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differentiation-dimensions

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Journal Articles
Music Perception (2012) 30 (2): 161–185.
Published: 01 December 2012
... Studies 2 and 3 the excerpts were from commercially unreleased musical pieces obtained from Getty Images. To identify the characteristics that defined and differentiated each of the preference dimensions, the musical pieces used in all three studies were rated by independent coders on seven auditory...
Journal Articles
Music Perception (2012) 29 (4): 429–446.
Published: 01 April 2012
..., Social Connection, Dance and Physical Exercise). Analysis of an independent sample with a refined 50-item scale ( N = 124; mean age = 22.78 years, SD = 6.17) supported the findings, further differentiating between “Physical Exercise” and “Dance.” Taken together with the eight music background items, the...
Journal Articles
Music Perception (2020) 37 (5): 392–402.
Published: 10 June 2020
..., & Moscovitch, 2002 ), Linguistic Inquiry and Word Count (LIWC; Pennebaker et al., 2015 ), and Evaluative Lexicon (EL; Rocklage & Fazio, 2018 ). We trained three logistic regression models (one for each scoring method) to differentiate between memories evoked by music and faces. Models trained on LIWC and...
Journal Articles
Music Perception (2020) 37 (5): 423–434.
Published: 10 June 2020
... , E. , Peperkamp , S. , & Sebastian-Galles , N. ( 2010 ). Limits on bilingualism revisited: Stress 'deafness' in simultaneous French-Spanish bilinguals . Cognition , 114 , 266 – 275 . Gandour , J. ( 1981 ). Perceptual dimensions of tone: Evidence from Cantonese...
Journal Articles
Music Perception (2020) 37 (5): 373–391.
Published: 10 June 2020
Journal Articles
Music Perception (2020) 37 (4): 366–367.
Published: 11 March 2020
... unaddressed, as they are elements that most clearly differentiate music from speech generally, and joint speech in particular. There are no clear lines of demarcation here, and Day-O’Connell correctly points out that novel considerations, such as affect and the coordination of difference enter and enrich the...
Journal Articles
Music Perception (2020) 37 (4): 347–358.
Published: 11 March 2020
... same time, is but an extreme form of coordination and collaboration. If a group of people work closely together to hunt a mammoth or build a village, there will be differentiation in the tasks that arise, but the shared goal will suffice to ensure that all those who participate experience themselves as...
Journal Articles
Music Perception (2020) 37 (4): 298–322.
Published: 11 March 2020
... three dimensions of affect . Music Perception , 23 , 319 – 329 . https://doi.org/10.1525/mp.2006.23.4.319 Krumhansl , C. L. ( 1996 ). A perceptual analysis of Mozart’s piano sonata K. 282: Segmentation, tension, and musical ideas . Music Perception , 13 , 401 – 432 . https...
Journal Articles
Music Perception (2020) 37 (3): 225–239.
Published: 01 February 2020
... (differentiating scale-tones from non-scale-tones) and differences in tonal stability among scale tones (differentiating the tonic from another scale tone). Children (7-, 9-, 11-, 13-, and 14-year-olds) and adults judged how well two types of target tones (scale tone vs. non-scale tone; tonic vs. non-tonic) fit a...
Journal Articles
Music Perception (2020) 37 (3): 185–195.
Published: 01 February 2020
... “creative play with sound” to distinguish music from noise or animal vocalizations, while Honing (2018) distinguishes between “music” as a sociocultural construct and “musicality” as a set of biological capacities that allow for the production and perception of sounds as music. A long and differentiated...
Journal Articles
Music Perception (2004) 21 (4): 587–610.
Published: 01 June 2004
...Stephen Handel; Molly L. Erickson Timbre is typically investigated as a perceptual attribute that differentiates instruments at one pitch. Yet the perceptual usefulness of timbre is that it allows listeners to recognize one instrument at different pitches. Using stimuli produced across the playing...
Journal Articles
Music Perception (2019) 37 (2): 134–146.
Published: 01 December 2019
... Neuroscience , 7 , 436 – 445 . Eerola, T. , Ferrer, R. , & Alluri, V. ( 2012 ). Timbre and affect dimensions: Evidence from affect and similarity ratings and acoustic correlates of isolated instrument sounds . Music Perception , 30 , 49 – 70 . Eerola, T. , Friberg, A. , & Bresin, R...
Journal Articles
Music Perception (2019) 37 (2): 147–164.
Published: 01 December 2019
... (magenta squares for Cluster 1, red + signs for Cluster 2, green triangles for Cluster 3 and blue circles for Cluster 4). The turquoise line corresponds to the optimal fit by a circle. Here and in other figures, the symbol ⊗ refers to the centroids. Note that dimension 1 and dimension 2 , obtained...
Journal Articles
Music Perception (2019) 37 (2): 95–110.
Published: 01 December 2019
... sensitive to violent imagery than non-fans, suggesting that preference for metal is not the result of sensitivized responses to threat. Results from Experiment 1 and 2 do not give empirical support for a differential functioning of low-level threat response circuits in metal fans, who react...
Journal Articles
Music Perception (2019) 37 (1): 42–56.
Published: 01 September 2019
... activity registered in electroencephalogram (EEG) signals on a given time instant. Our experiment's results—with 26 volunteers (13 musicians and 13 nonmusicians) who listened the classical music Hungarian Dance No. 5 from Johannes Brahms—have shown that is possible to linearly differentiate musicians and...
Journal Articles
Music Perception (2019) 37 (1): 26–41.
Published: 01 September 2019
... differentiated absolute tempo judgments within the range of stimulus presentation, and relatedly (b) that the rating scale used in the experiment was/is an adequate metric for making the requisite discriminations within the range of tempos used in the experiment. Having replicated the TAE in Experiment 1...
Journal Articles
Music Perception (2019) 36 (4): 371–389.
Published: 01 April 2019
... ), and when, in the course of the music, those sensations had occurred. A semantic differential scale gathered information on participants’ affective state while listening using a 3-dimensional model of activity, valence, and tension ( Schimmack & Grob, 2000 ) where each dimension was represented by...
Journal Articles
Music Perception (2019) 36 (4): 335–352.
Published: 01 April 2019
... dimensions of timbre in orchestral instrument tones . Journal of the Acoustical Society of America , 133 , 389 – 404 . Everett, W. ( 2004 ). Making sense of rock's tonal systems . Music Theory Online , 10 . Retrieved June 8, 2018 from http://www.mtosmt.org/issues/mto.04.10.4/mto.04.10.4...
Journal Articles
Music Perception (2019) 36 (3): 314–330.
Published: 01 February 2019
...: The gestural and transmodal dimension of lived experience . Journal of Consciousness Studies , 14 ( 3 ), 54 – 82 . Petitmengin, C. , & Bitbol, M. ( 2009 ). The validity of first-person descriptions as authenticity and coherence . Journal of Consciousness Studies , 16 ( 10 – 12 ), 363...
Journal Articles
Music Perception (2019) 36 (3): 300–313.
Published: 01 February 2019
... . London, J. , & Jones, K. ( 2011 ). Rhythmic refinements to the nPVI measure: A reanalysis of Patel & Daniele (2003a) . Music Perception , 29 , 115 – 120 . Loukina, A. , Kochanski, G. , Rosner, B. , Keane, E. , & Shih, C. ( 2011 ). Rhythm measures and dimensions of durational...