Search Results for music-analysis
1-20 of 1100 Search Results for
Music Perception. 1984; 22237–244 doi: https://doi.org/10.2307/40285293
Published: 01 December 1984
...Stephen Walsh Written by a musician untrained in psychology, this article draws attention to problems arising from the separation of the disciplines of perceptual psychology and musical analysis. Psychologists are apt to make prescriptions about the nature of music based on a narrow and often...
Music Perception. 2018; 353253–294 doi: https://doi.org/10.1525/mp.2018.35.3.253
Published: 01 February 2018
...Finn Upham; Stephen McAdams Music affects us physically and emotionally. Determining when changes in these reactions tend to manifest themselves can help us understand how and why. Activity Analysis quantifies alignment of response events across listeners and listenings through continuous responses...
Music Perception. 2016; 335662–678 doi: https://doi.org/10.1525/mp.2016.33.5.662
Published: 01 June 2016
... precision through the analysis of rating scale category structure across a set of raters and items within the context of large-group music performance assessment using a Multifaceted Rasch Partial Credit (MFR-PC) Measurement Model. Allowing for separate parameterization estimation of the rating scale for...
Music Perception. 1983; 12129–199 doi: https://doi.org/10.2307/40285255
Published: 01 December 1983
...Eugene Narmour Level-analysis in the field of music theory today is rarely hierarchical, at least in the strict sense of the term. Most current musical theories view levels systemically. One problem with this approach is that it usually does not distinguish compositional structures from perceptual...
Music Perception. 2011; 29123–36 doi: https://doi.org/10.1525/mp.2011.29.1.23
Published: 01 September 2011
... available in a database that is fully searchable or sortable by interested researchers. © 2011 by The Regents of the University of California 2011 27 January 2011 25 June 2011 music perception music cognition historical analysis trend analysis meta-analysis Music Perception...
Music Perception. 2016; 3411–20 doi: https://doi.org/10.1525/mp.2016.34.1.1
Published: 01 September 2016
...Meghan Goodchild; Bruno Gingras; Stephen McAdams This study focuses on the relationships between music analysis, performance, and tension perception. Part 1 examines harpsichordists’ analyses and performances of an unmeasured prelude—a semi-improvisatory genre open to interpretive freedom. Twelve...
Music Perception. 2013; 31110–18 doi: https://doi.org/10.1525/mp.2013.31.1.10
Published: 01 September 2013
... successive events in a sequence. While the nPVI is increasingly used for comparative studies of rhythm in music and language, we show that it can also be used for historical research. A historical analysis of musical nPVI values from German/Austrian and Italian instrumental classical music between ∼1600-1900...
Music Perception. 2017; 352144–164 doi: https://doi.org/10.1525/mp.2017.35.2.144
Published: 01 December 2017
... Lembke, currently at De Montfort University, Clephan Building, Room 00.07b, Leicester LE1 9BH, United Kingdom; email: email@example.com ensemble coordination music performance timbre blend spectrum BLENDING BETWEEN BASSOON AND HORN PLAYERS: AN ANALYSIS OF TIMBRAL ADJUSTMENTS DURING...
Music Perception. 2012; 302129–146 doi: https://doi.org/10.1525/mp.2012.30.2.129
Published: 01 December 2012
... people singing along was recorded for each of the 1,054 “song events,” serving as the dependent variable. In addition, musical analysis was carried out on the songs of a subset of 332 song events. Nine contextual factors as well as 32 musical features of the songs were considered as different categories...
Music Perception. 2012; 30171–83 doi: https://doi.org/10.1525/mp.2012.30.1.71
Published: 01 September 2012
... unquantified in terms of effect size estimations. Based on a meta-analysis of 15 aggregated studies on audio-visual music perception (total N = 1,298), we calculated the average effect size of the visual component in music performance appreciation by subtracting ratings for the audio-only condition from those...
Music Perception. 2012; 294359–375 doi: https://doi.org/10.1525/mp.2012.29.4.359
Published: 01 April 2012
... intensity time series analysis Perceptual Responses to Electroacoustic Music 359 not all musical styles have been explored. Here we specifically seek a potentially mechanistic understanding of what influence particular acoustic features may have on listener perceptions; in contrast to studies such as...
Music Perception. 2010; 28193–111 doi: https://doi.org/10.1525/mp.2010.28.1.93
Published: 01 September 2010
... information, and incomplete accounts of variability. In this study, we tackle these problems using concepts from topology to analyze gestural relationships in space. The Topological Gesture Analysis (TGA) relies on the projection of musical cues onto gesture trajectories, which generates point clouds in a...
Music Perception. 2019; 365457–467 doi: https://doi.org/10.1525/mp.2019.36.5.457
Published: 01 June 2019
...) were analyzed. The OMSI musician rank item (“ Which title best describes you? ”) was observed to be the best SIM for predicting OMSI and Gold-MSI scores. Analysis of the OMSI item indicated three parsimonious musical identity categories (MIC); namely, no musical identity (NMI), musical identity (MI...
Music Perception. 2019; 364371–389 doi: https://doi.org/10.1525/mp.2019.36.4.371
Published: 01 April 2019
... sections of the music were associated with significantly higher skin conductance response than other sections of the break routine. Analysis confirms correlation between specific acoustic and musical features and peak-response as observed with other music genres, and also identifies novel musical...
Music Perception. 2005; 232137–152 doi: https://doi.org/10.1525/mp.2005.23.2.137
Published: 01 December 2005
..., movement tracking, and performance tempo curves. Functional Data Analysis tools are demonstrated with real-time judgments of musical tension (a proxy for musical affect) to reveal patterns of tension and resolution in a listener's experience. The derivatives of tension judgment curves are shown to change...
Music Perception. 2020; 374363–365 doi: https://doi.org/10.1525/mp.2020.37.4.363
Published: 11 March 2020
... examples both musical and linguistic, which suggest a usefully expanded category: “collaborative vocality.” At the same time, I also propose a distinctly musical account of joint speech that ultimately affirms the conventional separation between music and language. Central to this account is an analysis of...
Music Perception. 2020; 375373–391 doi: https://doi.org/10.1525/mp.2020.37.5.373
Published: 10 June 2020
... reported that rondos sounded happier than sonatas. Overall, these results suggest that classical formal types have distinct stylistic and affective conventions. Table 4. Content Analysis for Descriptions of Musical Features Table 5. Content Analysis for Descriptions of Character...
Music Perception. 2003; 212159–216 doi: https://doi.org/10.1525/mp.2003.21.2.159
Published: 01 December 2003
... Rights and Permissions, University of California Press, 2000 Center St., Ste. 303, Berkeley, CA 94704-1223. Aural Analysis of Arabic Improvised Instrumental Music (Taqs ¯m) M O N D H E R AYA R I Institut Supérieur de Musique de Sousse, Tunisia Institut de Recherche et Coordination Acoustique/Musique...
Music Perception. 2003; 211135–153 doi: https://doi.org/10.1525/mp.2003.21.1.135
Published: 01 September 2003
... dynamics: A model of musical expression. Jour- nal of the Acoustical Society of America, 91, 3540 3550. Lawrence M. Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis. Oxford: Oxford University Press, 2002, 360 pp., ISBN 0-19-514023-0, $50 (hardback) How [is it] that we can make...
Music Perception. 1985; 3159–86 doi: https://doi.org/10.2307/40285322
Published: 01 October 1985
... analysis and synthesis in studies of music performance and its relationship to listeners' experience of the music. The model means that music performance is analyzed with regard to various physical properties, and their relationships to listeners' experience are investigated by means of synthesized sound...