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fine-grained-pitch-discrimination

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Journal Articles
Music Perception. 2011; 285519–526 doi: https://doi.org/10.1525/mp.2011.28.5.519
Published: 01 June 2011
... fine-grained pitch discrimination for amusics who speak Mandarin Chinese as their first language. © 2011 by the Regents of the University of California 2011 7 9 2010 6 2 2011 Correspondence concerning this article should be addressed to either Professor Yufang Yang, Institute...
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
... ensemble may play at times rhythmically “outside” a presumed norm (most commonly, nearly isochronous beat series/metric grid at different levels), fine-grained asynchronies between the onsets of the players' tones may occur, or there may be subtle tempo changes. Notes containing microtiming will likely...
Journal Articles
Music Perception. 2019; 37126–41 doi: https://doi.org/10.1525/mp.2019.37.1.26
Published: 01 September 2019
... sought to replicate the TAE, reusing our Motown stimuli with a different group of participants. We also included a generic rock drumming pattern, presented across the entire BPM range used in the experiment, to determine (a) if the rating scale range was fine-grained enough to distinguish the BPM rates...
Journal Articles
Music Perception. 2018; 36124–39 doi: https://doi.org/10.1525/mp.2018.36.1.24
Published: 01 September 2018
... TDS and HTG values into two levels. Beyond such coarse distinctions, however, there could also be more fine-grained effects, which we attempt to explore here. Instead of analyzing recognition accuracy via the ROC area that requires an accumulation of responses from several identical and non-identical...
Journal Articles
Music Perception. 2018; 3611–23 doi: https://doi.org/10.1525/mp.2018.36.1.1
Published: 01 September 2018
Includes: Supplementary data
Journal Articles
Music Perception. 2018; 355527–539 doi: https://doi.org/10.1525/mp.2018.35.5.527
Published: 01 June 2018
... skills. However, it is also likely that the process of training itself enhances the ability to perceive fine-grained acoustic structures used 530 Kirk N. Olsen, William Forde Thompson, & Iain Giblin to convey meaning in music, such as pitch, timing, and timbre. These acoustic structures are also...
Includes: Supplementary data
Journal Articles
Music Perception. 2018; 353376–399 doi: https://doi.org/10.1525/mp.2018.35.3.376
Published: 01 February 2018
...). Traditionally, music capacity is measured using a vari- ety of auditory discrimination tasks (tones, chords/har- monic intervals, pitch, timbre, musical phrasing, rhythm, etc There are also several behavioral batteries that measure a combination of music-related skills (Sea- shore Measures of Musical Talent...
Includes: Supplementary data
Journal Articles
Music Perception. 2017; 343335–351 doi: https://doi.org/10.1525/mp.2017.34.3.335
Published: 01 February 2017
... might be responsible for the limited plasticity of the amusic brain documented in past research. First, the music training/listening activities reported in previous studies did not tap directly into individual target deficit areas of amusia, e.g., impaired fine-grained pitch discrimination...
Journal Articles
Music Perception. 2017; 344387–404 doi: https://doi.org/10.1525/mp.2017.34.4.387
Published: 01 April 2017
... both in children and adults. The findings suggest that the differential neural representations of major and minor chords may be less fine-grained when resulting from musical enculturation instead of formal, explicit training. However, it is notable that all the afore- mentioned studies only cover the...
Journal Articles
Music Perception. 2016; 334401–413 doi: https://doi.org/10.1525/mp.2016.33.4.401
Published: 01 April 2016
...). It has been characterized by deficits in fine-grained pitch discrimi- nation (Foxton, Dean, Gee, Peretz, & Griffiths, 2004; Hyde & Peretz, 2004; Jiang, Hamm, Lim, Kirk, & Yang, 2011) and melodic contour and pitch direction discrim- ination (Foxton et al., 2004; Jiang, Hamm, Lim, Kirk, & Yang, 2010...
