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openness-experience

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Journal Articles
Music Perception. 2020; 375373–391 doi: https://doi.org/10.1525/mp.2020.37.5.373
Published: 10 June 2020
... they had recognized during the experiment and posed open-ended questions about their impression of the sonata and rondo categories (i.e., “What words would you use to describe the rondo category?” and “What words would you use to describe the sonata category?”). Each participant’s responses...
Journal Articles
Music Perception. 2014; 315470–484 doi: https://doi.org/10.1525/mp.2014.31.5.470
Published: 01 June 2014
... of neutral melodic openings were tested using an implicit task that required participants to judge the tuning of the first note of the melodic continuation. This first note was either high or low in pitch (Experiment 1) or followed either a narrow or wide melodic interval (Experiment 2). Experiment 3...
Journal Articles
Music Perception. 2017; 345531–540 doi: https://doi.org/10.1525/mp.2017.34.5.531
Published: 01 June 2017
...Ian Quinn; Christopher Wm. White A fundamental assumption of distributional key-finding methods is that the frequency distributions of pitch classes in all keys are transpositionally equivalent. We tested this assumption with three experiments. First, using data from the openings of 995 major-key...
Journal Articles
Music Perception. 2016; 34171–93 doi: https://doi.org/10.1525/mp.2016.34.1.71
Published: 01 September 2016
... key, and open modulations, which departed from both the original and new keys, were compared. The combined results of Experiments 1 and 2 showed that the original key was retained in memory after 15-20 s in a new key. However, there was not enough evidence to conclude it persisted beyond 20 s...
Images
Published: 01 September 2019
FIGURE 1. Mean ratings for all 48 pieces In the WTC (separated by preludes and fugues) plotted across the 2D circumplex space for (a) Experiment 1 , (b) Experiment 2 , and (c) Experiment 3 . Major key pieces are shown with a cross through the circle, minor key pieces are shown with an open
Journal Articles
Music Perception. 2020; 375403–422 doi: https://doi.org/10.1525/mp.2020.37.5.403
Published: 10 June 2020
... were found between solo and joint learning. These results suggest that musical learning benefits from a shared, in-the-moment, musical experience, where responsibilities and cognitive resources are distributed between biological (i.e., peers) and hybrid (i.e., participant(s) and computer) assemblies...
Journal Articles
Music Perception. 2020; 375392–402 doi: https://doi.org/10.1525/mp.2020.37.5.392
Published: 10 June 2020
... statistical modeling with Python . Proceedings of the 9th Python in Science Conference (pp. 57 – 61 ). Austin, TX : SciPy 2010 . Sheldon , S. , & Donahue , J. ( 2017 ). More than a feeling: Characterizing the impact of emotional cues on the access and experience of autobiographical...
Journal Articles
Music Perception. 2020; 374339–346 doi: https://doi.org/10.1525/mp.2020.37.4.339
Published: 11 March 2020
...Douglas A. Kowalewski; Taylor M. Kratzer; Ronald S. Friedman Integrating methods from experimental social psychology and music perception, we tested the hypothesis that when listeners personally like a musician, they will be more inclined to experience his or her music as both provoking movement...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
...David Hammerschmidt; Clemens Wöllner The aim of the present study was to investigate if the perception of time is affected by actively attending to different metrical levels in musical rhythmic patterns. In an experiment with a repeated-measures design, musicians and nonmusicians were presented...
Journal Articles
Music Perception. 2020; 374278–297 doi: https://doi.org/10.1525/mp.2020.37.4.278
Published: 11 March 2020
... Differences in Ghanaian and American Participants Mean ( SD ) Ghana US t ( df ) 95% Confidence Intervals Age 26.00 (4.73) 21.20 (1.42) 3.257 (11.34) [1.568, 8.032]* Groove Familiarity 0.10 (1.49) 0.13 (1.35) 0.067 (20.41) [-1.223, 1.146] Dance Experience 0.02 (1.33...
