 319 – 329 . https://doi.org/10.1525/mp.2006.23.4.319 Krumhansl , C. L. ( 1996 ). A perceptual analysis of Mozart’s piano sonata K. 282: Segmentation, tension, and musical ideas . Music Perception , 13 , 401 – 432 . https...
Journal Articles
Music Perception (2020) 37 (4): 347–358.
Published: 11 March 2020
... . Pinker , S. ( 1999 ). How the mind works . New York : W. W. Norton & Company . Port , R. F. ( 2007 ). The graphical basis of phones and phonemes . In O. Bohn & M. Munro (Eds.), Language experience in second language speech learning: In honor of James Emil Flege...
Journal Articles
Music Perception (2020) 37 (3): 208–224.
Published: 01 February 2020
... practices within encoded musical corpora and for generating new voice leadings for unseen chord sequences. This model is feature-based, quantifying the desirability of a given voice leading on the basis of different features derived from Huron’s (2001) perceptual account of voice leading. We use the model...
Journal Articles
Music Perception (2020) 37 (3): 225–239.
Published: 01 February 2020
... ). Perception of a tonal hierarchy derived from Korean music . Psychology of Music , 42 , 568 – 579 . DOI: 10.1177/0305735613483847 Lynch , M. P. , & Eilers , R. E. ( 1992 ). A study of perceptual development for musical tuning . Perception and Psychophysiology , 52 , 599 – 608...
Journal Articles
Music Perception (2020) 37 (3): 185–195.
Published: 01 February 2020
... expectations and learning . In S. Hallam , I. Cross , & M. Thaut (Eds.), Oxford Handbook of Music Psychology ( 2nd ed., pp. 19 – 31 ). Oxford, UK : Oxford University Press . Stevens , C. J. , Keller , P. E. , & Tyler , M. D. ( 2013 ). Tonal language background and...
Journal Articles
Music Perception (2008) 26 (1): 41–55.
Published: 01 September 2008
...Lorna S. Jakobson; Samantha T. Lewycky; Andrea R. Kilgour; Brenda M. Stoesz INTEREST IN STUDYING THE EFFECTS of extensive music training on nonmusical perceptual and cognitive abilities has grown in recent years. Here, we present evidence that formal music instruction is associated with superior...
Journal Articles
Music Perception (2019) 37 (2): 111–133.
Published: 01 December 2019
..., Yoneya, Kashino, & Furukawa, 2018 ), as well as cognitive conflict or interference ( Laeng, Ørbo, Holmlund, & Miozzo, 2011 ), working memory load ( Granholm, Asarnow, Sarkin, & Dykes, 1996 ; Kahneman & Beatty, 1966 ; Schwalm, Keinath, & Zimmer, 2008 ), and perceptual/attentional...
Journal Articles
Music Perception (2019) 37 (2): 147–164.
Published: 01 December 2019
... music ( Eerola & Vuoskoski, 2013 ). In contrast, the dimensional approach represents emotions in an abstract low- (usually two- or three-) dimensional Euclidian space where the axes correspond to perceptual representations of emotion in the human mind, found by analyzing the correlation...
Journal Articles
Music Perception (2019) 37 (2): 165–178.
Published: 01 December 2019
...Sarah A. Sauvé; Marcus T. Pearce W hat makes a piece of music appear complex to a listener? This research extends previous work by Eerola (2016) , examining information content generated by a computational model of auditory expectation (IDyOM) based on statistical learning and probabilistic...
Journal Articles
Music Perception (2019) 37 (2): 95–110.
Published: 01 December 2019
... circumscribed musical context of metal music, such responses lead to the same behavioral outcome as in non-fans. Yet, because our rating task specifically targeted explicit affective judgments, it remains a possibility that low-level perceptual responses still differ in metal fans, but that these participants...
Journal Articles
Music Perception (2019) 37 (2): 134–146.
Published: 01 December 2019
...: Learning, Memory, and Cognition , 39 , 1552 – 1562 . Alluri, V. , & Toiviainen, P. ( 2010 ). Exploring perceptual and acoustical correlates of polyphonic timbre . Music Perception , 27 , 223 – 242 . Andics, A. , Gácsi, M. , Faragó, T. , Kis, A. , & Miklósi, Á . ( 2014 ). Voice...