Journal Articles
Music Perception. 2015; 332217–243 doi: https://doi.org/10.1525/mp.2015.33.2.217
Published: 01 December 2015
... pitch with bright visual surfaces (Wicker, 1968), this might help to account for certain kinds of visual imagery evoked by music alone. Further support for the idea of simple musical entities as semantic units comes from neurophysiological research showing that musical elements such as chords may...
Journal Articles
Music Perception. 2015; 33132–69 doi: https://doi.org/10.1525/mp.2015.33.1.32
Published: 01 September 2015
...Eugene Narmour By extensively revising the I-R model of melody (Meyer, 1973; Narmour, 1984, 1989, 1990, 1991a, 1991b, 1992, 1996, 2000) we can explain the structural functions of many musical parameters. Here I will deal with melodic interval, registral direction, pitch height, scale-step (major...
Journal Articles
Music Perception. 2015; 323272–282 doi: https://doi.org/10.1525/mp.2015.32.3.272
Published: 01 February 2015
...., PENHUNE, V., & JUTRAS, B. (2002). Congenital amusia: A disorder of fine-grained pitch discrimination. Neuron, 33, 185-191. PERETZ, I., CHAMPOD, S., & HYDE, K. (2003). Varieties of musical disorders: The Montreal Battery of Evaluation of Amusia. Annals of the New York Academy of Sciences, 999, 58-75...
Journal Articles
Music Perception. 2015; 325493–506 doi: https://doi.org/10.1525/mp.2015.32.5.493
Published: 01 June 2015
... associate specific songs with certain pitches. Though fine grained high-low categories still cannot be excluded, they seem less effective and less evident from the results. Further research is needed to specify the similarity of the learning process as shown in this study, and the possibly more implicit...
Journal Articles
Music Perception. 2015; 324364–393 doi: https://doi.org/10.1525/mp.2015.32.4.364
Published: 01 April 2015
...Andrew J. Milne; Robin Laney; David B. Sharp In this paper, we introduce a small family of novel bottom-up (sensory) models of the Krumhansl and Kessler (1982) probe tone data. The models are based on the spectral pitch class similarities between all twelve pitch classes and the tonic degree and...
Journal Articles
Music Perception. 2015; 323232–241 doi: https://doi.org/10.1525/mp.2015.32.3.232
Published: 01 February 2015
... fine- grained discrimination, whereas the inferior branch is responsible for matching the sound output to its target. Both branches are necessary for accurate perception and production. While the literature on congenital amusia gives help- ful clues to the neural pathways involved in pitch per- ception...
Journal Articles
Music Perception. 2015; 323242–253 doi: https://doi.org/10.1525/mp.2015.32.3.242
Published: 01 February 2015
... integrated with words (Mantell & Pfordresher, 2013; Pfordresher & Mantell, 2014). A simple approach to addressing time would be to extend the framework shown in Figure 2 discretely to a series of sung tones. However, musical sequences in practice are not discrete, but include fine-grained vari- ability in...
Journal Articles
Music Perception. 2015; 323254–265 doi: https://doi.org/10.1525/mp.2015.32.3.254
Published: 01 February 2015
... error. These results showed that 13 of our participants were clear AP possessors, whereas the remaining 24 were catego- rized as NAP. Analyzing using only base note data (omitting fine-grained tuning information) did not change the shape of these data. No AP participants showed evidence of a systematic...
Journal Articles
Music Perception. 2014; 322125–142 doi: https://doi.org/10.1525/mp.2014.32.2.125
Published: 01 December 2014
... also been reported 126 Sa o Lu ´s Castro & Ce´sar F. Lima that music training improves non-musical cognitive abil- ities, such as pitch discrimination in speech (e.g., Moreno et al., 2009), nonverbal reasoning (Forgeard, Winner, Norton, & Schlaug, 2008), and executive control (Bialys- tok & DePape...
Journal Articles
Music Perception. 2012; 302147–159 doi: https://doi.org/10.1525/mp.2012.30.2.147
Published: 01 December 2012
...., 1998). However, this same study found that vibrato did not interfere with the listen- ers final determination of pitch; listeners could make very fine tuning judgments comparing tones with and without vibrato. Shonle & Horan (1980), too, found quite precise tuning judgments, even in the case of very...