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meta-analysis

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Journal Articles
Music Perception. 2012; 30171–83 doi: https://doi.org/10.1525/mp.2012.30.1.71
Published: 01 September 2012
... unquantified in terms of effect size estimations. Based on a meta-analysis of 15 aggregated studies on audio-visual music perception (total N = 1,298), we calculated the average effect size of the visual component in music performance appreciation by subtracting ratings for the audio-only condition from those...
Journal Articles
Music Perception. 2020; 374323–338 doi: https://doi.org/10.1525/mp.2020.37.4.323
Published: 11 March 2020
.... H. Y. ( 2008 ). Predictors of amygdala activation during the processing of emotional stimuli: A meta-analysis of 385 PET and fMRI studies . Brain Research Reviews , 58 ( 1 ), 57 – 70 . DOI: 10.1016/j.brainresrev.2007.10.012 Dahl , S. , & Friberg , A. ( 2007 ). Visual...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
... ). Listening to music diverts more attention away from time or, in other words, “time flies” with music (see also Droit-Volet et al., 2010 ). A meta-analysis by Block, Hancock, and Zakay (2010) suggests that the attentional gate mechanism is supported by a large number of studies, and increased cognitive...
Journal Articles
Music Perception. 2020; 374339–346 doi: https://doi.org/10.1525/mp.2020.37.4.339
Published: 11 March 2020
... doubling of sample size. However, the results of meta-analytic Q tests of heterogeneity suggested that the effects of Experiment 2 ( d movement = 0.16; d pleasure = 0.18) did not significantly differ in magnitude from those of Experiment 1 ( d movement = 0.28; d pleasure = 0.32), Q movement...
Journal Articles
Music Perception. 2020; 373240–258 doi: https://doi.org/10.1525/mp.2020.37.3.240
Published: 01 February 2020
... to communication of emotions in vocal speech. The authors provided one of the few meta-analyses on music and emotion to date, as they compare findings across 145 studies from the speech and music literatures. The authors found that an evolutionary perspective on emotional speech was consistent with...
Journal Articles
Music Perception. 2019; 3711–25 doi: https://doi.org/10.1525/mp.2019.37.1.1
Published: 01 September 2019
...-1817-2 Platz, F. , & Kopiez, R. ( 2012 ). When the eye listens: A meta-analysis of how audio-visual presentation enhances the appreciation of music performance . Music Perception , 30 , 71 – 83 . DOI: 10.1525/mp.2012.30.1.71 Ragert, M. , Schroeder, T. , & Keller, P. E...
Journal Articles
Music Perception. 2019; 363314–330 doi: https://doi.org/10.1525/mp.2019.36.3.314
Published: 01 February 2019
..., J. K. , & Flachsbart, C. ( 2007 ). Relations between personality and coping: A meta-analysis . Journal of Personality and Social Psychology , 93 , 1080 – 1107 . DeNora, T. ( 2000 ). Music in everyday life . New York : Cambridge University Press . Elvers, P. ( 2016 ). Songs...
Journal Articles
Music Perception. 2018; 362175–200 doi: https://doi.org/10.1525/mp.2018.36.2.175
Published: 01 December 2018
... ). Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts . Cognition and Emotion , 19 ( 8 ), 1113 – 1139 . Bornstein, R. F. ( 1989 ). Exposure and affect: Overview and meta-analysis of research, 1968–1987 . Psychological Bulletin...
