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non-musician

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Journal Articles
Music Perception. 2018; 355527–539 doi: https://doi.org/10.1525/mp.2018.35.5.527
Published: 01 June 2018
... music training confers an additional benefit to intelligibility. In a 2 × 2 between-subjects factorial design (fans/non-fans, musicians/nonmusicians), four groups of participants ( n = 16 per group) were presented with 24 sung words (one per trial), extracted from the popular American Death Metal band...
Includes: Supplementary data
Journal Articles
Music Perception. 2020; 373196–207 doi: https://doi.org/10.1525/mp.2020.37.3.196
Published: 01 February 2020
... from a musical task . Journal of Experimental Psychology: Human Perception and Performance , 36 , 508 – 513 . Krause , V. , Pollok , B. , & Schnitzler , A. ( 2010 ). Perception in action: The impact of sensory information on sensorimotor synchronization in musicians and non...
Journal Articles
Music Perception. 2015; 324344–354 doi: https://doi.org/10.1525/mp.2015.32.4.344
Published: 01 April 2015
... this aim, we recruited AP musicians and non-AP musicians who were either tone-language (Mandarin and Cantonese) or non-tone language speakers. Participants completed a zero- and one-back working memory task using music and non-music (control) stimuli. In general, AP participants had better accuracy and...
Journal Articles
Music Perception. 2019; 364406–430 doi: https://doi.org/10.1525/mp.2019.36.4.406
Published: 01 April 2019
... trichords of octave-complex tones were determined. In Experiment 1, 40 musicians rated how well a tone went with a preceding chord; in Experiment 2, whether the tone was in the chord. Mean ratings for nine non-chord tones were compared with predictions of four models: MFs, diatonicity, 5th-interval...
Journal Articles
Music Perception. 2017; 352144–164 doi: https://doi.org/10.1525/mp.2017.35.2.144
Published: 01 December 2017
... per- formed their role better as followers than as leaders in unison conditions, with the inverse relationship holding for non-unison performances. The second interaction (Figure 4, bottom panel) suggested that in unison per- formances, musicians rated their performances higher for unimpaired, two-way...
Journal Articles
Music Perception. 2015; 323254–265 doi: https://doi.org/10.1525/mp.2015.32.3.254
Published: 01 February 2015
... or mistuned. We found that AP musicians were more likely to bias their responses to compensate for mistunings, and that this effect was stronger after longer response delays. We also showed evidence for some implicit AP-like abilities among non-AP musicians. Our findings were predicted by the Linked...
Journal Articles
Music Perception. 2018; 361109–128 doi: https://doi.org/10.1525/mp.2018.36.1.109
Published: 01 September 2018
... auditory feedback on the timing accuracy and judgments of instrument quality for two groups of participants: professional percussionists and non-percussionist amateur musicians. The amounts of delay tested in this study are relatively small in comparison to similar studies of auditory delays in a musical...
Journal Articles
Music Perception. 2016; 342192–217 doi: https://doi.org/10.1525/mp.2016.34.2.192
Published: 01 December 2016
... segmentations by musicians and nonmusicians from nine musical pieces. In a second experiment on non-real-time segmentation, musicians indicated boundaries and their strength for six examples. Kernel density estimation was used to develop multi-scale segmentation models. Contrary to previous research, no...
Journal Articles
Music Perception. 2018; 354437–453 doi: https://doi.org/10.1525/mp.2018.35.4.437
Published: 01 April 2018
...Madeline Huberth; Takako Fujioka Some movements that musicians make are non-essential to their instrumental playing, yet express their intentions and interpretations of music’s structures. One such potential interpretation is the choice to emphasize short melodic groupings or to integrate these...
Journal Articles
Music Perception. 2019; 365457–467 doi: https://doi.org/10.1525/mp.2019.36.5.457
Published: 01 June 2019
... musician Semi-professional or Professional musician Years of Private lessons < 6 years 6-10 years > 10 years Years of Daily practice < 6 years > 6 years > 6 years College-level music tuition Not enrolled in a college music course At least enrolled in 1-2 non-major music...
