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key-profiles

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Journal Articles
Music Perception. 2011; 284333–366 doi: https://doi.org/10.1525/mp.2011.28.4.333
Published: 01 April 2011
..., the primary perceptual reference in tonal music has been the tonic triad sonority (not the tonic tone or chroma) in an experiential (not physical or notational) representation. This thesis is consistent with the correlation between the key profiles of Krumhansl and Kessler (1982; here called chroma...
Journal Articles
Music Perception. 2017; 345531–540 doi: https://doi.org/10.1525/mp.2017.34.5.531
Published: 01 June 2017
... data using a key profile analysis to identify key and mode within our dataset; however, the results of Experiment 1 still held. In sum, even when using a method that assumes transpositional equivalence, we found a difference between key profiles of different keys. © 2017 by The Regents of the...
Journal Articles
Music Perception. 2000; 18125–57 doi: https://doi.org/10.2307/40285900
Published: 01 October 2000
... predictions of three models: a bottom- up stimulus model (number of times each chroma occurs in the progression), a top-down or schema-driven key model (best-fitting key profile of C. L. Krumhansl & E. J. Kessler, 1982), and an intermediate pitch model that includes both top-down and bottom-up components...
Journal Articles
Music Perception. 1999; 17165–100 doi: https://doi.org/10.2307/40285812
Published: 01 October 1999
...David Temperley This study examines the Krumhansl-Schmuckler key-finding model, in which the distribution of pitch classes in a piece is compared with an ideal distribution or "key profile" for each key. Several changes are proposed. First, the formula used for the matching process is somewhat...
Journal Articles
Music Perception. 2016; 335613–630 doi: https://doi.org/10.1525/mp.2016.33.5.613
Published: 01 June 2016
... Brazilian composer Garoto. Results confirmed the EDF Model prediction. Formatting the EDF Model’s key spatial-axis according to adapted key profile measures of Krumhansl (1990) allowed close correspondence between simulations and data. © 2016 by The Regents of the University of California 2016 5...
Journal Articles
Music Perception. 1986; 42153–184 doi: https://doi.org/10.2307/40285359
Published: 01 December 1986
... musical passage, but the hierarchy of priorities proposed by Van den Toorn (1983) fit the data better than the major key profiles, especially for the experienced listeners. [Footnotes] 1 Psychonomic Society, San Antonio, 1985. References Apel, W. (Ed.) Harvard dictionary of music...
Journal Articles
Music Perception. 1998; 162243–247 doi: https://doi.org/10.2307/40285789
Published: 01 December 1998
...-duration distributions (or "key profiles"). A third sample work proved more equivocal. The results are consistent with earlier studies of Balinese music (Kessler, Hansen, & Shepard. 1984) and North Indian music (Castellano, Bharucha, & Krumhansl, 1984) concerning the existence of genre- related...
Journal Articles
Music Perception. 2020; 374323–338 doi: https://doi.org/10.1525/mp.2020.37.4.323
Published: 11 March 2020
.... , & Scherer , K. R. ( 1996 ). Acoustic profiles in vocal emotion expression . Journal of Personality and Social Psychology , 70 ( 3 ), 614 – 636 . DOI: 10.1037//0022−3514.70.3.614 Belin , P. , Fillion-Bilodeau , S. , & Gosselin , F. ( 2008 ). The Montreal affective voices: A...
Journal Articles
Music Perception. 2020; 374298–322 doi: https://doi.org/10.1525/mp.2020.37.4.298
Published: 11 March 2020
... significantly lower, and the tension profiles were flatter. Reducing a piece of music to the outer voices also preserved the tension pattern, showing that the outer voices embody major aspects of the musical structure. The authors also found a strong redundancy between the expressive features that affected the...
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
... asynchronies between the bassist and the drummer (see, for example, Collier & Collier, 1996 ). Indeed, the more skilled groove musicians are able of playing with a stable microtiming profile over time ( Danielsen, Waadeland, Sundt, & Witek, 2015 ). Microtiming configurations in the rhythm section are...
