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movement

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Estimated marginal means and 95% confidence intervals for <b>movement</b> rating t...
Published: 11 March 2020
Figure 18. Estimated marginal means and 95% confidence intervals for movement rating to each musical interval and noise. More
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Estimated marginal means and 95% confidence intervals for <b>movement</b> rating a...
Published: 11 March 2020
Figure 19. Estimated marginal means and 95% confidence intervals for movement rating as a function of consonance level and register. More
Journal Articles
Music Perception (2020) 37 (4): 298–322.
Published: 11 March 2020
...Figure 9. Distributions for movement ratings in Experiment 2 and Experiment 3. ...
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* p  &amp;lt; .05. Mean <b>movement</b> variables extracted from stimuli, by empathy p...
Published: 01 April 2019
FIGURE 6. * p &lt; .05. Mean movement variables extracted from stimuli, by empathy pairing, 95% CI. FIGURE 6. *p &lt; .05. Mean movement variables extracted from stimuli, by empathy pairing, 95% CI. More
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Example of the <b>movement</b> segmentation procedure. The grey curve shows the mu...
Published: 01 December 2018
FIGURE 4. Example of the movement segmentation procedure. The grey curve shows the musical pitch (Hz), the black curve shows the tangential velocity of the clarinet bell (mm/s), and the vertical dashed lines mark the movement segments. FIGURE 4. Example of the movement segmentation procedure More
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Excerpt from first <b>movement</b> of Mozart&#x27;s Quintet for Clarinet and Strings in...
Published: 01 December 2018
FIGURE 10. Excerpt from first movement of Mozart's Quintet for Clarinet and Strings in A Major, K. 581. FIGURE 10. Excerpt from first movement of Mozart's Quintet for Clarinet and Strings in A Major, K. 581. More
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Results of the <b>movement</b> and the audio analysis for the 48 performances of M...
Published: 01 December 2018
FIGURE 11. Results of the movement and the audio analysis for the 48 performances of Mozart's excerpt: top plot shows the clarinet bell global motion recurrence map; bottom plot shows the standard deviation curve relative to normalized values of bar duration in all performances. FIGURE 11 More
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Results of the <b>movement</b> and the audio analysis for the 30 performances of B...
Published: 01 December 2018
FIGURE 7. Results of the movement and the audio analysis for the 30 performances of Brahms’ excerpt: top plot shows the clarinet bell global motion recurrence map, with four highlighted regions; bottom plots show the standard deviation curves relative to normalized values of bar duration More
Journal Articles
Music Perception (2020) 37 (4): 278–297.
Published: 11 March 2020
... music . Music Theory Spectrum , 26 , 291 – 304 . Etani , T. , Marui , A. , Kawase , S. , & Keller , P. E. ( 2018 ). Optimal tempo for groove: Its relation to directions of body movement and Japanese nori . Frontiers in Psychology , 9 , 462 . Fisher , N...
Journal Articles
Music Perception (2019) 36 (4): 390–405.
Published: 01 April 2019
...FIGURE 6. * p < .05. Mean movement variables extracted from stimuli, by empathy pairing, 95% CI. FIGURE 6. *p < .05. Mean movement variables extracted from stimuli, by empathy pairing, 95% CI. ...
Journal Articles
Music Perception (2017) 34 (3): 319–326.
Published: 01 February 2017
... interpersonal synchrony encourages helpfulness even in 14-month-old infants. However, in those studies, infants always experienced interpersonal synchrony in a musical context. Here we investigated whether synchronous movement in a nonmusical context has similar effects on infant helpfulness. Fourteen-month...
Journal Articles
Music Perception (2020) 37 (3): 196–207.
Published: 01 February 2020
...Fiona C. Manning; Anna Siminoski; Michael Schutz We explore the effects of trained musical movements on sensorimotor interactions in order to clarify the interpretation of previously observed expertise differences. Pianists and non-pianists listened to an auditory sequence and identified whether...
Journal Articles
Music Perception (2016) 34 (1): 40–55.
Published: 01 September 2016
...Dafna Kohn; Zohar Eitan We examined how children (5- and 8-year-olds) associate changes in musical parameters with bodily motion, using movement and verbal tasks. In Task 1, participants moved to short musical stimuli involving bidirectional changes in pitch, loudness, or tempo. In Task 2...
Journal Articles
Music Perception (2020) 37 (5): 373–391.
Published: 10 June 2020
...Jonathan De Souza; Adam Roy; Andrew Goldman Sonata and rondo movements are often defined in terms of large-scale form, yet in the classical era, rondos were also identified according to their lively, cheerful character. We hypothesized that sonatas and rondos could be categorized based on stylistic...
Journal Articles
Music Perception (2018) 35 (4): 405–424.
Published: 01 April 2018
... University of California 2018 19 1 2017 22 11 2017 synchronization entrainment postural sway music performance music listening HOW MUSIC MOVES US: ENTRAINING TO MUSICIANS MOVEMENTS ALEXANDER P. DEMOS & ROGER CHAFFIN University of Connecticut WE MEASURED THE POSTURAL SWAY OF TWO...
Journal Articles
Music Perception (2018) 36 (2): 201–216.
Published: 01 December 2018
...FIGURE 4. Example of the movement segmentation procedure. The grey curve shows the musical pitch (Hz), the black curve shows the tangential velocity of the clarinet bell (mm/s), and the vertical dashed lines mark the movement segments. FIGURE 4. Example of the movement segmentation procedure...
Journal Articles
Music Perception (2013) 30 (5): 517–533.
Published: 01 June 2013
...Birgitta Burger; Suvi Saarikallio; Geoff Luck; Marc R. Thompson; Petri Toiviainen Listening to music makes us move in various ways. Several factors can affect the characteristics of these movements, including individual factors and musical features. Additionally, music-induced movement may also be...
Journal Articles
Music Perception (2013) 30 (4): 349–359.
Published: 01 April 2013
... adult participants moved freely in groups of five to a musical sequence that comprised six songs. Each song consisted of one section that was repeated three times, each time with a different sound pressure level of the bass drum. Hip and head movements were recorded using motion capture and motion...