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music-induced-emotions-0

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Journal Articles
Music Perception (2020) 37 (4): 323–338.
Published: 11 March 2020
...Eliot Farmer; Crescent Jicol; Karin Petrini Music expertise has been shown to enhance emotion recognition from speech prosody. Yet, it is currently unclear whether music training enhances the recognition of emotions through other communicative modalities such as vision and whether it enhances the...
Journal Articles
Music Perception (2020) 37 (3): 240–258.
Published: 01 February 2020
..., and whether the passages have been used in studies about perceived or induced emotion. The results suggest that the literature relies on nine emotional terms, focuses more on perceived emotion than on induced emotion, and contains mostly short musical stimuli. I suggest that some of the inconclusive...
Journal Articles
Music Perception (2020) 37 (4): 298–322.
Published: 11 March 2020
.... , & Ricci Bitti , P. E. ( 2004 ). Interval distributions, mode, and tonal strength of melodies as predictors of perceived emotion . Music Perception , 22 , 1 – 14 . https://doi.org/10.1525/mp.2004.22.1.1 Costa , M. , Ricci Bitti , P. E. , & Bonfiglioli , L. ( 2000...
Journal Articles
Music Perception (2020) 37 (4): 263–277.
Published: 11 March 2020
... time perception using musical stimuli should take the beat salience of the music into consideration. Complex musical structures may induce inter-and intraindividual ambiguity in perceived tempi, which correspondingly affects perceived time. The results might also be of particular interests for the...
Journal Articles
Music Perception (2020) 37 (4): 278–297.
Published: 11 March 2020
.... ( 1995 ). Statistical analysis of circular data . Cambridge, UK : Cambridge University Press . Fritz , T. , Jentschke , S. , Gosselin , N. , Sammler , D. , Peretz , I. , Turner , R. , et al. ( 2009 ). Universal recognition of three basic emotions in music . Current...
Journal Articles
Music Perception (2019) 37 (2): 134–146.
Published: 01 December 2019
...Weixia Zhang; Fang Liu; Linshu Zhou; Wanqi Wang; Hanyuan Jiang; Cunmei Jiang T imbre is an important factor that affects the perception of emotion in music. To date, little is known about the effects of timbre on neural responses to musical emotion. To address this issue, we used ERPs to...
Journal Articles
Music Perception (2019) 37 (2): 147–164.
Published: 01 December 2019
... perception quantitative analysis A preeminent function of music is its engagement with emotions ( Huron, 2006 ). Music cannot be composed, performed, or listened to without affective involvement ( Juslin & Sloboda, 2001 ). The way various features of a musical composition such as pitch, harmony...
Journal Articles
Music Perception (2019) 37 (2): 111–133.
Published: 01 December 2019
...Jo Fougner Skaansar; Bruno Laeng; Anne Danielsen T he present study tested two assumptions concerning the auditory processing of microtiming in musical grooves (i.e., repeating, movement-inducing rhythmic patterns): 1) Microtiming challenges the listener's internal framework of timing regularities...
Journal Articles
Music Perception (2019) 37 (1): 66–91.
Published: 01 September 2019
...) Approximately how many hours a week do you spend practicing/performing/jamming (as opposed to listening) to music? ______(0-1)  ______(1-5)  ______(5-10)  ______(10-15)  ______(15-20)  ______(>20) 7) Approximately how many hours a week do you spend listening to (as opposed to practicing or performing...
Journal Articles
Music Perception (2019) 37 (1): 26–41.
Published: 01 September 2019
... synchronization: A review of the tapping literature . Psychonomic Bulletin and Review 12 ( 6 ), 969 – 992 . Schaeffer, P. ( 1966 ). Traité des objets musicaux . Paris, France : Éditions Du Seuil . Schubert, E. ( 2001 ). Continuous measurement of self-report emotional response to music . In P...
Journal Articles
Music Perception (2019) 36 (4): 390–405.
