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heart-rate

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Journal Articles
Music Perception (2011) 29 (1): 37–50.
Published: 01 September 2011
..., participants listened to 18 pieces of music and rated the strength of preference as well as their experienced emotional arousal for each piece. In addition, physiological arousal was measured via heart rate, skin conductance, and respiration rate. Results showed that subjective reports about emotional arousal...
Journal Articles
Music Perception (2007) 24 (5): 473–484.
Published: 01 June 2007
... recorded in real time. The highest numbers of chills were experienced during musical passages characterized by similar dynamic, harmonic, and structural characteristics, which coincided with distinct patterns of heart rate and skin conductance increases. For participants experiencing a chill during these...
Journal Articles
Music Perception (2017) 35 (1): 38–59.
Published: 01 September 2017
... measuring heart rate, skin conductance, and facial electromyography during listening without requiring behavioral reports. Excerpts rated higher in arousal in Experiment 1 elicited larger cardiovascular and electrodermal responses. Excerpts rated positively in valence produced higher zygomaticus major...
Journal Articles
Music Perception (2014) 32 (2): 109–124.
Published: 01 December 2014
...-reported their affective states with manual slider boxes. Results indicated that: 1) the conductor’s heart rate variations were temporally aligned with structural patterns in the musical scores; and 2) these variations strongly correlated with the average emotional intensity measurement of the audience...
Journal Articles
Music Perception (2010) 27 (4): 317–326.
Published: 01 April 2010
... between the central and autonomic nervous systems is introduced, and the associated implications for physiological, emotional, and cognitive health are explored. The construct of heart rate variability is discussed both as an example of this complex interplay and as a useful metric for exploring the...
Journal Articles
Music Perception (2009) 27 (1): 61–74.
Published: 01 September 2009
...) offer useful indications of individual emotional peaks (Panksepp, 1995). Reported chills of 95 participants in response to seven music pieces are presented. Subjective intensity as well as physiological arousal——Skin Conductance Response (SCR) and Heart Rate (HR)——revealed peaks during chill episodes. A...
Journal Articles
Music Perception (2020) 37 (3): 185–195.
Published: 01 February 2020
... . Frontiers in Psychology , 6 , 366 . Clarke , D. ( 2014 ). On not losing heart: A response to Savage and Brown’s “Toward a new comparative musicology.” Analytical Approaches to World Music , 3 ( 2 ), 1 – 14 . Clayton , M. ( 2007 ) Musical renaissance and its margins in England and...
Journal Articles
Music Perception (2019) 37 (2): 111–133.
Published: 01 December 2019
... demands (e.g., mental effort) than electroencephalography (e.g., Rozado & Dunser, 2015 ) or other psychophysiological measures, like changes in heart rate or skin resistance (e.g., Kahneman, Tursky, Shapiro, & Crider, 1969 ; Libby et al., 1973 ). Thus, the present pupillometry paradigm, where...
Journal Articles
Music Perception (2019) 37 (2): 95–110.
Published: 01 December 2019
... group that ranked high on pop music but low on metal. To test the possibility of different low-order behavioral responses to threat cues, both groups rated the valence of vocal and musical stimuli presented with and without acoustic roughness, one prominent cue to vocal arousal/threat ( Experiment 1...
Journal Articles
Music Perception (2019) 36 (4): 371–389.
Published: 01 April 2019
... taken using the biofeedback hardware ProComp Infiniti System and the BioGraph Infiniti software produced by Thought Technology via a PC. Sensors placed on the participants’ non-dominant hand measured skin conductance (SC) in microsiemens (μS). Heart rate (HR) and respiration (RESP) were also measured...
Journal Articles
Music Perception (2018) 36 (2): 217–242.
Published: 01 December 2018
... its opportunities and challenges in the specific context of musical emotion perception. Twenty sound engineers rated 60 musical excerpts from a broad range of styles with respect to 22 spectral, musical, and cross-modal features ( perceptual features ) and perceived emotional expression. In addition...
Journal Articles
Music Perception (2018) 36 (1): 1–23.
Published: 01 September 2018
... en Afrique [At the heart of ethnicity: Ethnic groups, tribalism and the state in Africa] ( 2nd ed.). Paris, France : La Découverte . Astuti, R. , & Bloch, M. ( 2010 ). Why a theory of human nature cannot be based on the distinction between universality and variability: Lessons from...
Includes: Supplementary data
Journal Articles
Music Perception (2018) 35 (5): 540–560.
Published: 01 June 2018
... interest or engagement with the world, and cognitive reflection about life-station issues (Andrews & Thomson, 2009; Nesse, 1991). Grief is a high arousal emotion associated with high heart rate, erratic respi- ration, punctuated vocalized exhaling, constricted pharynx (choked up), and incipient or actual...
Journal Articles
Music Perception (2018) 35 (5): 527–539.
Published: 01 June 2018
Includes: Supplementary data
Journal Articles
Music Perception (2018) 35 (5): 561–572.
Published: 01 June 2018
... vivid memory and another AB memory from approximately the same time. We analyzed responses via quantitative ratings scales on aspects such as vividness and importance, as well as via qualitative thematic coding. In the initial phase, comparison of Music-related to Everyday memories suggested all Musical...
Journal Articles
Music Perception (2018) 35 (4): 502–517.
Published: 01 April 2018
..., although some studies showed increases of heart rate during listening to happy and sad music (Kreutz et al. 2002; Lundqvist et al., 2009), other researchers found decreases in this measure (White & Rickard, 2016). A large number of studies reported divergent findings across different physiologi...
Journal Articles
Music Perception (2018) 35 (3): 253–294.
Published: 01 February 2018
... measures can capture the development of behavior, understanding, and feeling through time. However, interpreting these traces of a listener s response is not a straightforward task. Whether continuous ratings, skin conductance, or heart rate variability, these time series contain a great deal of...
Journal Articles
Music Perception (2018) 35 (3): 295–314.
Published: 01 February 2018
... their descriptions? Are experiences similar across participants, or are they individual and subjective? Listeners with or without music-theoretic training were asked to rate the qualia of scale degrees following various chord progressions, each ending with a different final harmony. Scale degrees were...
Journal Articles
Music Perception (2017) 35 (2): 165–192.
Published: 01 December 2017
... the blues form (Alper, 2005; Koch, 1982; Love, 2012; Steedman, 1984). The model proposed here incorpo- rates many of the same foundational properties as those earlier descriptions. It is, however, somewhat simpler than the previous generative model (Steedman, 1984, 1996), and is explicitly justified...
Includes: Supplementary data
Journal Articles
Music Perception (2017) 35 (1): 94–117.
Published: 01 September 2017
... music influenced participants’ ratings significantly, the effect of repeated exposure was only significant in the more familiar music condition. These results suggest that like many other human judgments, evaluations of music also rely on cognitive biases and heuristics that do not depend on the stimuli...