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experimental-control

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Journal Articles
Music Perception (2018) 36 (1): 109–128.
Published: 01 September 2018
... digital systems more generally and experimentally similar work on sensorimotor control and rhythmic performance. FIGURE 6. Median and IQRs of synchronization error for the first rhythmic task for all latency conditions for both groups. FIGURE 6. Median and IQRs of synchronization error for the...
Journal Articles
Music Perception (2017) 35 (1): 38–59.
Published: 01 September 2017
... coupled. The experimental program, participant interface, and data collection were programmed using the Max/MSP environment from Cycling 74 (San Fran- cisco, CA) controlled by the PsiExp software environ- ment (Smith, 1995). Procedure. Upon arriving, each participant completed a consent form, a medical...
Journal Articles
Music Perception (2015) 32 (5): 493–506.
Published: 01 June 2015
... experimental group compared to the control group as indicated by a higher proportion of correct responses as well as a smaller deviation measured in semitones in the tone identification task. The effect of training remained stable over the period without any further training (follow-up test). The results of...
Journal Articles
Music Perception (2012) 29 (5): 493–500.
Published: 01 June 2012
... experimental familiarity. There was no difference between patients and healthy age-matched controls in the recognition of unfamiliar tunes. Furthermore, familiarity ratings of patients with AD did not differ from those of age- matched controls (with the exception of a marginally significant increase in false...
Journal Articles
Music Perception (2016) 33 (4): 414–431.
Published: 01 April 2016
... Italian music has recently been ascribed to waning Italian and increasing German influence on Austro-German music after the Baroque Era. The inapplicability of controlled experimental methods to historical data necessitates further replication with more sensitive methods and new repertoire. Using novel...
Journal Articles
Music Perception (2020) 37 (5): 392–402.
Published: 10 June 2020
... coding types, it is important to note that the cross-validation models used here control for the number of features, as using validation data prevents coding schemes with more features from necessarily performing better. Despite the fact that the AI only used three features while the LIWC used 15, this...
Journal Articles
Music Perception (2020) 37 (5): 403–422.
Published: 10 June 2020
...Andrea Schiavio; Jan Stupacher; Richard Parncutt; Renee Timmers In an experimental study, we investigated how well novices can learn from each other in situations of technology-aided musical skill acquisition, comparing joint and solo learning, and learning through imitation, synchronization, and...
Journal Articles
Music Perception (2020) 37 (5): 423–434.
Published: 10 June 2020
.... I gratefully acknowledge Mairéad MacSweeney for her dedicated support. I also thank Peter Pfordresher and an anonymous reviewer for their constructive suggestions. Appreciation also to Arthur Samuel for sharing the control tasks, and to Michelle Yun Sze Tse and Junyuan Seng for their assistance in...
Journal Articles
Music Perception (2020) 37 (5): 373–391.
Published: 10 June 2020
...-experiment questionnaire. Questionnaire responses reflected participants’ experience of the categories. Participants disagreed on many points. For example, some untrained listeners associated violins with sonata-form movements or with rondos, even though we controlled for instrumentation. And many...
Journal Articles
Music Perception (2020) 37 (4): 339–346.
Published: 11 March 2020
... assumption that the influence of the experimental manipulation on groove ratings was mediated by its impact on liking for the musician. Inclusion of measures of attitudes toward control musicians had no impact on the reliability of the effects of Likability. Finally, in an exploratory vein, we conducted...
Journal Articles
Music Perception (2020) 37 (4): 263–277.
Published: 11 March 2020
... realistic music listening experience, future studies should use real pieces of music to investigate if the reported effects of SMS on time estimations can be replicated. As a starting point, we decided to use controlled stimuli that bore sufficient resemblance with electronic dance music. These patterns...
Journal Articles
Music Perception (2020) 37 (4): 278–297.
Published: 11 March 2020
... variances homoscedastic, hence no transformations were used. In a supplementary mixed effects model, we tested whether tapping to syncopated patterns reduced synchronization and stability ratings compared to the control patterns without syncopations (i.e., isochronous beat). This could not be...
Journal Articles
Music Perception (2020) 37 (4): 298–322.
Published: 11 March 2020
... isometric force: Evidence for a decelerating psychophysical function consistent with an equilibrium-point model of motor control . Perception and Psychophysics , 58 ( 4 ), 636 – 647 . Vassilakis , P. N. ( 2001 ). Perceptual and physical properties of amplitude fluctuation and their...
Journal Articles
Music Perception (2020) 37 (4): 323–338.
Published: 11 March 2020
..., 2011b ) could predict or be associated with music training and thus be different in musicians and nonmusicians. Our participants were mostly university students and thus the sample was quite homogeneous, and we do replicate findings from studies that did control for some of the aforementioned...
Journal Articles
Music Perception (2020) 37 (3): 185–195.
Published: 01 February 2020
... tradeoff between experimental control and ecological validity. The latter can be amplified by turning to paradigms that incorporate diverse musics and performance scenarios rather than relying on the most readily available and commonly used materials. Alternatively, ecological validity can be increased by...
Journal Articles
Music Perception (2020) 37 (3): 196–207.
Published: 01 February 2020
... redundancy) . Experimental Brain Research , 217 , 1 – 5 . Latash , M. L. ( 2014 ). Motor control: On the way to physics of living systems . In M. F. Levin (Ed.), Progress in motor control (pp. 1 – 14 ). New York : Springer . Loehr , J. D. , Large , E. W. , & Palmer...
Journal Articles
Music Perception (2020) 37 (3): 240–258.
Published: 01 February 2020
... investigated by other researchers in 95 articles, as well as how they defined the conceptual model used in designing the study. The features of individual musical stimuli are not discussed. Should one make use of extant musical recordings or create more controlled stimuli that are composed specifically...
Journal Articles
Music Perception (2019) 37 (2): 165–178.
Published: 01 December 2019
... manipulation of harmonic IC in panel C is only partially independent from melodic IC and the manipulation of melodic IC in panel A is only partially independent from harmonic IC. This approach provides a balance between experimental control and ecological validity. In comparison to studies using real...
Journal Articles
Music Perception (2019) 37 (2): 111–133.
Published: 01 December 2019
... tapping accuracy differences may reflect variation in musical/rhythmic expertise (e.g., Hove et al., 2007 ). Indeed, finger-tapping paradigms remain popular in investigating the above mechanisms in both music psychology and the neuropsychology of motor control (e.g., Dhamala et al., 2003 ; Jäncke et al...
Journal Articles
Music Perception (2019) 37 (2): 95–110.
Published: 01 December 2019
... clarify the contribution of low-and higher-order processes in the emotional experience of metal music by fans and non-fans. We screened a total of 332 participants to constitute an experimental group of metal music fans that ranked low on appreciation for a control music genre (pop music) and a control...