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oscillation

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Journal Articles
Music Perception. 2016; 333319–331 doi: https://doi.org/10.1525/mp.2016.33.3.319
Published: 01 February 2016
... auditory responses. This leads us to reevaluate the significance of frequency relationships in the perception of music. Here, we present a dynamical systems analysis of mode-locked neural oscillation that predicts cross-cultural invariances in music perception and cognition. We show that this theoretical...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception. 1998; 162169–199 doi: https://doi.org/10.2307/40285786
Published: 01 December 1998
... process cooperate to control articulation. An oscillating neural network is first constructed as an extension of the vector-integration-to-endpoint (VITE) model for voluntary control of movement. The resulting circuit exhibits volition-controlled oscillation rates. It also affords predictive control by...
Journal Articles
Music Perception. 2014; 314316–322 doi: https://doi.org/10.1525/mp.2014.31.4.316
Published: 01 April 2014
...Aleksandar Aksentijevic; Anthony Smith; Mark A. Elliott Recent evidence indicates that synchronized brain oscillations in the low gamma range (∼33 Hz) are involved in the perceptual integration of harmonic complex tones. At this rate, reaction times (RTs) are faster to targets that are not...
Journal Articles
Music Perception. 2020; 374359–362 doi: https://doi.org/10.1525/mp.2020.37.4.359
Published: 11 March 2020
... flexibility as beat-like phenomena observed in vocal learning species such as songbirds, parrots, and humans ( Patel, 2006 ). The beat is ultimately a psychological construct ( London, 2012 ) that depends upon the entrainment of internal neural oscillators (e.g., the basal ganglia in humans; Grahn, 2009...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
... of music ( Epstein, 1995 ; London, 2012 ), yet the underlying mechanisms are still not entirely understood. Internal clock models of interval timing assume an oscillating mechanism that is constantly generating pulses ( Gibbon, 1977 ; Gibbon, Curch, & Meck, 1984 ; Treisman, 1963 ). These...
Journal Articles
Music Perception. 2020; 373208–224 doi: https://doi.org/10.1525/mp.2020.37.3.208
Published: 01 February 2020
... the spectrum defines the amount of energy present at different oscillation frequencies. The peaks of this spectrum are termed partials , and typically correspond to integer multiples of the fundamental frequencies of the chord’s constituent tones. Partials separated by small frequency differences are...
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
... deviations or multiple onsets, sometimes with the consequence that the phase of the oscillation is adjusted ( Danielsen, Haugen, et al., 2015 ). Importantly, although not stated explicitly by the above theorists, we may also assume that these adjustments demand considerable attentional and cognitive...
Journal Articles
Music Perception. 1999; 163295–326 doi: https://doi.org/10.2307/40285795
Published: 01 April 1999
... Marvin and Laprade (1987), characterize contours in terms of interval content or contour subset information. The remaining two approaches quantify the global shape of the contours, through the presence of cyclical information (assessed via Fourier analysis) and the amount of oscillation (e. g., reversals...
Journal Articles
Music Perception. 2018; 362156–174 doi: https://doi.org/10.1525/mp.2018.36.2.156
Published: 01 December 2018
... speech stress and speech segmentation, leading to better perception of speech in noise. Additionally, the predictability of rhythm (meter) of songs and lyrics may play a role in the present results. Meter can entrain cortical oscillations, leading to attention shift towards, and better speech...
Journal Articles
Music Perception. 2018; 3611–23 doi: https://doi.org/10.1525/mp.2018.36.1.1
Published: 01 September 2018
... perception of rhythmic patterns . Psychological Research , 51 , 10 – 15 . DOI: 10.1007/Bf00309270 Semjen, A. , & Ivry, R. B. ( 2001 ). The coupled oscillator model of between-hand coordination in alternate-hand tapping: A reappraisal . Journal of Experimental Psychology: Human Perception and...
Includes: Supplementary data
Journal Articles
Music Perception. 2018; 354425–436 doi: https://doi.org/10.1525/mp.2018.35.4.425
Published: 01 April 2018
... structure of a context tone sequence provides expectations regard- ing the upcoming target tones (see also Large & Jones, 1999). It seems that musicians are immune to the odd- ball effect because they organize their perception of the temporal pattern in terms of internal oscillators tuned to temporal...
Journal Articles
Music Perception. 2018; 354405–424 doi: https://doi.org/10.1525/mp.2018.35.4.405
Published: 01 April 2018
... all com- parisons following guidelines provided by Barr et al. (2013). RESULTS MUSICIAN VS. LISTENERS: DIRECT COMPARISONS Figure 1 shows an example of intermittent entrainment. The movements were complex and quasiperiodic, not the simple oscillations found in pendulum swinging and rocking tasks. In...
Journal Articles
Music Perception. 2018; 354475–501 doi: https://doi.org/10.1525/mp.2018.35.4.475
Published: 01 April 2018
... corresponds to its frequency a certain time after the phys- ical onset (say, 100 ms). Third, we assume that an intended or perceived pitch exists even if the frequency of the tone is oscillating in a regular way (vibrato). Fourth, we assume that the intended frequency of a scale step is independent of its...
Journal Articles
Music Perception. 2017; 352127–143 doi: https://doi.org/10.1525/mp.2017.35.2.127
Published: 01 December 2017
... as an array of damped oscillators. The oscillators are coupled via surrounding fluid; the coupling is modeled by the method of Green s functions. Like the basilar mem- brane response in the healthy cochlea, the model response is level dependent: it is amplified at low sound levels and, as the level...
Journal Articles
Music Perception. 2017; 345557–568 doi: https://doi.org/10.1525/mp.2017.34.5.557
Published: 01 June 2017
...: Hyperion. STROGATZ, S., & STEWART, I. (1993). Coupled oscillators and biological synchronization. Scientific American, 269(6), 102-109. TAKENS, F. (1981). Detecting strange attractors in turbulence. Dynamical Systems and Turbulence, Warwick 1980, Lecture Notes in Mathematics, 898, 366. Berlin: Springer...
Journal Articles
Music Perception. 2017; 344387–404 doi: https://doi.org/10.1525/mp.2017.34.4.387
Published: 01 April 2017
Journal Articles
Music Perception. 2017; 344424–437 doi: https://doi.org/10.1525/mp.2017.34.4.424
Published: 01 April 2017
... ornamentation with pro- lific use of graces (Janakiraman, 2008; Satyanarayana, 2004). Graces are subtle and expressive, and include oscillations between notes and expressive intonations. Every ra¯gam has a distinct emotional and tonal quality, called ra¯gabha¯vam (Pesch, 2009; Satyanarayana, 2004), which is...
Journal Articles
Music Perception. 2016; 342167–182 doi: https://doi.org/10.1525/mp.2016.34.2.167
Published: 01 December 2016
... Verbal Learning test). This was possibly due to the different modalities of recall compared to learning (sung learning compared to spoken recall). However, they found learning- related changes in frontal EEG coherence in the sung condition, reflecting strengthened synchronous cortical oscillations in the...
Journal Articles
Music Perception. 2016; 34133–39 doi: https://doi.org/10.1525/mp.2016.34.1.33
Published: 01 September 2016
... rise to a higher-level representation. Another perspective that might explain the priming frommusic to language is an oscillator model. Listeners internal oscillators synchronize to an external rhythm in a dynamical systems theory (Jones & Boltz, 1989; Large & Jones, 1999; Large & Palmer, 2002). This...
Journal Articles
Music Perception. 2016; 34156–70 doi: https://doi.org/10.1525/mp.2016.34.1.56
Published: 01 September 2016