Search Results for far-transfer
1-20 of 89 Search Results for
Music Perception (2011) 29 (2): 147–155.
Published: 01 December 2011
... music lessons train auditory abilities associated with those needed for decoding words. Nevertheless, few studies have examined whether music training is associated with higher-level reading abilities such as reading comprehension, which would suggest far transfer. We tested whether the length of time...
Music Perception (2011) 29 (2): 129–132.
Published: 01 December 2011
... research over the past 15 20 years. The study of how far associations between music training and cognitive abilities extend, and whether such associations are more likely for some domains of cognition than for others, has theoretical relevance for issues of transfer, modularity, and plasticity. Unlike most...
Music Perception (2020) 37 (5): 403–422.
Published: 10 June 2020
... of synchronous behaviors in individuals with musical experience (e.g., Drake, Jones, & Baruch, 2000 ). So, while the ability to “lock in” to temporal patterns with other individuals is understood as a natural resource that can be highly useful for the “development of executive functions and far...
Music Perception (2020) 37 (4): 347–358.
Published: 11 March 2020
... ground is established from which the world will thereafter be addressed. Relations of trust necessarily arise. Of the many speech acts that joint speech can achieve, lying seems to be a virtual impossibility, precisely because there is no transfer of information from one knowledgeable party to another...
Music Perception (2019) 37 (1): 1–25.
Published: 01 September 2019
Music Perception (2018) 36 (2): 156–174.
Published: 01 December 2018
.... , & Trehub, S. E. ( 2002 ). Absolute pitch and tempo in mother's songs to infants . Psychological Science , 13 , 72 – 75 . Besson, M. , Chobert, J. , & Marie, C. ( 2011 ). Transfer of training between music and speech: Common processing, attention, and memory . Frontiers in Psychology , 2...
Music Perception (2018) 36 (1): 98–108.
Published: 01 September 2018
... their relationship to classical music. However, considering the study of Kopiez et al. (1999) , in which Ghanaian and German participants rated the averaged version best, we currently assume cultural universality of the MDH in music. Transferring the minimal-distance hypothesis to the visual modality...
Includes: Multimedia, Supplementary data
Music Perception (2017) 35 (2): 211–234.
Published: 01 December 2017
Music Perception (2017) 34 (4): 424–437.
Published: 01 April 2017
... PERMISSION TO PHOTOCOPY OR REPRODUCE ARTICLE CONTENT THROUGH THE UNIVERSITY OF CALIFORNIA PRESS S REPRINTS AND PERMISSIONS WEB PAGE, HTTPWWW.UCPRESS.EDU/JOURNALS.PHP?P¼REPRINTS. DOI: httpsdoi.org/10.1525/MP.2017.34.4.424 424 Rachna Raman & W. Jay Dowling As far as we know, only two behavioral studies have...
Music Perception (2016) 34 (2): 132–151.
Published: 01 December 2016
... themind of the musician. Kentner (1976) stated that, . . . there is no such thing as a difficult piece. A piece of music is either impossible, or it is easy. The process, whereby it migrates from one category to the other, is known as practising (p. 90). The transfer (prac- ticing) of information...
Music Perception (2016) 34 (1): 104–117.
Published: 01 September 2016
... are necessarily much simpler, and contain far fewer data elements to be modeled), the same disparity exists, though there are occasional dramatic exceptions, where the use of a large enough panoply of musical components as predictors or simplified musical stimuli has evinced success. For example...
Music Perception (2016) 33 (5): 662–678.
Published: 01 June 2016
... band performance achievement. Column 1 (far left) of the variable map shows the logit scale, which serves as the ruler onto which all of the facet locations are mapped. Each of the facets displayed in Figure 2 except for the performance facet was anchored at 0.00 logits in order to provide a frame...
Music Perception (2016) 33 (4): 446–456.
Published: 01 April 2016
... note coding (Proverbio, Manfredi, Zani, & Adorni, 2013), visuomotor transformation (Gaser & Schlaug, 2003; Harris and de Jong, 2014), callosal inter-hemispheric transfer (Lee, Chen, & Schlaug, 2003; Oztu¨rk, Tasçioglu, Aktekin, Kurtoglu, & Erden, 2002), sound and speech processing (Chobert, François...
Music Perception (2016) 33 (3): 367–393.
Published: 01 February 2016
...—employed by Indians, 2) tone-distribution cues—duration and frequency of note occurrence—employed by both Indians and Westerners, and 3) transference of schematic knowledge of Western music by Western participants. © 2016 by The Regents of the University of California 2016 30 11 2014 4 6...
Music Perception (2015) 32 (5): 515–529.
Published: 01 June 2015
...; O Connor, 2012). This interaction is achieved through afferent fibers that transfer sensory informa- tion to the inferior colliculus of the midbrain as well as the auditory cortex (Gao & Suga, 2000). In this regard, a competent working memory system is essen- tial to temporally encode this...
Music Perception (2014) 31 (5): 470–484.
Published: 01 June 2014
... defines meaning in terms of expectations: Tones] become meaningful only in so far as they point to, indicate, or imply something beyond themselves (p. 34). Furthermore, he highlights the role of expectations in evoking emotional responses to music: Emotion or affect is aroused when a tendency to...
Music Perception (2014) 31 (3): 271–287.
Published: 01 February 2014
... of practice. After one day of practice the 10-element sequence was organized into fewer subsequences and stored in a relatively abstract format as shown by an effector transfer test. After four days of practice the entire 16-element sequence was performed without obvious transitions but this infor...
Music Perception (2013) 30 (4): 369–390.
Published: 01 April 2013
Music Perception (2012) 30 (2): 187–204.
Published: 01 December 2012
Music Perception (2012) 29 (5): 479–491.
Published: 01 June 2012
... status of musical memory in dementia is far from clear (for an extensive review, see Baird & Samson, 2009). The type of musical memory that we have studied is the representation of musical knowledge information acquired through prior experience outside the labora- tory and independent of the temporal or...