Journal Articles
Music Perception. 2018; 36198–108 doi: https://doi.org/10.1525/mp.2018.36.1.98
Published: 01 September 2018
... sizes: Statistical power, meta-analysis, and the interpretation of research results . Cambridge, UK : Cambridge University Press . Faul, F. , Erdfelder, E. , Buchner, A. , & Lang, A.-G. ( 2009 ). Statistical power analyses using G*Power 3.1:Tests for correlation and regression analyses...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception. 2018; 36153–59 doi: https://doi.org/10.1525/mp.2018.36.1.53
Published: 01 September 2018
... express emotion are largely based on emulation of corresponding expressive cues in speech. However, he does not specifically discuss whether sad and tender speech are characterized by a relatively pronounced reduction in tempo at phrase boundaries. Indeed, in their comprehensive meta-analysis of the...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception. 2018; 36160–76 doi: https://doi.org/10.1525/mp.2018.36.1.60
Published: 01 September 2018
... . Ockelford, A. , & Sergeant, D. ( 2013 ). Musical expectancy in atonal contexts: Musicians’ perception of “antistructure.” Psychology of Music , 41 , 139 – 174 . Platz, F. , & Kopiez, R. ( 2012 ). When the eye listens: A meta-analysis of how audio-visual presentation enhances the...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception. 2018; 3611–23 doi: https://doi.org/10.1525/mp.2018.36.1.1
Published: 01 September 2018
Includes: Supplementary data
Journal Articles
Music Perception. 2018; 355579–593 doi: https://doi.org/10.1525/mp.2018.35.5.579
Published: 01 June 2018
... (Anvari, Trainor, Woodside, & Levy, 2002; Goswami, 2011). Of all of these, the language subcomponent that has shown the most reliable musician advantage is phono- logical processing (see Gordon, Fehd, & McCandliss, 2015, for a recent meta-analysis). Many studies with children have shown music training to...
Journal Articles
Music Perception. 2018; 354454–474 doi: https://doi.org/10.1525/mp.2018.35.4.454
Published: 01 April 2018
...-being music-making qualitative meta-analysis music participation MUSICAL ACTIVITY AND WELL-BEING: A NEW QUANTITATIVE MEASUREMENT INSTRUMENT AMANDA E. KRAUSE Curtin University, Perth, Australia & The University of Melbourne, Parkville, Australia JANE W. DAVIDSON The University of Melbourne...
Journal Articles
Music Perception. 2018; 354518–523 doi: https://doi.org/10.1525/mp.2018.35.4.518
Published: 01 April 2018
... phenomenon is the tendency for music to resemble how emotions are expressed vocally. For instance, in their meta-analysis of existing research, they found that both happy speech and music tend to be faster, louder, higher in average pitch, more variable in pitch, and more staccato in articulation, whereas...
Journal Articles
Music Perception. 2018; 353364–375 doi: https://doi.org/10.1525/mp.2018.35.3.364
Published: 01 February 2018
... recently, researchers have sought to understand the role of visual cues in the evaluation of performance. In a meta-analysis, the visual component of performance was found to have a medium effect size on evaluative behavior (Platz & Kopietz, 2012) and listeners have reported perceived differences between...
Journal Articles
Music Perception. 2018; 353332–363 doi: https://doi.org/10.1525/mp.2018.35.3.332
Published: 01 February 2018
... embodiment. Many adjectives and meta- phors are used to describe qualities of sound (Wallmark & Kendall, in press), but for the present study we selected just two of the most ubiquitous, bright and noisy, employed as follows: (3) Perceived brightness of each signal, using a 0 100 Verbal Attribute Magnitude...
Includes: Supplementary data
Journal Articles
Music Perception. 2017; 35194–117 doi: https://doi.org/10.1525/mp.2017.35.1.94
Published: 01 September 2017
... difference variables (1. music training, 2. self-rated familiarity with the music piece, 3. preference for the STOMP meta-genre reflective & complex, 4. preference for the STOMP meta-genre Intense & Rebellious, 5. neuroticism, and 6. Openness), resulting in a total of nine independent variables. Figure 3...
Journal Articles
Music Perception. 2017; 3513–37 doi: https://doi.org/10.1525/mp.2017.35.1.3
Published: 01 September 2017
.... Our analysis is in two steps. First, we take properties of normal (non-musical) auditory cognition to make it possible to identify one or several virtual sources of the music, and to license some inferences about them depending on some of their non-tonal properties (rhythm, loudness, patterns of...
Journal Articles
Music Perception. 2017; 345501–514 doi: https://doi.org/10.1525/mp.2017.34.5.501
Published: 01 June 2017
... excluded from analysis, pro- ducing a set of 195 participants (74.87% females, 25.13% males; aged 13-51 years, M ¼ 20.64 years, SD ¼ 5.89). A total of 3,788 experience samples were collected, giving a mean of 19.43 music experiences for each listener. Participants varied on level of music train- ing (8.21...