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meter

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Journal Articles
Music Perception. 2010; 28159–70 doi: https://doi.org/10.1525/mp.2010.28.1.59
Published: 01 September 2010
... suggest that the metric structure of music is encoded in these movements. ©© 2010 By the Regents of the University of California music movement synchronization meter embodiment Music Perception volume 28, issue 1, pp. 59 70, issn 0730-7829, electronic issn 1533-8312 © 2010 by the regents of...
Journal Articles
Music Perception. 2009; 264377–386 doi: https://doi.org/10.1525/mp.2009.26.4.377
Published: 01 April 2009
...Olivia Ladinig; Henkjan Honing; Gáábor Hááden; Istváán Winkler BEAT AND METER INDUCTION ARE CONSIDERED important structuring mechanisms underlying the perception of rhythm. Meter comprises two or more levels of hierarchically ordered regular beats with different periodicities. When listening to...
Journal Articles
Music Perception. 2006; 242135–146 doi: https://doi.org/10.1525/mp.2006.24.2.135
Published: 01 December 2006
...Joel S. Snyder; Erin E. Hannon; Edward W. Large; Morten H. Christiansen The goal of this study was to assess the ability of North American adults to synchronize and continue their tapping to complex meter patterns in the presence and absence of musical cues to meter.We asked participants to tap to...
Journal Articles
Music Perception. 2016; 34156–70 doi: https://doi.org/10.1525/mp.2016.34.1.56
Published: 01 September 2016
... Beat Alignment Test (cBAT) children were presented with two successive videos of puppets drumming to music with simple or complex meter. One puppet’s drumming was synchronized with the beat of the music while the other had either incorrect tempo or incorrect phase, and children were asked to select the...
Journal Articles
Music Perception. 2005; 224629–661 doi: https://doi.org/10.1525/mp.2005.22.4.629
Published: 01 April 2005
.... Both experiments included conditions in which the different patterns within the multipart structure were matched or mismatched in terms of best-fitting meter. Results indicate that dual-task performance was best in matched-metrical conditions, intermediate in mismatched-metrical conditions, and worst...
Journal Articles
Music Perception. 1998; 154319–333 doi: https://doi.org/10.2307/40300861
Published: 01 July 1998
... to three aspects: notation, meter, and speech prosody. Three songs out of four are notated as isochronous sequences of 8 eighth notes per each verse line; in one song, certain pairs of eighth notes are replaced by a dotted eighth note plus a sixteenth note. The results revealed a complex interaction...
Journal Articles
Music Perception. 1995; 13159–77 doi: https://doi.org/10.2307/40285685
Published: 01 October 1995
... structure from the durations present on the musical surface. In particular, there may be some meters where the beat level of the metric hierarchy consists of a nonisochronous series of durations; these cases are referred to as complex meters, A number of these complex metric structures are presented and...
Journal Articles
Music Perception. 1984; 14355–413 doi: https://doi.org/10.2307/40285269
Published: 01 July 1984
...William E. Benjamin This article is in five sections, each of which deals with a problem basic to the theory of musical meter. The first sets up a conceptual framework in which meter, group structure, and accent are related to one another. The second explores the practical and aesthetic functions...
Journal Articles
Music Perception. 2006; 234345–360 doi: https://doi.org/10.1525/mp.2006.23.4.345
Published: 01 April 2006
... expected to induce a weakly metric framework or no such framework. Infants detected a change in the context of the former sequences but not in the latter sequence. In Experiment 2, infants listened to a tone sequence with temporal cues to duple or triple meter. Infants detected a change in the pattern with...
Journal Articles
Music Perception. 1994; 12157–76 doi: https://doi.org/10.2307/40285755
Published: 01 October 1994
...Lloyd A. Dawe; John R. Plait; Ronald J. Racine In many theories of meter inference (e. g., Benjamin, 1984; Lerdahl & Jackendoff, 1983), the cues that serve as markers for major metrical accent locations are the basis from which one infers or determines a meter. However, phrase and metrical...