Published: 01 April 2019
...: Reference values and determinants . Age and Ageing , 26 ( 1 ), 15 – 19 . Burger, B. , Thompson, M. R. , Luck, G. , Saarikallio, S. , & Toiviainen, P. ( 2013 ). Influences of rhythm- and timbre-related musical features on characteristics of music-induced movement . Frontiers in Psychology...
Journal Articles
Music Perception (2019) 36 (3): 314–330.
Published: 01 February 2019
... University Press , 2011 ] Gabrielsson, A. ( 2010 ). Strong experiences with music . In P. N. Juslin & J. A. Sloboda (Eds.), Handbook of music and emotion: Theory, research, applications (pp. 547 – 574 ). Oxford, UK : Oxford University Press . Gordon, E. ( 1984 ). Learning sequences...
Journal Articles
Music Perception (2018) 36 (2): 217–242.
Published: 01 December 2018
... Neurosis Casting Of The Ages Metal  3 John Fahey Steamboat Gwine Round de Bend Folk  0 Fleetwood Mac Albatross Blues  0 Billy Strange If I Were Free Country  0 Eckbank Zithermusi Simmerl German folk music −5 Four Tet She Moves She Electronica −3 DJ CAM Mad Blunted Jazz...
Journal Articles
Music Perception (2018) 35 (4): 502–517.
Published: 01 April 2018
...); TEMP ¼ finger temperature ( C); CORR ¼ corrugator electromyographic activity (mV); ZYG ¼ zygomaticus electromyographic activity (mV). *p < .025; **p .005; p < .0005 TABLE 2. Means and Standard Deviations of Emotional Experience Ratings (0-300) Before and After Listening to Happy and Sad Music...
Journal Articles
Music Perception (2018) 35 (4): 454–474.
Published: 01 April 2018
...) 9 2 11 Other (e.g., dancing, music therapy, composition, etc.) 13 13 26 Not clearly specified 14 0 14 Total 105 97 202 Type of music-making activitya Voice only 26 37 63 Instrument only 15 12 27 Mixed voice and instrument (or where the activity was broadly stated as music-making without further...
Journal Articles
Music Perception (2018) 35 (4): 405–424.
Published: 01 April 2018
...-correlation values, each between 0 and 1, representing beat synchrony for each whole-number ratio between 1:1 and 1:18. Then, to assess whether movements followed the musical beat in the same way in different performances, we correlated beat vectors from different performances of the same piece in the same...
Journal Articles
Music Perception (2018) 35 (4): 437–453.
Published: 01 April 2018
...Madeline Huberth; Takako Fujioka Some movements that musicians make are non-essential to their instrumental playing, yet express their intentions and interpretations of music’s structures. One such potential interpretation is the choice to emphasize short melodic groupings or to integrate these...
Journal Articles
Music Perception (2018) 35 (4): 425–436.
Published: 01 April 2018
... violinists, 3 guitarists, 2 percussionists, and 2 lutenists. They had professional training for at least 12 years (M ¼ 13.8, SD ¼ 4.0) and reported direct involve- ment with music between 40 and 50 hours per week. 300 400 500 600 700 0 20 40 60 80 100 Lo ng er R es po ns es ( % ) Comparison Durations (ms...
Journal Articles
Music Perception (2018) 35 (3): 332–363.
Published: 01 February 2018
...Zachary Wallmark; Marco Iacoboni; Choi Deblieck; Roger A. Kendall Timbre plays an essential role in transmitting musical affect, and in recent years, our understanding of emotional expression in music has been enriched by contributions from the burgeoning field of embodied music cognition. However...
Includes: Supplementary data
Journal Articles
Music Perception (2018) 35 (3): 253–294.
Published: 01 February 2018
... music, breaking the temporal alignment between responses should result in less extreme activity levels. If we shift each individual response by a random amount of time (say some interval sampled between 0 to 30 s, hereafter referred to as the shuffling range), this alternative alignment of our real...