Journal Articles
Music Perception. 2020; 374347–358 doi: https://doi.org/10.1525/mp.2020.37.4.347
Published: 11 March 2020
... . Pinker , S. ( 1999 ). How the mind works . New York : W. W. Norton & Company . Port , R. F. ( 2007 ). The graphical basis of phones and phonemes . In O. Bohn & M. Munro (Eds.), Language experience in second language speech learning: In honor of James Emil Flege...
Journal Articles
Music Perception. 2020; 373196–207 doi: https://doi.org/10.1525/mp.2020.37.3.196
Published: 01 February 2020
...: Effects of music training and task experience . Human Movement Science , 29 , 200 – 213 . Repp , B. H. , & Doggett , R. ( 2007 ). Tapping to a very slow beat: A comparison of musicians and nonmusicians . Music Perception , 24 , 367 – 376 . Repp , B. H. , London , J...
Journal Articles
Music Perception. 2020; 373185–195 doi: https://doi.org/10.1525/mp.2020.37.3.185
Published: 01 February 2020
... conjunction of ethnographic and historiographic perspectives . Aldershot, UK : Ashgate . Clayton , M. , Dueck , B. , & Leante , L. ( 2013 ). Experience and meaning in music performance . Oxford, UK : Oxford University Press . Cross , I. ( 2009 ) The nature of music and its...
Journal Articles
Music Perception. 2020; 373208–224 doi: https://doi.org/10.1525/mp.2020.37.3.208
Published: 01 February 2020
... such applications, it would be worth modifying Tymoczko’s (2006) algorithm to set an upper bound on the number of inferred voices. We have implemented these algorithms in an open-source software package called voicer , written for the R programming language, and coded in a mixture of R and C...
Journal Articles
Music Perception. 2019; 37295–110 doi: https://doi.org/10.1525/mp.2019.37.2.95
Published: 01 December 2019
..., appreciation for metal may depend on the inhibition by cortical circuits of a normal low-order response to auditory threat. In a series of three experiments, we show here that, at a sensory level, metal fans actually react equally negatively, equally fast, and even more accurately to cues of auditory threat in...
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
... polyrhythm) may contribute to groove by virtue of inviting the participant to “participate” with bodily movements. Note that such rhythmic complexities generate “tension” between the rhythm and the underlying meter. Such an experience could even allow the listeners' filling in of the open spaces, or metrical...
Journal Articles
Music Perception. 2012; 293311–317 doi: https://doi.org/10.1525/mp.2012.29.3.311
Published: 01 February 2012
... excerpts. However, other more positive and complex emotions such as nostalgia, peacefulness, and wonder were also evident. Furthermore, two personality traits – Openness to Experience and Empathy – were associated with liking for sad music and with the intensity of emotional responses induced by sad music...
Journal Articles
Music Perception. 2019; 37166–91 doi: https://doi.org/10.1525/mp.2019.37.1.66
Published: 01 September 2019
...FIGURE 1. Mean ratings for all 48 pieces In the WTC (separated by preludes and fugues) plotted across the 2D circumplex space for (a) Experiment 1 , (b) Experiment 2 , and (c) Experiment 3 . Major key pieces are shown with a cross through the circle, minor key pieces are shown with an open...
Journal Articles
Music Perception. 2019; 37157–65 doi: https://doi.org/10.1525/mp.2019.37.1.57
Published: 01 September 2019
..., brightness of notes can vary as a function of vowel content. In the present study, we investigated whether note-to-note changes in brightness arising from vowel content influence perception of relative pitch. In Experiment 1, three-note sequences were synthesized so that they varied with regard to the...
Journal Articles
Music Perception. 2019; 37142–56 doi: https://doi.org/10.1525/mp.2019.37.1.42
Published: 01 September 2019
... activity registered in electroencephalogram (EEG) signals on a given time instant. Our experiment's results—with 26 volunteers (13 musicians and 13 nonmusicians) who listened the classical music Hungarian Dance No. 5 from Johannes Brahms—have shown that is possible to linearly differentiate musicians and...