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Journal Articles
Music Perception (2019) 36 (4): 390–405.
Published: 01 April 2019
...Emily Carlson; Birgitta Burger; Petri Toiviainen T he current study explores how individuals ' tendency to empathize with others (trait empathy) modulates interaction and social entrainment in dyadic dance in a free movement context using perceptual and computationally derived measures. Stimuli...
Journal Articles
Music Perception (2013) 31 (2): 139–156.
Published: 01 December 2013
...Hauke Egermann; Stephen McAdams Previous studies have shown that there is a difference between recognized and induced emotion in music listening. In this study, empathy is tested as a possible moderator between recognition and induction that is, on its own, moderated via music preference...
* p  &amp;lt; .05. Mean movement variables extracted from stimuli, by <b>empathy</b> p...
Published: 01 April 2019
FIGURE 6. * p &lt; .05. Mean movement variables extracted from stimuli, by empathy pairing, 95% CI. FIGURE 6. *p &lt; .05. Mean movement variables extracted from stimuli, by empathy pairing, 95% CI. More
Journal Articles
Music Perception (2017) 34 (3): 253–266.
Published: 01 February 2017
...Liila Taruffi; Rory Allen; John Downing; Pamela Heaton Previous music and emotion research suggests that individual differences in empathy, alexithymia, personality traits, and musical expertise might play a role in music-perceived emotions. In this study, we investigated the relationship between...
Journal Articles
Music Perception (2011) 28 (3): 279–296.
Published: 01 February 2011
... individual differences in dissociation, absorption, fantasy proneness, empathy, and rumination would be related to the enjoyment of negative emotion in music. Fifty-nine participants completed a survey pertaining to this question. Results revealed statistically significant positive relationships between...
* p  &lt; .05 ** p  &lt; .001. Mean rated level of interaction (left) and s...
Published: 01 April 2019
FIGURE 5. * p &lt; .05 ** p &lt; .001. Mean rated level of interaction (left) and similarity (right) by empathy pairing, 95% CI. FIGURE 5. *p &lt; .05 **p &lt; .001. Mean rated level of interaction (left) and similarity (right) by empathy pairing, 95% CI. More
Journal Articles
Music Perception (2020) 37 (3): 240–258.
Published: 01 February 2020
...: Pleasurable Compassion Theory and the role of trait empathy . Paper presented at the biannual national conference of the Society for Music Perception and Cognition , New York, NY . Iwanaga , M. , Ikeda , M. , & Iwaki , T. ( 1996 ). The effects of repetitive exposure to music on...
Journal Articles
Music Perception (2012) 29 (3): 311–317.
Published: 01 February 2012
... excerpts. However, other more positive and complex emotions such as nostalgia, peacefulness, and wonder were also evident. Furthermore, two personality traits – Openness to Experience and Empathy – were associated with liking for sad music and with the intensity of emotional responses induced by sad music...
Journal Articles
Music Perception (2019) 37 (2): 95–110.
Published: 01 December 2019
... ) explains much of people's typical affective responses to music. Just like vocalizations, music that signals happiness or affiliation may be appraised positively or lead to positive contagion ( Miu & Baltes, 2012 ); sad music may elicit empathy, and make people sad or moved ( Vuoskoski & Eerola...
Journal Articles
Music Perception (2019) 36 (5): 457–467.
Published: 01 June 2019
... University . Parsons, C. E. , Young, K. S. , Jegindø, E.-M. E. , Vuust, P. , Stein, A. , & Kringelbach, M. L. ( 2014 ). Music training and empathy positively impact adults’ sensitivity to infant distress . Frontiers in Psychology , 5 , 1440 – 1440 . Peretz, I. , Champod Anne, S...
Journal Articles
Music Perception (2010) 27 (4): 251–261.
Published: 01 April 2010
... simulation theory of empathy may illuminate current controversies over the nature of emotion in music. Drawing on these ideas, we put forward suggestions for using a simple associative learning process between musically induced emotions and their cognitive correlates for the clinical treatment of alexithymia...
Journal Articles
Music Perception (2009) 26 (5): 489–504.
Published: 01 June 2009
... of perception-action mechanisms, human communication, and empathy. In a recent model of emotional responses to music (Molnar-Szakacs & Overy, 2006), we proposed that music is perceived not only as an auditory signal, but also as intentional, hierarchically organized sequences of expressive motor...
Journal Articles
Music Perception (2018) 35 (3): 332–363.
Published: 01 February 2018
... pro- cessing (Wilson & Iacoboni, 2006), familiarity with instrumental sound (Margulis, Mlsna, Uppunda, Par- rish, & Wong, 2009), affective response (J. E. Warren et al., 2006), and musical empathy (Wallmark, Deblieck, & Iacoboni, submitted). Overy andMolnar-Szakacs (2006, 2009) hypothesized that motor...
Includes: Supplementary data
Journal Articles
Music Perception (2017) 34 (3): 319–326.
Published: 01 February 2017
... increases perception of self-similarity and encourages feelings of empathy (Overy & Molnar-Szakacs, 2009; Valdesolo & DeSteno, 2011). It has also been proposed that neurohor- monal mechanisms are at play, and that interpersonal 324 Laura K. Cirelli, Stephanie J. Wan, Christina Spinelli, & Laurel J. Trainor...
Journal Articles
Music Perception (2016) 33 (4): 515–517.
Published: 01 April 2016
Journal Articles
Music Perception (2014) 32 (2): 170–185.
Published: 01 December 2014
... that more than one process is involved and suggest a number of possible mechanisms, or routes central routes such as appraisal, memory, and empathy, which involve the central nervous system, and Music Perception, VOLUME 32, ISSUE 2, PP. 170 185, ISSN 0730-7829, ELECTRONIC ISSN 1533-8312. © 2014 BY...
Journal Articles
Music Perception (2014) 32 (1): 67–84.
Published: 01 September 2014
..., such as imagined activity (Maus, 1988), kinaesthetic empathy (Mead, 1999), imaginary agency (Levinson, 2006), sim- ulated control (Leman, 2007), and active perception (Krueger, 2009). What all of these accounts have in common is their reference to a direct, sensory-motor engagement with music; to how...
Journal Articles
Music Perception (2013) 30 (5): 517–533.
Published: 01 June 2013
...) components or concepts: Synchronization, Embodied Attuning, and Empathy, which differ in the degree of musical involvement and the kind of action-perception couplings. Synchronization forms the fundamental component, as synchronizing to a beat is easy, sponta- neous, and possible even when paying minimal...
Journal Articles
Music Perception (2013) 30 (4): 361–367.
Published: 01 April 2013
... Knippenberg, 2008), while enhancing emotional empathy (Stel, Van Baaren, & Vonk, 2008). These traits are likely to facilitate obser- vers perception and enjoyment of singing performance. However, it is unknown if the facial expressions pro- duced by singers during vocal performance can elicit mimicry in...
Journal Articles
Music Perception (2013) 30 (3): 307–340.
Published: 01 February 2013