Search Results for mobile-phone
1-11 of 11 Search Results for
Music Perception. 2017; 345501–514 doi: https://doi.org/10.1525/mp.2017.34.5.501
Published: 01 June 2017
...William M. Randall; Nikki S. Rickard Personal music listening on mobile phones is rapidly growing as a popular means of everyday engagement with music. This portable and flexible style of listening allows for the immediate selection of music to fulfil emotional needs, presenting it as a powerful...
Music Perception. 2004; 22141–77 doi: https://doi.org/10.1525/mp.2004.22.1.41
Published: 01 September 2004
... who owned a mobile phone were sent one text message per day for 14 days. On receiving this message, participants were required to complete a questionnaire about any music they could hear, or had heard since their previous message. Responses indicated a high compliance rate; a high incidence of...
Music Perception. 2017; 35194–117 doi: https://doi.org/10.1525/mp.2017.35.1.94
Published: 01 September 2017
... revised (STOMP-R, Rentfrow & Gosling, 2003). To measure personality, we used the Big Five Inventory (BFI) (John & Srivastava, 1999). PROCEDURE Participants were tested individually in small cubicle rooms. They listened to the music recordings using professional headphones (KNS 8400 Studio Head- phones...
Music Perception. 2013; 312157–170 doi: https://doi.org/10.1525/mp.2013.31.2.157
Published: 01 December 2013
... Psychology & Psychiatry, Monash University, Clayton, Victoria, Australia, 3800. E-mail: firstname.lastname@example.org music emotion experience sampling method mobile phone application DEVELOPMENT AND TRIAL OF A MOBILE EXPERIENCE SAMPLING METHOD (M-ESM) FOR PERSONAL MUSIC LISTENING WILLIAM M...
Music Perception. 2013; 305517–533 doi: https://doi.org/10.1525/mp.2013.30.5.517
Published: 01 June 2013
... that are not used for the actual sound production, but for conveying emotions and expressivity (e.g., Wanderley, Vines, Middleton, McKay, & Hatch, 2005). Dahl and Friberg (2007) investigated a marimba, a bassoon, and a saxo- phone player, who each performed a piece of music with different emotional...
Music Perception. 2012; 3011–18 doi: https://doi.org/10.1525/mp.2012.30.1.1
Published: 01 September 2012
... mobile phone. 4 Diana Omigie, Daniel Müllensiefen, & Lauren Stewart Each sheet contained roughly 10 items that pilot testing had shown took less than a minute to complete. The initial section on each diary sheet asked for information about the date and time that the text message was received, the time...
Music Perception. 2007; 25159–73 doi: https://doi.org/10.1525/mp.2007.25.1.59
Published: 01 September 2007
... from all cultures, as well as other digital products such as the Internet and mobile phones. As such, it is interesting to attempt to replicate North et al. s methodology and British findings among a Pakistani sample. Method Participants All 200 participants were Pakistanis living in the envi- rons of...
Music Perception. 2007; 243247–264 doi: https://doi.org/10.1525/mp.2007.24.3.247
Published: 01 February 2007
... output went into a Yamaha AX-592 amplifier, and the amplifier s audio output was fed into a soundproof cabin and was presented dichoti- cally to participants over Sennheiser HD 520-II head- phones at 85 dB SPL (measured with a flat-plate 250 M. W. Beauvois FIGURE 1. Power spectra of 2,048-point...
Music Perception. 2006; 241117–122 doi: https://doi.org/10.1525/mp.2006.24.1.117
Published: 01 September 2006
... (including mailing address, e-mail address, and tele- phone number) for one author who will correspond about submission status, the preferred presentation method (i.e., oral or poster presentation), as well as any anticipated needs for special equipment to deliver the presentation. (LCD, overhead, and slide...
Music Perception. 2001; 1911–64 doi: https://doi.org/10.1525/mp.2001.19.1.1
Published: 01 September 2001