1-20 of 197 Search Results for

metric-ambiguity

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
Music Perception. 2007; 244395–399 doi: https://doi.org/10.1525/mp.2007.24.4.395
Published: 01 April 2007
... similar metrically ambiguous target melodies. Pianists' performances persisted in the metrically unrelated articulation cues. Pianists did not perform metrically strong beats with more intensity as in the primes, but they lengthened expected strong beats relative to weak beats. This recoding of meter...
Journal Articles
Music Perception. 2007; 25143–58 doi: https://doi.org/10.1525/mp.2007.25.1.43
Published: 01 September 2007
...W. Tecumseh Fitch; Andrew J. Rosenfeld THE PROCESSING OF COMPLEX, METRICALLY ambiguous rhythmic patterns, of the sort found in much popular music, remains poorly understood. We investigated listeners' abilities to perceive, process and produce complex, syncopated rhythmic patterns. Rhythmic...
Journal Articles
Music Perception. 2006; 242155–166 doi: https://doi.org/10.1525/mp.2006.24.2.155
Published: 01 December 2006
... perceptual tempo beat induction metric ambiguity dynamic accents MARTIN F. MCKINNEY Digital Signal Processing, Philips Research Laboratories, Eindhoven, The Netherlands DIRK MOELANTS IPEM-Dept. of Musicology, Ghent University, Belgium THE DISTRIBUTION OF LISTENERS perceived tempi across large...
Journal Articles
Music Perception. 2011; 285433–448 doi: https://doi.org/10.1525/mp.2011.28.5.433
Published: 01 June 2011
...Peter A. Martens the present study models listeners' tactus choices relative to the metric structure of fully musical excerpts using data from a tapping experiment. Viewed from the standpoint of metric structure, tactus was ambiguous between individuals and within excerpts, providing no evidence...
Journal Articles
Music Perception. 2006; 242i–ii doi: https://doi.org/10.1525/mp.2006.24.2.i
Published: 01 December 2006
... Tapping to Complex Meters 135 TAKAYUKI NAKATA, SANDRA E. TREHUB, CHISATO MITANI, & YUKIHIKO KANDA Pitch and Timing in the Songs of Deaf Children With Cochlear Implants 147 MARTIN F. McKINNEY & DIRK MOELANTS Ambiguity in Tempo Perception: What Draws Listeners to Different Metrical Levels? 155...
Journal Articles
Music Perception. 2020; 375373–391 doi: https://doi.org/10.1525/mp.2020.37.5.373
Published: 10 June 2020
... logistic regression in the publicRondoAnalysis_R1.m script. CorpusData.xls: This file lists each piece in our corpus and its associated metrics. It also contains a list of the pieces sorted by the probability of being a rondo, as predicted by our model. Note that continuous variables are not...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
... estimations. If attention and motor activity is directed towards higher metrical levels, perceptions of time are shortened. Thus, when listening to music with an ambiguous musical tempo, individuals may have different temporal experiences that go beyond a simple beats per minute measure. Future research on...
Journal Articles
Music Perception. 2020; 373225–239 doi: https://doi.org/10.1525/mp.2020.37.3.225
Published: 01 February 2020
... different keys while the same key was used between stimulus tone sequence pairs. The total number of tones per individual sequence ranged from 12 to 28 tones, and all tone sequences had the same tempo (120 bpm), metrical structure (meters of 4/4), and timbre (acoustic piano). Equal temperament was used in...
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
... ambiguities in the groove, with motion of their own bodies (e.g., tapping a foot, head nodding; Witek, 2017 ). It is paramount, however, that for a rhythm to be groove-promoting, its rhythmic complexity challenges but not disrupts the listeners' metrical model ( Vuust, Dietz, Witek, & Kringelbach, 2018...
Journal Articles
Music Perception. 2019; 372165–178 doi: https://doi.org/10.1525/mp.2019.37.2.165
Published: 01 December 2019
... collected from 28 participants were found to positively correlate most strongly with melodic and harmonic information content, which corresponded to descriptive musical features such as the proportion of out-of-key notes and tonal ambiguity. When individual differences were considered, these explained more...
