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Journal Articles
Music Perception (2016) 33 (5): 523–545.
Published: 01 June 2016
...Esther Coorevits; Dirk Moelants Growing interest in studies on the relationship between music and movement has given rise to many paradigms and theories, including embodied approaches that provide interesting methodologies in studies on music and dance. Insight into the relation between dance and...
Journal Articles
Music Perception (2019) 36 (4): 390–405.
Published: 01 April 2019
...Emily Carlson; Birgitta Burger; Petri Toiviainen T he current study explores how individuals ' tendency to empathize with others (trait empathy) modulates interaction and social entrainment in dyadic dance in a free movement context using perceptual and computationally derived measures. Stimuli...
Journal Articles
Music Perception (2019) 36 (4): 371–389.
Published: 01 April 2019
...Ragnhild Torvanger Solberg; Nicola Dibben T his paper investigates the role of musical features in shaping peak-pleasurable experiences of electronic dance music (EDM). Typically, large structural and dynamic changes occur in an EDM track, which can be referred to as the break routine , consisting...
Journal Articles
Music Perception (2017) 34 (4): 438–451.
Published: 01 April 2017
... production and perception swing ratio timing Malian drumming non-Western music PERCEPTION AND EVALUATION OF TIMING PATTERNS IN DRUM ENSEMBLE MUSIC FROM MALI HANS NEUHOFF & RAINER POLAK Cologne University of Music and Dance, Cologne, Germany TIMO FISCHINGER Max Planck Institute for Empirical Aesthetics...
Journal Articles
Music Perception (2013) 30 (4): 349–359.
Published: 01 April 2013
...Edith Van Dyck; Dirk Moelants; Michiel Demey; Alexander Deweppe; Pieter Coussement; Marc Leman The present study aims to gain better insight into the connection between music and dance by examining the dynamic effects of the bass drum on a dancing audience in a club-like environment. One hundred...
Journal Articles
Music Perception (2001) 19 (1): 65–85.
Published: 01 September 2001
...Robert W. Mitchell; Matthew C. Gallaher We examined the ability to detect a match between a piece of music and a dance intended to express it. We used three pieces of music and three dances, and we presented these under the four following conditions. (1) Sequential selection: participants were...
Journal Articles
Music Perception (2010) 28 (1): 71–91.
Published: 01 September 2010
...Marc Leman; Luiz Naveda The goal of the present study is to gain better insight into how dancers establish, through dancing, a spatiotemporal reference frame in synchrony with musical cues. With the aim of achieving this, repetitive dance patterns of samba and Charleston were recorded using a three...
Journal Articles
Music Perception (2010) 28 (1): 93–111.
Published: 01 September 2010
...Luiz Naveda; Marc Leman Spatiotemporal gestures in music and dance have been approached using both qualitative and quantitative research methods. Applying quantitative methods has offered new perspectives but imposed several constraints such as artificial metric systems, weak links with qualitative...
Journal Articles
Music Perception (2009) 26 (5): 451–464.
Published: 01 June 2009
... material, lapsing rather than scaling accounted for timing variations. Automation of lapsing and scaling detection has application in the analysis of music and dance time series data. ©© 2009 By the Regents of the University of California time-keeping memory dynamic time warping uniform time...
Journal Articles
Music Perception (2019) 37 (1): 42–56.
Published: 01 September 2019
... activity registered in electroencephalogram (EEG) signals on a given time instant. Our experiment's results—with 26 volunteers (13 musicians and 13 nonmusicians) who listened the classical music Hungarian Dance No. 5 from Johannes Brahms—have shown that is possible to linearly differentiate musicians and...
Journal Articles
Music Perception (2020) 37 (5): 392–402.
Published: 10 June 2020
..., vivid, and emotional autobiographical memories. For example, hearing the song played during the first dance at your wedding may take you back to that moment, recalling the sights, sounds, and feelings you experienced during the original event. True to this experience, research indicates that music is an...
Journal Articles
Music Perception (2020) 37 (5): 403–422.
Published: 10 June 2020
.... , & Bachrach , A. ( 2018 ). Coordinated interpersonal behaviour in collective dance improvisation: The aesthetics of kinaesthetic togetherness . Behavioral Sciences , 8 , 23 . DOI: 10.3390/bs8020023 Hirvenkari , L. , Ruusuvuori , J. , Saarinen , V.-M. , Kivioja , M. , Peräkylä...
Journal Articles
Music Perception (2020) 37 (4): 278–297.
Published: 11 March 2020
... Differences in Ghanaian and American Participants Mean ( SD ) Ghana US t ( df ) 95% Confidence Intervals Age 26.00 (4.73) 21.20 (1.42) 3.257 (11.34) [1.568, 8.032]* Groove Familiarity 0.10 (1.49) 0.13 (1.35) 0.067 (20.41) [-1.223, 1.146] Dance Experience 0.02 (1.33...
Journal Articles
Music Perception (2020) 37 (4): 359–362.
Published: 11 March 2020
... observe coordination across the group while being embedded within it as an actor. This ability for an actor to participate in, as well as observe, coordination across the group is necessarily limited when it comes to joint movements that are primarily observable through vision, as is the case in dance...
Journal Articles
Music Perception (2020) 37 (4): 263–277.
Published: 11 March 2020
... unalikeability, therefore it was not used in the current study. The stimuli used in this study consisted of three rhythmic patterns that were based on the common “PoumTchak” rhythm ( Zeiner-Henriksen, 2010b ) typically used in electronic dance music ( Snoman, 2009 ; Zeiner-Henriksen, 2010a ). The patterns...
Journal Articles
Music Perception (2020) 37 (4): 347–358.
Published: 11 March 2020
.... Participation demands some sort of familiarity, especially if one is to join in singing or chanting. Participation through dancing or coupled gestures is a relatively simple affair if music has a strong metrical structure. Indeed, tapping along with a beat is frequently an unconscious response. This draws our...
Journal Articles
Music Perception (2012) 29 (4): 429–446.
Published: 01 April 2012
..., Social Connection, Dance and Physical Exercise). Analysis of an independent sample with a refined 50-item scale ( N = 124; mean age = 22.78 years, SD = 6.17) supported the findings, further differentiating between “Physical Exercise” and “Dance.” Taken together with the eight music background items, the...
Journal Articles
Music Perception (2020) 37 (4): 323–338.
Published: 11 March 2020
... from drumming improvisation . Frontiers in Psychology , 9 . doi.org/10.3389/fpsyg.2018.02168 Dittrich , W. H. , Troscianko , T. , Lea , S. E. G. , & Morgan , D. ( 1996 ). Perception of emotion from dynamic point-light displays represented in dance . Perception , 25...
Journal Articles
Music Perception (2020) 37 (4): 298–322.
Published: 11 March 2020
... . https://doi.org/10.2307/3345378 Frego , R. J. D. ( 1999 ). Effects of aural and visual conditions on response to perceived artistic tension in music and dance . Journal of Research in Music Education , 47 , 31 – 43 . https://doi.org/10.2307/3345826 Genesis . ( 2009...
Journal Articles
Music Perception (2020) 37 (3): 185–195.
Published: 01 February 2020
.... For example, while isochronous meters predominate in music around the world ( Savage et al., 2015 ), Malian dance drumming features non-isochronous metric beat subdivisions. This case challenges our theoretical understanding of the mechanisms that support rhythm perception and production (see further...