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evaluation

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Proprioceptive device developed for the <b>evaluation</b> of perceived tension and...
Published: 11 March 2020
Figure 1. Proprioceptive device developed for the evaluation of perceived tension and movement. The angular displacement of the lever from the initial position is accompanied by increasing force exerted by the participant’s hand. A linear 10 kΩ potentiometer mounted on the rotation fulcrum of the More
Journal Articles
Music Perception (2018) 36 (1): 98–108.
Published: 01 September 2018
... collection (between factor) and the four selected interpretations (within factor). The dependent variable was a unidimensional construct describing the musical quality, which was developed with an exploratory factor analysis followed by a probabilistic item analysis. It was found that the evaluation of...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception (2018) 35 (3): 364–375.
Published: 01 February 2018
...Noola K. Griffiths; Jonathon L. Reay Aural and visual information have been shown to affect audience evaluations of music performance (Griffiths, 2010; Juslin, 2000); however, it is not fully understood which modality has the greatest relative impact upon judgements of performance or if the...
Journal Articles
Music Perception (2017) 35 (2): 211–234.
Published: 01 December 2017
... optimality criteria. A selection of “novel” cadences is subject to empirical evaluation in order to gain a better understanding of perceptual relationships between cadences. Pairwise dissimilarity ratings between cadences are transformed into a perceptual space and a verbal attribute magnitude estimation...
Journal Articles
Music Perception (2017) 34 (4): 438–451.
Published: 01 April 2017
... production and perception swing ratio timing Malian drumming non-Western music PERCEPTION AND EVALUATION OF TIMING PATTERNS IN DRUM ENSEMBLE MUSIC FROM MALI HANS NEUHOFF & RAINER POLAK Cologne University of Music and Dance, Cologne, Germany TIMO FISCHINGER Max Planck Institute for Empirical Aesthetics...
Journal Articles
Music Perception (2016) 33 (4): 493–508.
Published: 01 April 2016
...Rachel M. van Besouw; Benjamin R. Oliver; Mary L. Grasmeder; Sarah M. Hodkinson; Heidi Solheim The objective of this study was to evaluate the efficacy of a prototype interactive music awareness program (IMAP) for adult cochlear implant (CI) users. An unblinded, randomized crossover design was used...
Journal Articles
Music Perception (2014) 32 (1): 1–10.
Published: 01 September 2014
...Pauline Larrouy-Maestri; David Magis; Dominique Morsomme The objective analysis of Western operatic singing voices indicates that professional singers can be particularly “out of tune.” This study aims to better understand the evaluation of operatic voices, which have particularly complex...
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<b>Evaluative</b> Lexicon (EL) data. Word count is the average number of words per...
Published: 10 June 2020
Figure 3. Evaluative Lexicon (EL) data. Word count is the average number of words per memory; valence, extremity, and emotional ratings are the average ratings on each variable as denoted by the EL software, and the average word counts for positive and negative emotional words. Individual More
Journal Articles
Music Perception (2013) 30 (5): 480–496.
Published: 01 June 2013
...Molly J. Henry; J. Devin McAuley This article considers a signal detection theory (SDT) approach to evaluation of performance on the Montreal Battery of Evaluation of Amusia (MBEA). One hundred fifty-five individuals completed the original binary response version of the MBEA ( n = 62) or a...
Journal Articles
Music Perception (2011) 29 (1): 93–108.
Published: 01 September 2011
...Mira Müller; Julian Klein; Thomas Jacobsen W e assume that evaluative processes in response to musical stimuli can occur spontaneously without explicit demand, and that these responses are important for the emergence of emotions evoked by music. Two versions of the affective priming paradigm served...
Journal Articles
Music Perception (2017) 34 (4): 489–495.
Published: 01 April 2017
...Pauline Larrouy-Maestri; Dominique Morsomme; David Magis; David Poeppel Lay listeners are reliable judges when evaluating pitch accuracy of occasional singers, suggesting that enculturation and laypersons’ perceptual abilities are sufficient to judge “simple” music material adequately. However, the...
Journal Articles
Music Perception (2020) 37 (4): 298–322.
Published: 11 March 2020
...Figure 1. Proprioceptive device developed for the evaluation of perceived tension and movement. The angular displacement of the lever from the initial position is accompanied by increasing force exerted by the participant’s hand. A linear 10 kΩ potentiometer mounted on the rotation fulcrum of the...
Journal Articles
Music Perception (2007) 25 (1): 13–29.
Published: 01 September 2007
... that lead to these judgments. This paper details an investigation of time-dependent characteristics of performance evaluation. Thirty-three participants were played five recordings of a Bach Prelude and five of a Chopin Prelude. They rated the quality of each performance continuously, by moving a mouse...
Journal Articles
Music Perception (2003) 21 (1): 21–41.
Published: 01 September 2003
... conceptual and practical problems with using judgments of performance quality as a research tool. To illustrate some of these, data are reported from a study in which three experienced evaluators watched performances given by students at the Royal College of Music, London, and assessed them according to a...
Journal Articles
Music Perception (2003) 20 (3): 263–282.
Published: 01 March 2003
...Bernhard Sollberge; Rolf Rebe; Doris Eckstein Using an affective priming paradigm, we demonstrated that the affective tone of musical chords influences the evaluation of target words. In Experiment 1, participants heard either consonant chords with three tones or dissonant chords with four tones as...
Journal Articles
Music Perception (2020) 37 (5): 392–402.
Published: 10 June 2020
...Figure 3. Evaluative Lexicon (EL) data. Word count is the average number of words per memory; valence, extremity, and emotional ratings are the average ratings on each variable as denoted by the EL software, and the average word counts for positive and negative emotional words. Individual...
Journal Articles
Music Perception (2002) 19 (3): 443–461.
Published: 01 March 2002
...: 0730-7829. Send requests for permission to reprint to Rights and Permissions, University of California Press, 2000 Center St., Ste. 303, Berkeley, CA 94704-1223. Toward Objective Measurement and Evaluation of Jazz Piano Performance Via MIDI-Based Groove Quantize Templates WA LT E R G E R A R D B U S S...
Journal Articles
Music Perception (2018) 36 (2): 217–242.
Published: 01 December 2018
..., we extracted 86 features ( acoustic features ) of the excerpts with the MIRtoolbox ( Lartillot & Toiviainen, 2007 ). First, we evaluated the perceptual and extracted acoustic features. Both perceptual and acoustic features posed statistical challenges (e.g., perceptual features were often...
Journal Articles
Music Perception (1998) 15 (3): 231–252.
Published: 01 April 1998
...William Forde Thompson; Murray Stainton Principles of melodic implication were evaluated in an analysis of folk song melodies. Implicative and closural intervals were identified in 513 Bohemian melodies, and the note following each interval (the continuation note) was analyzed. Multinomial log...
Journal Articles
Music Perception (2018) 36 (1): 60–76.
Published: 01 September 2018
... chosen to vary by length and familiarity. Three of these pieces were then manipulated to contain performance errors in the opening material, and two of those the same error at the recapitulation. Forty-two musicians provided continuous quality evaluations and final quality ratings of the performances...
Includes: Multimedia, Supplementary data