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Journal Articles
Music Perception. 2019; 365480–487 doi: https://doi.org/10.1525/mp.2019.36.5.480
Published: 01 June 2019
...Paolo Ammirante; Fran Copelli I n order to be heard over the low-frequency energy of a loud orchestra, opera singers adjust their vocal tracts to increase high-frequency energy around 3,000 Hz (known as a “singer's formant”). In rap music, rhymes often coincide with the beat and thus may be masked...
Journal Articles
Music Perception. 2020; 375423–434 doi: https://doi.org/10.1525/mp.2020.37.5.423
Published: 10 June 2020
... and nonmusicians on lexical tone discrimination, only overall accuracy (collapsed across different tones) was evaluated (e.g., Alexander et al., 2005 ). This might have masked the potential interactions between musical experience and tone context. Even within the music domain, a previous study showed...
Images
Published: 01 June 2019
onset. F1 is masked in the full version on the right but the high F2 remains relatively unmasked. Bottom row shows the word “move” (/muv/) from verse two of “Change Clothes”; it occurs on beat 4 and coincides with a snare drum onset. Here both F1 and F2 are relatively low and are largely masked by the
Journal Articles
Music Perception. 2020; 374323–338 doi: https://doi.org/10.1525/mp.2020.37.4.323
Published: 11 March 2020
... equally adept at perceiving masked speech . Journal of the Acoustical Society of America , 137 , 378 – 387 . Brainard , D. H. ( 1997 ). The psychophysics toolbox . Spatial Vision , 10 ( 4 ), 433 – 436 . Brattico , E. , Bogert , B. , Alluri , V. , Tervaniemi , M...
Journal Articles
Music Perception. 2020; 373208–224 doi: https://doi.org/10.1525/mp.2020.37.3.208
Published: 01 February 2020
... thought to elicit interference effects, in particular masking and roughness ( Harrison & Pearce, in press ). Masking, the auditory counterpart to visual occlusion, describes the way in which the auditory system struggles to resolve adjacent pitches that are too similar in frequency. Roughness...
Journal Articles
Music Perception. 2019; 37295–110 doi: https://doi.org/10.1525/mp.2019.37.2.95
Published: 01 December 2019
Journal Articles
Music Perception. 2019; 364406–430 doi: https://doi.org/10.1525/mp.2019.36.4.406
Published: 01 April 2019
... partials and the degree to which they mask each other (pitch shifts). If a partial is completely masked, its spectral pitch ceases to exist. 4. In music theory, a “chord” is often a familiar triad or seventh chord, or a sonority constructed according to the principle of stacked thirds. But the word...
Journal Articles
Music Perception. 2018; 361129–131 doi: https://doi.org/10.1525/mp.2018.36.1.129
Published: 01 September 2018
... his research, he demonstrated the phenomenon of poststimulatory pitch shift and interpreted this in association with forward masking and the spectral pitch theory. Extending his perspective to perception of musical pitch, he investigated the intonation of musical intervals. From many experiments in...
Journal Articles
Music Perception. 2018; 36140–52 doi: https://doi.org/10.1525/mp.2018.36.1.40
Published: 01 September 2018
... perception, masking, and speech perception for normal-hearing and hearing-impaired people . JARO , 9 , 399 – 406 . Olszewski, C. , Gfeller, K. , Froman, R. , Stordahl, J. , & Tomblin, B. ( 2005 ). Familiar melody recognition by children and adults using cochlear implants and normal hearing...
Journal Articles
Music Perception. 2018; 361109–128 doi: https://doi.org/10.1525/mp.2018.36.1.109
Published: 01 September 2018
Journal Articles
Music Perception. 2018; 355540–560 doi: https://doi.org/10.1525/mp.2018.35.5.540
Published: 01 June 2018
... the high-voice superiority effect, where high-pitched musical tones are more noticeable to lis- teners than concurrent lower-pitched tones (Huron, 2016, pp. 49-51; Trainor, Marie, Bruce, & Bidelman, 2014). This effect is thought to arise from the interac- tion of auditory masking with the spectral...
Journal Articles
Music Perception. 2018; 355579–593 doi: https://doi.org/10.1525/mp.2018.35.5.579
Published: 01 June 2018
Journal Articles
Music Perception. 2018; 354475–501 doi: https://doi.org/10.1525/mp.2018.35.4.475
Published: 01 April 2018
.... To apply non-musical intervals to music, the ear does not need to be sensitive to ratios as such. Evidence from modern intonation studies suggests that even if the ear were somehow directly sensitive to frequency ratios between everyday or musical sounds, the effect would be masked by other...
Journal Articles
Music Perception. 2018; 353332–363 doi: https://doi.org/10.1525/mp.2018.35.3.332
Published: 01 February 2018
Includes: Supplementary data
Journal Articles
Music Perception. 2017; 352200–209 doi: https://doi.org/10.1525/mp.2017.35.2.200
Published: 01 December 2017
... standards of the Royal Conservatory of Music (2015), as grade 8, 9, 10, ARCT (for the Associate of the Royal Conservatory diploma) and playing with an orchestra, as reflecting an increasing order of difficulty. The concerti clips were always solo piano excerpts so that they would not be masked by the sound...
Journal Articles
Music Perception. 2017; 352127–143 doi: https://doi.org/10.1525/mp.2017.35.2.127
Published: 01 December 2017
... simulates: (1) the outer and middle ear transfer function by a digital filter; (2) the frequency selectivity by a linear critical band filterbank composed of 20 filters designed according to psychophysical masking data; (3) the transformation of a mechanical signal into neural discharge in auditory nerve...
Journal Articles
Music Perception. 2017; 352144–164 doi: https://doi.org/10.1525/mp.2017.35.2.144
Published: 01 December 2017
Journal Articles
Music Perception. 2017; 345605–623 doi: https://doi.org/10.1525/mp.2017.34.5.605
Published: 01 June 2017
... employs die- getic music that is played quietly enough to be masked by other music tracks, while preserving speech and sound effects at a sufficiently audible level. Second, the diegetic music in the original mall scene is available for purchase as a single recording of Moon River (Man- cini & Mercer...
Journal Articles
Music Perception. 2016; 34171–93 doi: https://doi.org/10.1525/mp.2016.34.1.71
Published: 01 September 2016
... as antici- pation due to repetition. Informal pilot studies were conducted to resolve these two issues. They involved 3-5 subjects, all of whomwere musicians. Several strategies were explored to mask the effect of voice leading in the chord progressions: Memory of a Tonal Center after Modulation 73...
Journal Articles
Music Perception. 2016; 335546–560 doi: https://doi.org/10.1525/mp.2016.33.5.546
Published: 01 June 2016
... masked so that their singing depended on their motor knowl- edge and use of kinesthetic feedback. The study follows the logic that when auditory feedback is masked, the degree of disruption in performance reflects the singer s relative degree of reliance on auditory feedback and one s ability to utilize...