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Images
Published: 01 December 2019
FIGURE 4. Effect of cognitive load on preference for metal music, in both metal fans and non-fans ( Experiment 3 ), top: all trials, bottom left: trials with slow responses, bottom right: trials with fast responses. While cognitive load had no effect on slow responses, the manipulation had an
Images
Published: 01 June 2019
FIGURE 3. Plot of college-level music tuition score according to musical identity category (MIC) for instrumentally skilled participants (left) and all participants (right). Error bars indicate ±1 standard error of the mean. FIGURE 3. Plot of college-level music tuition score according to
Images
Published: 01 April 2019
FIGURE 7. Participants’ self-reported pleasure for the four music excerpts. FIGURE 7. Participants’ self-reported pleasure for the four music excerpts.
Images
Published: 01 February 2019
FIGURE 3. Structural positioning of Release (<) in internally listened music: combinations with Looping and Increase of intensity. FIGURE 3. Structural positioning of Release (<) in internally listened music: combinations with Looping and Increase of intensity.
Journal Articles
Music Perception. 2018; 353376–399 doi: https://doi.org/10.1525/mp.2018.35.3.376
Published: 01 February 2018
...Tan-Chyuan Chin; Eduardo Coutinho; Klaus R. Scherer; Nikki S. Rickard Music engagement is complex and is influenced by music training, capacity, preferences, and motivations. A multi-modular self-report instrument (the Music Use and Background Questionnaire, or MUSEBAQ) was developed to measure a...
Includes: Supplementary data
Journal Articles
Music Perception. 2016; 334515–517 doi: https://doi.org/10.1525/mp.2016.33.4.515
Published: 01 April 2016
...Rory Allen; Pamela Heaton © 2016 by The Regents of the University of California 2016 You Are The Music: How Music Reveals What It Means To Be Human By Victoria Williamson London, United Kingdom : Icon Books , 2015 Music, Thought, and Feeling: Understand The Psychology Of...
Journal Articles
Music Perception. 2020; 375403–422 doi: https://doi.org/10.1525/mp.2020.37.5.403
Published: 10 June 2020
...Andrea Schiavio; Jan Stupacher; Richard Parncutt; Renee Timmers In an experimental study, we investigated how well novices can learn from each other in situations of technology-aided musical skill acquisition, comparing joint and solo learning, and learning through imitation, synchronization, and...
Journal Articles
Music Perception. 2020; 375392–402 doi: https://doi.org/10.1525/mp.2020.37.5.392
Published: 10 June 2020
...Amy M. Belfi; Elena Bai; Ava Stroud The study of music-evoked autobiographical memories (MEAMs) has grown substantially in recent years. Prior work has used various methods to compare MEAMs to memories evoked by other cues (e.g., images, words). Here, we sought to identify which methods could...
Journal Articles
Music Perception. 2018; 355579–593 doi: https://doi.org/10.1525/mp.2018.35.5.579
Published: 01 June 2018
...Sean Hutchins Adult musicians tend to outperform nonmusicians in a variety of language and language-relevant tasks. Moreover, children who take music lessons will show an increased ability in several types of language skills. However, it is still unclear what the time course of these developmental...
Journal Articles
Music Perception. 2020; 374339–346 doi: https://doi.org/10.1525/mp.2020.37.4.339
Published: 11 March 2020
...Douglas A. Kowalewski; Taylor M. Kratzer; Ronald S. Friedman Integrating methods from experimental social psychology and music perception, we tested the hypothesis that when listeners personally like a musician, they will be more inclined to experience his or her music as both provoking movement...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
...David Hammerschmidt; Clemens Wöllner The aim of the present study was to investigate if the perception of time is affected by actively attending to different metrical levels in musical rhythmic patterns. In an experiment with a repeated-measures design, musicians and nonmusicians were presented...
Images
Published: 11 March 2020
Figure 12. Estimated marginal means and 95% confidence intervals for musical intervals valence ratings as a function of register.
Journal Articles
Music Perception. 2020; 373185–195 doi: https://doi.org/10.1525/mp.2020.37.3.185
Published: 01 February 2020
... Trehub; Michael Veal; Melanie Wald-Fuhrmann Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require...
Journal Articles
Music Perception. 2020; 373240–258 doi: https://doi.org/10.1525/mp.2020.37.3.240
Published: 01 February 2020
...Lindsay A. Warrenburg When designing a new study regarding how music can portray and elicit emotion, one of the most crucial design decisions involves choosing the best stimuli. Every researcher must find musical samples that are able to capture an emotional state, are appropriate lengths, and have...
Journal Articles
Music Perception. 2020; 373225–239 doi: https://doi.org/10.1525/mp.2020.37.3.225
Published: 01 February 2020
...Rie Matsunaga; Pitoyo Hartono; Koichi Yokosawa; Jun-ichi Abe Tonal schemata are shaped by culture-specific music exposure. The acquisition process of tonal schemata has been delineated in Western mono-musical children, but cross-cultural variations have not been explored. We examined how Japanese...
Journal Articles
Music Perception. 2019; 364353–370 doi: https://doi.org/10.1525/mp.2019.36.4.353
Published: 01 April 2019
... new measure of syncopation that incorporates syllabic stress; we also propose a measure of anticipatory syncopation, and show that it reveals a strong presence of this type of syncopation in rock music. We then use these measures to explore other aspects of syncopation in rock, including its...
Journal Articles
Music Perception. 2019; 37295–110 doi: https://doi.org/10.1525/mp.2019.37.2.95
Published: 01 December 2019
...FIGURE 4. Effect of cognitive load on preference for metal music, in both metal fans and non-fans ( Experiment 3 ), top: all trials, bottom left: trials with slow responses, bottom right: trials with fast responses. While cognitive load had no effect on slow responses, the manipulation had an...
Journal Articles
Music Perception. 2019; 372147–164 doi: https://doi.org/10.1525/mp.2019.37.2.147
Published: 01 December 2019
...Aviel Sulem; Ehud Bodner; Noam Amir E xpressive M usical T erms (EMTs) are commonly used by composers as verbal descriptions of musical expressiveness and characters that performers are requested to convey. We suggest a classification of 55 of these terms, based on the perception of professional...
Images
Published: 01 December 2019
FIGURE 1. Design of the cross-modal affective priming paradigm. Musical melodies were used as primes, and emotional faces as targets. Facial images were affectively congruent or incongruent with the prime melodies. FIGURE 1. Design of the cross-modal affective priming paradigm. Musical melodies
Images
Published: 01 December 2019
FIGURE 1. Relations between liking for musical genres in the N = 332 participants screened for the study. Left: Correlation matrix between genres, labeled with Pearson's r coefficients. Right: two-dimensional multidimensional scaling solution for the same correlations, each genre labeled with