Journal Articles
Music Perception. 2016; 3411–20 doi: https://doi.org/10.1525/mp.2016.34.1.1
Published: 01 September 2016
... musicians, and nonmusicians. METHOD Participants. Fifty listeners participated in Experiment 2 (10 harpsichordists, 20 nonharpsichordist musicians, and 20 nonmusicians). All of the musicians and non- musicians were recruited and tested in Montreal, Canada. Due to the limited number of harpsichordists in...
Journal Articles
Music Perception. 2001; 183371–407 doi: https://doi.org/10.1525/mp.2001.18.3.371
Published: 01 March 2001
... as already having been heard during the acquisition phase. An effect of Training was observed: Musicians gave better responses, a result that corroborates previous re- marks: Non-musicians had less capacity to counteract the effect of im- print by calling on an understanding of explicitly analytic...
Journal Articles
Music Perception. 2020; 375423–434 doi: https://doi.org/10.1525/mp.2020.37.5.423
Published: 10 June 2020
..., Taipo, Hong Kong. E-mail: willchoi@eduhk.hk OPERA hypothesis musical advantage pitch perception tone perception music-to-language transfer References Alexander , J. , Wong , P. C. M. , & Bradlow , A. R. ( 2005 ). Lexical tone perception in musicians and non...
Journal Articles
Music Perception. 2020; 375403–422 doi: https://doi.org/10.1525/mp.2020.37.5.403
Published: 10 June 2020
..., such criticism ultimately fails to appreciate the functional significance of various forms of coupling for large-scale systems, leaving the core thesis fundamentally untouched. 3 For expert musicians this might involve finding the best fingering solution for a passage they saw performed by a...
Journal Articles
Music Perception. 2020; 374323–338 doi: https://doi.org/10.1525/mp.2020.37.4.323
Published: 11 March 2020
... emotional expression in musical performance . Journal of Experimental Psychology: Human Perception and Performance , 37 ( 3 ), 921 – 934 . Boebinger , D. , Evans , S. , Rosen , S. , Lima , C. F. , Manly , T. , & Scott , S. K. ( 2015 ). Musicians and non-musicians are...
Journal Articles
Music Perception. 2020; 374339–346 doi: https://doi.org/10.1525/mp.2020.37.4.339
Published: 11 March 2020
...Douglas A. Kowalewski; Taylor M. Kratzer; Ronald S. Friedman Integrating methods from experimental social psychology and music perception, we tested the hypothesis that when listeners personally like a musician, they will be more inclined to experience his or her music as both provoking movement...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
... estimations, since the non-temporal features should affect the perception of the most salient beat (e.g., Boltz, 2011 ). Furthermore, 4) we assumed that time is perceived to last longer for musicians than nonmusicians, since fewer cognitive resources are needed to synchronize with a specific metrical level...
Journal Articles
Music Perception. 2013; 304369–390 doi: https://doi.org/10.1525/mp.2013.30.4.369
Published: 01 April 2013
... repertoire.11 Our participants were also not experts in the performance of non-Western music where such patterns are more frequent (e.g., music from the African diaspora). More- over, when such passages do occur in Western music, musicians may not deal with them by dividing their attention in the way that...
Journal Articles
Music Perception. 2020; 374363–365 doi: https://doi.org/10.1525/mp.2020.37.4.363
Published: 11 March 2020
... phonetic distinctions that produce vowels and consonants—derive from nuances of spectral information, equivalent to what musicians would call timbre. Moreover, speech contains important rhythmic and melodic features that not only contribute to meaning but also, tellingly, expose the most fluent second...
Journal Articles
Music Perception. 2020; 374278–297 doi: https://doi.org/10.1525/mp.2020.37.4.278
Published: 11 March 2020
.... , Leante , L. , & Berg , E. ( 2015 ). Pulse and entrainment to non-isochronous auditory stimuli: The case of North Indian alap . PLOS ONE , 10 , e0123247 . Witek , M. A. G. ( 2017 ). Filling in: Syncopation, pleasure and distributed embodiment in groove . Music Analysis...