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Journal Articles
Music Perception. 2020; 375423–434 doi: https://doi.org/10.1525/mp.2020.37.5.423
Published: 10 June 2020
... English musicians consistently outperformed English nonmusicians in perceiving a variety of Cantonese tones. In an AXB discrimination task, the musicians exhibited superior discriminatory performance over the nonmusicians only in the high level, high rising, and mid-level tone contexts. Similarly, in a...
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Published: 10 June 2020
Figure 2. The mean accuracies of the musicians and the nonmusicians across the six Cantonese tone contexts. * p < .05; † p = .085; ‡ p = .082. Error bars denote 95% confidence intervals.
Images
Published: 10 June 2020
Figure 5. The mean accuracies of the musicians and the nonmusicians across the vowel, level tone and contour tone contexts. ** p < .01.
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Published: 11 March 2020
Figure 1. Proportion of correct emotion judgements given by musicians and nonmusicians in the three stimuli modalities when collapsing across emotion. Error bars represent standard errors.
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Published: 11 March 2020
Figure 2. Mean reaction time (s) of emotion judgements given by musicians and nonmusicians in response to happy and angry clips when collapsing across stimuli modality. Error bars represent standard errors.
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Published: 11 March 2020
Figure A1. Mean reaction time (s) for correct emotion judgements given by musicians and nonmusicians in response to happy and angry clips when collapsing across stimuli modality. Error bars represent standard errors.
Journal Articles
Music Perception. 2019; 363289–299 doi: https://doi.org/10.1525/mp.2019.36.3.289
Published: 01 February 2019
...Miriam Iorwerth; Don Knox C lassical musicians in ensembles are accustomed to performing in the same physical space. However, situations such as networked music performance (NMP) require physical separation with audio and sometimes video links. Effects of latency on synchronization have been...
Journal Articles
Music Perception. 2018; 361109–128 doi: https://doi.org/10.1525/mp.2018.36.1.109
Published: 01 September 2018
... auditory feedback on the timing accuracy and judgments of instrument quality for two groups of participants: professional percussionists and non-percussionist amateur musicians. The amounts of delay tested in this study are relatively small in comparison to similar studies of auditory delays in a musical...
Journal Articles
Music Perception. 2018; 354425–436 doi: https://doi.org/10.1525/mp.2018.35.4.425
Published: 01 April 2018
... Experiment 1, the oddball method was used, in which an oddball stimulus is embedded in a series of standard stimuli and randomly positioned in each trial. In Experiment 2, the oddball position was stable and its deviancy varied from trial to trial. Musician and nonmusician participants were asked to judge...
Journal Articles
Music Perception. 2018; 354405–424 doi: https://doi.org/10.1525/mp.2018.35.4.405
Published: 01 April 2018
... University of California 2018 19 1 2017 22 11 2017 synchronization entrainment postural sway music performance music listening HOW MUSIC MOVES US: ENTRAINING TO MUSICIANS MOVEMENTS ALEXANDER P. DEMOS & ROGER CHAFFIN University of Connecticut WE MEASURED THE POSTURAL SWAY OF TWO...
Journal Articles
Music Perception. 2018; 353315–331 doi: https://doi.org/10.1525/mp.2018.35.3.315
Published: 01 February 2018
... third interval, making it similar to a major chord. We investigated how distortion affects cortical auditory processing of chords in musicians and nonmusicians. Electric guitar chords with or without distortion and with or without the interval of the major third (i.e., triads or dyads) were presented in...
Journal Articles
Music Perception. 2018; 353364–375 doi: https://doi.org/10.1525/mp.2018.35.3.364
Published: 01 February 2018
... evaluator’s musical expertise mediates this effect. An opportunity sample of thirty-four musicians (8 male, 26 female M age = 26.4 years) and 26 nonmusicians (6 male, 20 female, M age = 44.0 years) rated four video clips for technical proficiency, musicality, and overall performance quality using 7-point...
Journal Articles
Music Perception. 2017; 35138–59 doi: https://doi.org/10.1525/mp.2017.35.1.38
Published: 01 September 2017
... instrumentation, musical form, style, and familiarity. We collected a wide range of subjective responses from 30 highly trained musicians to music varying along the affective dimensions of arousal and valence. Experiment 2 examined a set of psychophysiological correlates of emotion in 20 different musicians by...
Journal Articles
Music Perception. 2017; 344424–437 doi: https://doi.org/10.1525/mp.2017.34.4.424
Published: 01 April 2017
... TEACHER MUSICIANS: A CROSS-CULTURAL STUDY RACHNA RAMAN & W. JAY DOWLING The University of Texas at Dallas MODULATION, A SHIFT IN MODE (RA¯GAM), IS important in South Indian classical (Carna¯tic) music. Here we investigate the sensitivity of Carna¯tic andWest- ern listeners to such shifts. Carna¯tic music...
Journal Articles
Music Perception. 2016; 342183–191 doi: https://doi.org/10.1525/mp.2016.34.2.183
Published: 01 December 2016
...Francesca Talamini; Barbara Carretti; Massimo Grassi Musicians have superior performances compared to nonmusicians in many auditory perception tasks. This superiority extends to memory tasks such as the digit span. Literature suggests that the musicians’ advantage unfolds along two axes: sensory...
Journal Articles
Music Perception. 2016; 34194–103 doi: https://doi.org/10.1525/mp.2016.34.1.94
Published: 01 September 2016
... shown a comparable result for the rhythmic patterns of the spontaneous speech and instrumental music of musicians who speak different dialects of English, such that within-dialect speech and music rhythms are more similar to one another than are across-dialect rhythms. We extend the latter finding by...
Journal Articles
Music Perception. 2016; 333367–393 doi: https://doi.org/10.1525/mp.2016.33.3.367
Published: 01 February 2016
...Rachna Raman; W. Jay Dowling We used Toiviainen and Krumhansl’s (2003) concurrent probe-tone technique to track Indian and Western musicians’ tonal-hierarchy profiles through modulations in Carnātic (South Indian classical) music. Changes of mode (rāgam) are particularly interesting in Carnātic...
Journal Articles
Music Perception. 2019; 365457–467 doi: https://doi.org/10.1525/mp.2019.36.5.457
Published: 01 June 2019
...) were analyzed. The OMSI musician rank item (“ Which title best describes you? ”) was observed to be the best SIM for predicting OMSI and Gold-MSI scores. Analysis of the OMSI item indicated three parsimonious musical identity categories (MIC); namely, no musical identity (NMI), musical identity (MI...
Journal Articles
Music Perception. 2015; 324344–354 doi: https://doi.org/10.1525/mp.2015.32.4.344
Published: 01 April 2015
... this aim, we recruited AP musicians and non-AP musicians who were either tone-language (Mandarin and Cantonese) or non-tone language speakers. Participants completed a zero- and one-back working memory task using music and non-music (control) stimuli. In general, AP participants had better accuracy and...
Journal Articles
Music Perception. 2014; 32151–66 doi: https://doi.org/10.1525/mp.2014.32.1.51
Published: 01 September 2014
...Laura Bishop; Freya Bailes; Roger T. Dean Musicians anticipate and monitor the expressive effects of their actions during performance. Previous research suggests that the ability to imagine desired outcomes can partially compensate when auditory feedback is absent, permitting continued performance...