Journal Articles
Music Perception. 1994; 114409–464 doi: https://doi.org/10.2307/40285633
Published: 01 July 1994
... semantic ambiguity of the term grouping by distinguishing between horizontal (se- rial) and vertical (metrical) components of rhythmic production. In the present study, the terms serial and periodic temporal grouping are used, and meter is regarded as a form of periodic grouping. The relative importance of...
Journal Articles
Music Perception. 2019; 3711–25 doi: https://doi.org/10.1525/mp.2019.37.1.1
Published: 01 September 2019
... series of interbeat intervals was computed using linear interpolation. Interbeat intervals were then averaged across duos at each timestep to achieve the curves presented in the figure. Vertical grey bars indicate metrical changes. Beats 1—49 comprise the entrance section, beats 277—313 the unmetered...
Journal Articles
Music Perception. 2019; 37126–41 doi: https://doi.org/10.1525/mp.2019.37.1.26
Published: 01 September 2019
... music as a function of both original and manipulated beat tempo . Journal of the Acoustical Society of America , 128 , 3032 – 3040 . Parncutt, R. ( 1994 ). A perceptual model of pulse salience and metrical accent in musical rhythms . Music Perception , 11 , 409 – 464 . Phillips-Silver, J...
Journal Articles
Music Perception. 2019; 364353–370 doi: https://doi.org/10.1525/mp.2019.36.4.353
Published: 01 April 2019
... = 47) TABLE 3. The Ten Most Frequent Monosyllabic Words in the RS Corpus, with Counts and Metrical Strengths Word Count Metrical Strength I 761 .313 the 628 .250 you 561 .335 a 399 .256 to 389 .355 and 368 .345 my 284 .352 in 283 .562 it...
Journal Articles
Music Perception. 2018; 362175–200 doi: https://doi.org/10.1525/mp.2018.36.2.175
Published: 01 December 2018
.... , & Janata, P. ( 2008 ). Beyond the beat: Modeling metric structure in music and performance . Journal of the Acoustical Society of America , 124 ( 6 ), 4024 – 4041 . Van Immerseel, L. M. , & Martens, J. P. ( 1992 ). Pitch and voiced/unvoiced determination with an auditory model . Journal...
Journal Articles
Music Perception. 1984; 14424–441 doi: https://doi.org/10.2307/40285271
Published: 01 July 1984
...H. C. Longuet-Higgins; C. S. Lee The assignment of a rhythmic interpretation to a piece of metrical music calls for the postulation of an underlying meter and the parsing of the note values according to this meter. In this article we develop the implications of this view, which include the...
Journal Articles
Music Perception. 2018; 3611–23 doi: https://doi.org/10.1525/mp.2018.36.1.1
Published: 01 September 2018
... musical rhythm revealed cross-culturally by iterated reproduction . Current Biology , 27 , 359 – 370 . DOI: 10.1016/j.cub.2016.12.031 Jankowsky, R. C. ( 2013 ). Rhythmic elasticity, metric ambiguity, and ritual teleology in Tunisian stambeli . Analytical Approaches to World Music , 3 ( 1...
Includes: Supplementary data
Journal Articles
Music Perception. 2018; 355594–606 doi: https://doi.org/10.1525/mp.2018.35.5.594
Published: 01 June 2018
... more accurate at an expected time than at unexpected times, supporting Jones dynamic attending theory (Jones, 1976, 1987, 1990; Jones & Boltz, 1989; Jones, Moynihan, MacKenzie, & Puente, 2002; Large & Jones, 1999; Large & Palmer, 2002). This theory suggests that first beats of a metric unit a mea...
Journal Articles
Music Perception. 2018; 354405–424 doi: https://doi.org/10.1525/mp.2018.35.4.405
Published: 01 April 2018
... obvious way in which entrainment through music might occur, through the musical beat. Metrical entrainment. One way that entrainment through music might occur is if both performer and listener moved spontaneously to the musical beat in the same way. The tendency of listeners to move to the beat is well...
Journal Articles
Music Perception. 2018; 354437–453 doi: https://doi.org/10.1525/mp.2018.35.4.437
Published: 01 April 2018
... further support the idea that musicians use an embodied approach related to their local structural interpretations (Buck et al., 2013; Desmet et al., 2012). We tested this hypothesis by extracting three metrics of head movement distance traveled, power spectral den- sity estimates, and positional peaks...