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music-experts

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Journal Articles
Music Perception. 2017; 344489–495 doi: https://doi.org/10.1525/mp.2017.34.4.489
Published: 01 April 2017
... of music expertise in evaluating operatic singing voices, listeners without music training were compared with the music experts examined in a recent study (Larrouy-Maestri, Magis, & Morsomme, 2014a) and their ratings were modeled with regard to underlying acoustic variables of pitch accuracy. As...
Journal Articles
Music Perception. 2014; 32151–66 doi: https://doi.org/10.1525/mp.2014.32.1.51
Published: 01 September 2014
... even though information about whether these outcomes are realized is unavailable. Research also suggests that musical imagery ability improves with increasing musical expertise. This study tested the hypothesis that expert musicians’ superior imagery abilities enable reduced reliance on auditory...
Journal Articles
Music Perception. 2014; 3211–10 doi: https://doi.org/10.1525/mp.2014.32.1.1
Published: 01 September 2014
... acoustical signals. Twenty-two music experts were asked to evaluate the vocal pitch accuracy of 14 sung performances with a pairwise comparison paradigm, in a test and a retest. In addition to the objective measurement of pitch accuracy (pitch interval deviation), several performance parameters (average...
Journal Articles
Music Perception. 2017; 343267–290 doi: https://doi.org/10.1525/mp.2017.34.3.267
Published: 01 February 2017
... asked two makam music experts to segment all pieces first on perceptual grounds and in a second run on musicological grounds. The main reason to have our experts do a second musicological segmenta- tion was to decontaminate the perceptual markings from musicological influences as much as possible...
Journal Articles
Music Perception. 2016; 335662–678 doi: https://doi.org/10.1525/mp.2016.33.5.662
Published: 01 June 2016
... each rater can more clearly detect variability in rater judgment and improve model-data fit, thereby enhancing objectivity, fairness, and precision of rating quality in the music assessment process. Expert judges ( N = 23) rated a set of four recordings by middle school, high school, collegiate, and...
Journal Articles
Music Perception. 2018; 362201–216 doi: https://doi.org/10.1525/mp.2018.36.2.201
Published: 01 December 2018
... gestures. The main hypothesis was that the ancillary gestures employed recurrently by expert musicians are closely related to their sounded expressive intentions, and that the larger expressive acoustic deviations imposed by them according to the music structure are reflected in their gestural patterns...
Journal Articles
Music Perception. 2011; 292173–183 doi: https://doi.org/10.1525/mp.2011.29.2.173
Published: 01 December 2011
...Lucy L. M. Patston; Lynette J. Tippett there is debate about the extent of overlap between music and language processing in the brain and whether these processes are functionally independent in expert musicians. A language comprehension task and a visuospatial search task were administered to 36...
Journal Articles
Music Perception. 2013; 305497–510 doi: https://doi.org/10.1525/mp.2013.30.5.497
Published: 01 June 2013
..., untrained listeners and experts listened to all combinations of same and different music and microtiming style and magnitude combinations, and rated liking, groove, naturalness, and speed. Contrary to a common and frequently expressed belief in the literature, systematic microtiming led to decreased groove...
Journal Articles
Music Perception. 2013; 303275–290 doi: https://doi.org/10.1525/mp.2012.30.3.275
Published: 01 February 2013
... strategies with the exception of physically playing a real piano. Practice and performances were video documented and expert rated; practice strategies were reported in researcher-developed questionnaires. The use of MP alone led to successful music learning. MP combined with PP produced results that were...
Journal Articles
Music Perception. 2009; 264321–334 doi: https://doi.org/10.1525/mp.2009.26.4.321
Published: 01 April 2009
... reliable results were, (b) how results would change if listeners' attention changed from nondirected (NDL) to directed listening (DL), and (c) whether the perception of clash of keys is influenced by the musical style of the particular composition. Participants included 101 expert listeners and 147...
