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Published: 01 June 2019
FIGURE 1. Plot of years of private lessons according to musical identity category (MIC) for instrumentally skilled participants (left) and all participants (right). Error bars indicate ±1 standard error of the mean. FIGURE 1. Plot of years of private lessons according to musical identity
Images
Published: 01 June 2019
FIGURE 2. Plot of years of daily practice according to musical identity category (MIC) for instrumentally skilled participants (left) and all participants (right). Error bars indicate ±1 standard error of the mean. FIGURE 2. Plot of years of daily practice according to musical identity category
Images
Published: 01 June 2019
FIGURE 3. Plot of college-level music tuition score according to musical identity category (MIC) for instrumentally skilled participants (left) and all participants (right). Error bars indicate ±1 standard error of the mean. FIGURE 3. Plot of college-level music tuition score according to
Images
Published: 01 June 2019
FIGURE 4. Plot of OMSI score according to musical identity category (MIC) for instrumentally skilled participants (left) and all participants (right). Error bars indicate ±1 standard error of the mean. FIGURE 4. Plot of OMSI score according to musical identity category (MIC) for instrumentally
Journal Articles
Music Perception. 2020; 374347–358 doi: https://doi.org/10.1525/mp.2020.37.4.347
Published: 11 March 2020
... practices of ritual, protest, and the enactment of identity that span the range from speech to song and allows consideration of the manner in which such activities serve to ground collectives. We consider how the musical elements in joint speech such as rhythm, melody, and instrumentation are related to the...
Journal Articles
Music Perception. 2015; 325507–514 doi: https://doi.org/10.1525/mp.2015.32.5.507
Published: 01 June 2015
...Daniel Shepherd; Nicola Sigg Social identity theory posits that membership to social groups serves to enhance and maintain self-esteem. In young people music plays a prominent role in defining social identity, and so a relationship between music preference and self-esteem is expected, but is as yet...
Journal Articles
Music Perception. 2019; 365457–467 doi: https://doi.org/10.1525/mp.2019.36.5.457
Published: 01 June 2019
...FIGURE 1. Plot of years of private lessons according to musical identity category (MIC) for instrumentally skilled participants (left) and all participants (right). Error bars indicate ±1 standard error of the mean. FIGURE 1. Plot of years of private lessons according to musical identity...
Journal Articles
Music Perception. 2019; 363300–313 doi: https://doi.org/10.1525/mp.2019.36.3.300
Published: 01 February 2019
... data (rhythmic notation). I argue that that simpler mathematical characterizations, which are more musically intuitive, can capture the same useful information as the nPVI. Specifically, counting the proportion of successive IOIs that are identical accounts for as much as 98% of variation in nPVIs in...
Journal Articles
Music Perception. 2018; 36124–39 doi: https://doi.org/10.1525/mp.2018.36.1.24
Published: 01 September 2018
... identical or not. Experiment 1 revealed significant effects of sequence length on recognition accuracy and an interaction of music training and pitch variability: musicians performed better for variable-pitch sequences, but did not differ from nonmusicians with constant-pitch sequences. Experiment 2 yielded...
Journal Articles
Music Perception. 2020; 375373–391 doi: https://doi.org/10.1525/mp.2020.37.5.373
Published: 10 June 2020
..., pieces with lower pitch variance were more likely to be classed as rondos by participants with extensive music training. This suggests that the features these participants used to distinguish the rondos were related to—but not necessarily identical to—the features used in our full model. This aspect...
Journal Articles
Music Perception. 2020; 375392–402 doi: https://doi.org/10.1525/mp.2020.37.5.392
Published: 10 June 2020
... linguistic styles . Personality and Social Psychology Bulletin , 29 , 665 – 675 . North , A. C. , & Hargreaves , D. J. ( 1999 ). Music and adolescent identity . Music Education Research, 1 , 75 – 92 . Pedregosa , F. , Varoquaux , G. , Gramfort , A. , Michel...
Journal Articles
Music Perception. 2020; 374363–365 doi: https://doi.org/10.1525/mp.2020.37.4.363
Published: 11 March 2020
... seem to belong in Cummins’ analysis. Conversation, antiphony, and certain forms of improvisation, harmony, and counterpoint all potentially connect with Cummins’ interest in the “manner in which collective identities are enacted” through the voice. We might therefore recognize collaborative vocality...
Journal Articles
Music Perception. 2020; 374339–346 doi: https://doi.org/10.1525/mp.2020.37.4.339
Published: 11 March 2020
... to protect their identity. You will listen to several rhythms made by each student. Please listen to each rhythm and answer the questions that follow. Participants were then sequentially presented with the names (Matthew, Jacob, and Martin) and classes (sophomore or junior) of each musician...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
...-measures analyses (e.g., Wöllner, Deconinck, Parkinson, Hove, & Keller, 2012 ). Before entering the data into separate repeated-measures analyses of variance (ANOVAs), trials with identical conditions were averaged. If the data did not meet the sphericity assumption (Mauchly’s W ), a Greenhouse...
Journal Articles
Music Perception. 2020; 374323–338 doi: https://doi.org/10.1525/mp.2020.37.4.323
Published: 11 March 2020
... motion capture library for the study of identity, gender, and emotion perception from biological motion . Behavior Research Methods , 38 ( 1 ), 134 – 141 . DOI: 10.3758/BF03192758 Madsen , S. M. K. , Marschall , M. , Dau , T. , Oxenham , A. J. ( 2019 ). Speech perception is...
Journal Articles
Music Perception. 2020; 374278–297 doi: https://doi.org/10.1525/mp.2020.37.4.278
Published: 11 March 2020
... intervals were calculated using degrees of freedom approximated with the Satterthwaite method and were adjusted for multiple comparisons using the multivariate t method. An identical approach was used for analysing the stability ratings. The rating data residuals were normally distributed and the...
Journal Articles
Music Perception. 2018; 353376–399 doi: https://doi.org/10.1525/mp.2018.35.3.376
Published: 01 February 2018
... to selectively expand subgenres when administered online. Module 4 (Motivations for music use) assesses musical transcendence, emotion regulation, social, and musical identity and expression. The MUSEBAQ offers researchers and practitioners a comprehensive, modular instrument that can be used in...
Includes: Supplementary data
Journal Articles
Music Perception. 2020; 373225–239 doi: https://doi.org/10.1525/mp.2020.37.3.225
Published: 01 February 2020
... and then went on to acquire sensitivity to differences in tonal stability among scale tones. The developmental stage is identical to that shown by Western children ( Krumhansl & Keil, 1982 ; Lamont & Cross, 1994 ). The second cultural commonality is not surprising, considering that listeners...
Journal Articles
Music Perception. 2020; 373185–195 doi: https://doi.org/10.1525/mp.2020.37.3.185
Published: 01 February 2020
... culture is being defined or should be defined or operationalized. Researchers have defined culture by geographic region, language, citizenship, self-reported cultural identity, and so on. If the construct of culture is intended to reflect an individual’s history of experience listening to music, it is...
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
... two succeeding rhythms, presented in pairs, were identical or not. Every new trial was initiated by pressing the spacebar. All participants were exposed to the MET stimuli in the same order and no feedback was given during testing. Immediately following the experiment session, each participant filled...