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Journal Articles
Music Perception. 2018; 355527–539 doi: https://doi.org/10.1525/mp.2018.35.5.527
Published: 01 June 2018
... between musicians and nonmusicians was statistically similar. In the non-fan group, intelligibility was significantly greater for musicians relative to nonmusicians. Results are discussed in the context of perceptual learning and the benefits of expertise for decoding linguistic information in sub-optimum...
Includes: Supplementary data
Journal Articles
Music Perception. 2016; 334446–456 doi: https://doi.org/10.1525/mp.2016.33.4.446
Published: 01 April 2016
... brain processing of audiovisual information. In this study the effect of musical expertise was investigated in professional clarinetists and violinists. One hundred and eighty videos showing fragments of musical performances played on a violin or a clarinet were presented to musicians of G. Verdi Milan...
Journal Articles
Music Perception. 2014; 322125–142 doi: https://doi.org/10.1525/mp.2014.32.2.125
Published: 01 December 2014
...São Luís Castro; César F. Lima We investigated how age and musical expertise influence emotion recognition in music. Musically trained and untrained participants from two age cohorts, young and middle-aged adults ( N = 80), were presented with music excerpts expressing happiness, peacefulness...
Journal Articles
Music Perception. 2009; 264321–334 doi: https://doi.org/10.1525/mp.2009.26.4.321
Published: 01 April 2009
...% vs. 46.90%). For NDL, the perception of clash of keys differed between musical styles and decreased from classical to rock 'n' roll and from pop to jazz. Differences in responses are mainly explained by acculturation effects (listening expertise, attention, musical style, and familiarity with the...
Journal Articles
Music Perception. 2005; 224583–611 doi: https://doi.org/10.1525/mp.2005.22.4.583
Published: 01 April 2005
... relation was found for the bluegrass musicians, but only when listening to the bluegrass improvisations. Furthermore, by comparing the expert data with a reanalysis of nonexpert data collected in a previous, but identical study, we propose as a first approximation that musical expertise dissolves the...
Journal Articles
Music Perception. 2020; 374323–338 doi: https://doi.org/10.1525/mp.2020.37.4.323
Published: 11 March 2020
...Eliot Farmer; Crescent Jicol; Karin Petrini Music expertise has been shown to enhance emotion recognition from speech prosody. Yet, it is currently unclear whether music training enhances the recognition of emotions through other communicative modalities such as vision and whether it enhances the...
Journal Articles
Music Perception. 2020; 373196–207 doi: https://doi.org/10.1525/mp.2020.37.3.196
Published: 01 February 2020
...Fiona C. Manning; Anna Siminoski; Michael Schutz We explore the effects of trained musical movements on sensorimotor interactions in order to clarify the interpretation of previously observed expertise differences. Pianists and non-pianists listened to an auditory sequence and identified whether...
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
... musicians consistently tapped with higher stability than nonmusicians, reflecting an effect of rhythmic expertise. Except for the condition most closely resembling real music, participants preferred the on-the-grid grooves to displacements in microtiming and bass-succeeding-drums-conditions were preferred...
Journal Articles
Music Perception. 2018; 353364–375 doi: https://doi.org/10.1525/mp.2018.35.3.364
Published: 01 February 2018
... evaluator’s musical expertise mediates this effect. An opportunity sample of thirty-four musicians (8 male, 26 female M age = 26.4 years) and 26 nonmusicians (6 male, 20 female, M age = 44.0 years) rated four video clips for technical proficiency, musicality, and overall performance quality using 7-point...
Journal Articles
Music Perception. 2019; 365457–467 doi: https://doi.org/10.1525/mp.2019.36.5.457
Published: 01 June 2019
...J. Diana Zhang; Emery Schubert M usicians are typically identified in research papers by some single item measure (SIM) that focuses on just one component of musicality, such as expertise. Recently, musical sophistication has emerged as a more comprehensive approach by incorporating various...
Journal Articles
Music Perception. 2017; 344489–495 doi: https://doi.org/10.1525/mp.2017.34.4.489
Published: 01 April 2017
... of music expertise in evaluating operatic singing voices, listeners without music training were compared with the music experts examined in a recent study (Larrouy-Maestri, Magis, & Morsomme, 2014a) and their ratings were modeled with regard to underlying acoustic variables of pitch accuracy. As...