Journal Articles
Music Perception. 2019; 3711–25 doi: https://doi.org/10.1525/mp.2019.37.1.1
Published: 01 September 2019
... improvising duos was the focus of a study by Walton et al. (2017) , which examined the number and strength of recurrent gestural patterns across performers’ movement profiles. Cross-recurrence was higher—indicating more interperformer coordination in movement—when performers improvised over a drone backing...
Journal Articles
Music Perception. 2019; 37142–56 doi: https://doi.org/10.1525/mp.2019.37.1.42
Published: 01 September 2019
... Journal of Neuroscience , 37 , 1458 – 1469 . Alluri, V. , Toiviainen, P. , Jaaskelainen, I. P. , Glerean, E. , Sams, M. , & Brattico, E. ( 2012 ). Large-scale brain networks emerge from dynamics processing of musical timbre, key and rhythm . NeuroImage , 59 , 3677 – 3689 . Alluri...
Journal Articles
Music Perception. 2019; 365457–467 doi: https://doi.org/10.1525/mp.2019.36.5.457
Published: 01 June 2019
...), and strong musical identity (SMI). Further analyses of MIC against common SIMs used in literature showed characteristic profiles. For example, MIC membership according to years of private lessons are: NMI is < 6 years; MI is 6–10 years; and SMI is > 10 years. The finding of the study is that the...
Journal Articles
Music Perception. 2019; 365448–456 doi: https://doi.org/10.1525/mp.2019.36.5.448
Published: 01 June 2019
... trumpet) these tend to be grouped together as part of a distinct auditory stream (as they possess a similar spectrotemporal profile of frequency components; McLachlan, 2016 ). Finally, frequency components that are related harmonically, as integer multiples of a fundamental frequency, tend to be...
Journal Articles
Music Perception. 2019; 365468–479 doi: https://doi.org/10.1525/mp.2019.36.5.468
Published: 01 June 2019
...) ( Demorest et al., 2015 ), which comprises a series of tasks to measure singing accuracy, could be used in conjunction with the SVDM in order to establish a more complete profile of children's singing voice achievement. Future work should map children's singing development using a longitudinal approach as...
Journal Articles
Music Perception. 2019; 364406–430 doi: https://doi.org/10.1525/mp.2019.36.4.406
Published: 01 April 2019
... Naturforscher Leopoldina . Parncutt, R. ( 2009 ). Tonal implications of harmonic and melodic Tn-types . In T. Klouche & T. Noll (Eds.), Mathematics and computing in music (pp. 124 – 139 ). Berlin : Springer-Verlag . Parncutt, R. ( 2011a ). The tonic as triad: Key profiles as pitch...
Journal Articles
Music Perception. 2019; 364371–389 doi: https://doi.org/10.1525/mp.2019.36.4.371
Published: 01 April 2019
... (reverb and volume automation, panned around), new (syncopated) square-sound synth transposed in different keys (synth 2). All the percussive elements, the bass line and Synth 1 is removed in the breakdown. (c) Musical characteristics of build-up: When the build-up sets in, a percussive pattern...
Journal Articles
Music Perception. 2019; 364335–352 doi: https://doi.org/10.1525/mp.2019.36.4.335
Published: 01 April 2019
... harmonic structures of chords in three related musical keys . Journal of Experimental Psychology: Human Perception and Performance , 8 , 24 – 36 . Kumar, S. , von Kriegstein, K. , Friston, K. , & Griffiths, T. D. ( 2012 ). Features versus feelings: Dissociable representations of the...
Journal Articles
Music Perception. 1994; 114371–407 doi: https://doi.org/10.2307/40285632
Published: 01 July 1994
... time to contribute to tonal profiles by fixing a single pitch as a tonal center. Therefore, the strength of the intervallic rivalry model lies in suggesting how rare intervals facilitate discovery of key. The two models address different aspects of tacit knowledge about tonality. Here it is assumed...
Journal Articles
Music Perception. 2019; 363253–272 doi: https://doi.org/10.1525/mp.2019.36.3.253
Published: 01 February 2019
... Krumhansl and Kessler's (1982) key profiles. Tonal clarity is computed using these profiles; thus, our study shows consistency with these findings. Although the measures that we used differed from those used by Müllensiefen and Halpern (2014) , the model that they identified shows some similarities to...