Journal Articles
Music Perception. 2015; 323293–302 doi: https://doi.org/10.1525/mp.2015.32.3.293
Published: 01 February 2015
...Steven M. Demorest; Peter Q. Pfordresher The development of singing accuracy, and the relative role of training versus maturation, is a central issue for both music educators and those within music cognition. Although various studies have focused on singing accuracy in different age groups, to date...
Journal Articles
Music Perception. 1997; 143227–262 doi: https://doi.org/10.2307/40285720
Published: 01 April 1997
...J. David Smith Music science typically and naturally focuses on experts' perceptual, cognitive, and aesthetic responses to music. Novices receive far less empirical and theoretical attention. This asymmetry could eventually constrain or limit the discipline. To illustrate this point, existing data...
Journal Articles
Music Perception. 2015; 323232–241 doi: https://doi.org/10.1525/mp.2015.32.3.232
Published: 01 February 2015
... a model of dorsal and ventral pathways in auditory-motor integration that enables singing and is shared with language, music, speech, and human interactions in the auditory environment. © 2015 by The Regents of the University of California 2015 6 6 2014 1 10 2014 Psyche Loui...
Journal Articles
Music Perception. 1987; 44373–391 doi: https://doi.org/10.2307/40285380
Published: 01 July 1987
...J. David Smith One can distinguish a culturally valued aesthetic response to music's intrinsic syntax from a culturally devalued aesthetic response to music's more extrinsic meaning. Experts probably hold a highly syntactic aesthetic ideal. By some accounts, novice listeners hold a less syntactic...
Journal Articles
Music Perception. 2009; 263247–256 doi: https://doi.org/10.1525/mp.2009.26.3.247
Published: 01 February 2009
... recorded while participants, experts and nonexperts in TSUs, were listening to pairs of TSUs and were asked to determine whether the target TSU evoked the same or a different concept than the prime TSU. Target TSUs were either congruous (i.e., they developed the same musical concept as the prime TSUs) or...
Journal Articles
Music Perception. 1999; 172223–239 doi: https://doi.org/10.2307/40285892
Published: 01 December 1999
... detailed way, using unfamiliar musical stimuli, and to compare the responses of trained listen- ers (experts) with those of untrained ones (nonexperts). The present study is among the first to investigate mode inference in the spirit of the aforementioned recommendation. As will be clear, our experi...
Journal Articles
Music Perception. 2020; 374323–338 doi: https://doi.org/10.1525/mp.2020.37.4.323
Published: 11 March 2020
...Eliot Farmer; Crescent Jicol; Karin Petrini Music expertise has been shown to enhance emotion recognition from speech prosody. Yet, it is currently unclear whether music training enhances the recognition of emotions through other communicative modalities such as vision and whether it enhances the...
Journal Articles
Music Perception. 2020; 374298–322 doi: https://doi.org/10.1525/mp.2020.37.4.298
Published: 11 March 2020
...Marco Costa; Mattia Nese Perceived valence, tension, and movement of harmonic musical intervals (from the unison to the octave presented in a low- and high-register) and standard noises (brown, pink, white, blue, purple) were assessed in two studies that differed in the crossmodal procedure by...
Journal Articles
Music Perception. 2020; 373183–184 doi: https://doi.org/10.1525/mp.2020.37.3.183
Published: 01 February 2020
...-talent-everyone-can-sing-74047 Demorest , S. M. , & Clements , A. ( 2007 ). Factors influencing the pitch matching of junior high boys . Journal of Research in Music Education , 55 ( 3 ), 190 – 203 . http://doi.org/10.1177/002242940705500302 Demorest S. M. , Kelley , J...
Journal Articles
Music Perception. 2020; 373240–258 doi: https://doi.org/10.1525/mp.2020.37.3.240
Published: 01 February 2020
..., & Chen, 2007 60 Note: Not all of studies labeled which study they used to choose their stimuli. The sources in italics were labeled as “experimenter/expert chosen.” For the complete reference, please see the References. Table 3. List of Musical Styles or Genres Used in 306 Studies on...