Journal Articles
Music Perception. 2018; 354502–517 doi: https://doi.org/10.1525/mp.2018.35.4.502
Published: 01 April 2018
... employing a similar research design and measurement instruments. Therefore, we used instrumental film music instead of vocal music, and assessed listeners’ music expertise. The present results show similarities and differences in patterns of psychological and physiological responses as compared to the...
Journal Articles
Music Perception. 2017; 343253–266 doi: https://doi.org/10.1525/mp.2017.34.3.253
Published: 01 February 2017
...Liila Taruffi; Rory Allen; John Downing; Pamela Heaton Previous music and emotion research suggests that individual differences in empathy, alexithymia, personality traits, and musical expertise might play a role in music-perceived emotions. In this study, we investigated the relationship between...
Journal Articles
Music Perception. 2013; 31297–117 doi: https://doi.org/10.1525/mp.2013.31.2.97
Published: 01 December 2013
... when it is present. This study tested the hypotheses that imagery 1) can occur concurrently with normal performance, 2) is strongest when auditory feedback is absent but motor feedback is present, and 3) improves with increasing musical expertise. Auditory and motor feedback conditions were manipulated...
Journal Articles
Music Perception. 2016; 334472–492 doi: https://doi.org/10.1525/mp.2016.33.4.472
Published: 01 April 2016
... labels. In addition, the Goldsmiths Musical Sophistication Index (Gold-MSI) was used to assess participants’ musical expertise and engagement. As expected, regardless of the emotion model used, music evokes emotions similar to the emotional quality perceived in music. Moreover, emotion tags predict music...
Responses to the 3:1, 2:1, and 3:2 ratios at the slow tempo, separated by e...
Published: 01 September 2018
FIGURE A2. Responses to the 3:1, 2:1, and 3:2 ratios at the slow tempo, separated by expertise clusters (musician vs. nonmusician groups). FIGURE A2. Responses to the 3:1, 2:1, and 3:2 ratios at the slow tempo, separated by expertise clusters (musician vs. nonmusician groups). FIGURE A2. Responses to the 3:1, 2:1, and 3:2 ratios at the slow tempo, separated by expertise clusters (musician vs. nonmusician groups). FIGURE A2. Responses to the 3:1, 2:1, and 3:2 ratios at the slow tempo, separated by expertise clusters (musician vs. nonmusician groups). More
Journal Articles
Music Perception. 2012; 294359–375 doi: https://doi.org/10.1525/mp.2012.29.4.359
Published: 01 April 2012
...Freya Bailes; Roger T. Dean this study investigates the relationship between acoustic patterns in contemporary electroacoustic compositions, and listeners' real-time perceptions of their structure and affective content. Thirty-two participants varying in musical expertise (nonmusicians, classical...
Journal Articles
Music Perception. 2020; 373185–195 doi: https://doi.org/10.1525/mp.2020.37.3.185
Published: 01 February 2020
.... , Barton , S. , & Kubovy , M. ( 2014 ). The specificity of expertise: For whom is the clave pattern the “key” to salsa music? Acta Psychologica , 152 , 56 – 66 . Hannon , E. E. , & Trehub , S. E. ( 2005 ). Metrical categories in infancy and adulthood . Psychological...
Journal Articles
Music Perception. 2020; 373240–258 doi: https://doi.org/10.1525/mp.2020.37.3.240
Published: 01 February 2020
... expertise and of the duration of the excerpts . Cognition and Emotion , 19 ( 8 ), 1113 – 1139 . Blood , A. J , Zatorre , R. J , Bermudez , P. , & Evans , A. C ( 1999 ). Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions...
Journal Articles
Music Perception. 2019; 37295–110 doi: https://doi.org/10.1525/mp.2019.37.2.95
Published: 01 December 2019
...) who gave ratings < 2 for metal and > 6 for pop music were selected for the control group. Metal fans did not statistically differ from controls in terms of age (mean difference: M = − 1.0 years, 95% Cl [−2.96, 0.86], t (38) = − 1.11, p = .27), musical expertise (mean practice difference...