Journal Articles
Music Perception. 2014; 315444–469 doi: https://doi.org/10.1525/mp.2014.31.5.444
Published: 01 June 2014
.... Another factor is meter. It determines whether or not rhythms are members of the same family, where families depend only on three types of possibility for each metrical unit. If the beat is the relevant metrical unit, these three possibilities are: 1) a note starts on a beat and therefore reinforces the...
Journal Articles
Music Perception. 2020; 375373–391 doi: https://doi.org/10.1525/mp.2020.37.5.373
Published: 10 June 2020
... and attack rate, as predicted, and there were also significant differences related to dynamics, meter, and cadences. We then conducted an experiment involving participants with at least 5 years of formal music training or less than 6 months of formal music training. Participants listened to 120 15...
Journal Articles
Music Perception. 2003; 21181–104 doi: https://doi.org/10.1525/mp.2003.21.1.81
Published: 01 September 2003
... another melody during 4 test trials, under speeded performance conditions. In Experiment 1, the meter and/or motor movements (hand and finger assignments) were altered from training to test melodies; in Experiment 2, the rhythm and/ or motor movements were altered; in Experiment 3, the meter and/or rhythm...
Journal Articles
Music Perception. 2002; 194529–550 doi: https://doi.org/10.1525/mp.2002.19.4.529
Published: 01 June 2002
...Justin London This paper is a music-theoretic discussion of various studies on rhythmic perception and performance and their ramifications for discussions of musical meter. Meter is defined as a stable and recurring pattern of hierarchically structured temporal expectations. Metrical patterns...
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
..., or meter, and demands cognitive effort. 2) Microtiming promotes a “groove” experience—a pleasant sense of wanting to move along with the music. Using professional jazz musicians and nonmusicians as participants, we hypothesized that microtiming asynchronies between bass and drums (varying from −80 to...
Journal Articles
Music Perception. 2019; 364353–370 doi: https://doi.org/10.1525/mp.2019.36.4.353
Published: 01 April 2019
...Ivan Tan; Ethan Lustig; David Temperley W hile syncopation generally refers to any conflict between surface accents and underlying meter, in rock and other recent popular styles it takes a more specific form in which accented notes occur just before strong beats. Such “anticipatory” syncopations...
Journal Articles
Music Perception. 2014; 313205–222 doi: https://doi.org/10.1525/mp.2014.31.3.205
Published: 01 February 2014
... supported for common time, strongly disconfirmed for 6/8, and weakly supported for the other meters encountered. It is argued that these results point toward caution regarding the use of Koch’s theories but not toward their outright rejection, and that unexpected statistical contrasts within the corpus...
Journal Articles
Music Perception. 2013; 304369–390 doi: https://doi.org/10.1525/mp.2013.30.4.369
Published: 01 April 2013
...Ève Poudrier; Bruno H. Repp The simultaneous presence of different meters is not uncommon in Western art music and the music of various non-Western cultures. However, it is unclear how listeners and performers deal with this situation, and whether it is possible to cognitively establish and...
Journal Articles
Music Perception. 2010; 28193–111 doi: https://doi.org/10.1525/mp.2010.28.1.93
Published: 01 September 2010
... three-dimensional space. Point clouds can be interpreted as topologies equipped with musical qualities, which gives us an idea about the relationships between gesture, space, and music. Using this method, we investigate the relationships between musical meter, dance style, and expertise in two popular...
Journal Articles
Music Perception. 2010; 28171–91 doi: https://doi.org/10.1525/mp.2010.28.1.71
Published: 01 September 2010
...-dimensional motion capture system. Geometric patterns then were extracted from each joint of the dancer's body. The method uses a body-centered reference frame and decomposes the movement into nonorthogonal periodicities that match periods of the musical meter. Musical cues (such as meter and loudness) as...