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cross-cultural

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Journal Articles
Music Perception. 2020; 374278–297 doi: https://doi.org/10.1525/mp.2020.37.4.278
Published: 11 March 2020
... psychology has almost exclusively studied European or North American listeners. While cross-cultural approaches can help us understand how different populations respond to music, comparing African and Western musical behaviors has historically tended to rely on stereotypes. Here we report on two studies in...
Journal Articles
Music Perception. 2020; 373185–195 doi: https://doi.org/10.1525/mp.2020.37.3.185
Published: 01 February 2020
... Trehub; Michael Veal; Melanie Wald-Fuhrmann Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require...
Journal Articles
Music Perception. 2017; 344424–437 doi: https://doi.org/10.1525/mp.2017.34.4.424
Published: 01 April 2017
... TEACHER MUSICIANS: A CROSS-CULTURAL STUDY RACHNA RAMAN & W. JAY DOWLING The University of Texas at Dallas MODULATION, A SHIFT IN MODE (RA¯GAM), IS important in South Indian classical (Carna¯tic) music. Here we investigate the sensitivity of Carna¯tic andWest- ern listeners to such shifts. Carna¯tic music...
Journal Articles
Music Perception. 2013; 305511–516 doi: https://doi.org/10.1525/mp.2013.30.5.511
Published: 01 June 2013
... the music in a given culture can “dock into” and “dock out of” cues that are universally perceived, shifting its potential for cross-cultural perception and interaction. While this model accounts for music ethnological evidence reviewed here, it also explains why universals of music perception cannot...
Journal Articles
Music Perception. 1999; 17143–64 doi: https://doi.org/10.2307/40285811
Published: 01 October 1999
... of these cues, or both, to arrive at an understanding of musically expressed emotion. The current study addressed the hypotheses derived from this model using a cross-cultural approach. The following questions were investigated: Can people identify the intended emotion in music from an unfamiliar...
Journal Articles
Music Perception. 2007; 243265–280 doi: https://doi.org/10.1525/mp.2007.24.3.265
Published: 01 February 2007
... organiza- tions in four, very different musical cultures: art music of the eastern Arab world, Western tonal music, Central Javanese gamelan music, and North Indian classical music. The analogy in each of the examined musical cultures is presented as a different realization of a cross- cultural model of...
Journal Articles
Music Perception. 2000; 174461–479 doi: https://doi.org/10.2307/40285829
Published: 01 July 2000
...Carol L. Krumhansl Sensitivity to tone distributions has been proposed as a mechanism underlying tonality induction. This sensitivity is considered in a cross-cultural context using two styles of music, Finnish spiritual folk hymns and North Sami yoiks. Previous research on melodic continuation...
Journal Articles
Music Perception. 2020; 373225–239 doi: https://doi.org/10.1525/mp.2020.37.3.225
Published: 01 February 2020
...Rie Matsunaga; Pitoyo Hartono; Koichi Yokosawa; Jun-ichi Abe Tonal schemata are shaped by culture-specific music exposure. The acquisition process of tonal schemata has been delineated in Western mono-musical children, but cross-cultural variations have not been explored. We examined how Japanese...
Journal Articles
Music Perception. 2016; 335590–600 doi: https://doi.org/10.1525/mp.2016.33.5.590
Published: 01 June 2016
...Steven M. Demorest; Steven J. Morrison; Vu Q. Nguyen; Erin N. Bodnar We have ample evidence of cultural bias influencing music cognition in a variety of ways including memory. The purpose of this study was to explore the influence of various musical elements on Western-born listeners’ cross...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception. 2017; 343327–334 doi: https://doi.org/10.1525/mp.2017.34.3.327
Published: 01 February 2017
... than either was with the Essen contours. Our findings of broad cross-cultural and cross-species parallels support the motor constraint hypothesis for melodic contour. More generally, our findings demonstrate the importance of greater collaboration between ethnomusicology and music psychology...
Journal Articles
Music Perception. 2017; 351118–121 doi: https://doi.org/10.1525/mp.2017.35.1.118
Published: 01 September 2017
... refute this idea, citing cross-cultural, developmental and comparative evidence to the contrary, and raising concerns over McDermott et al.'s methodology. We conclude that although familiarity plays an important role in shaping tonal preferences, it must not be cast in opposition to clear biological...
Journal Articles
Music Perception. 2016; 333319–331 doi: https://doi.org/10.1525/mp.2016.33.3.319
Published: 01 February 2016
... auditory responses. This leads us to reevaluate the significance of frequency relationships in the perception of music. Here, we present a dynamical systems analysis of mode-locked neural oscillation that predicts cross-cultural invariances in music perception and cognition. We show that this theoretical...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception. 2012; 293297–310 doi: https://doi.org/10.1525/mp.2012.29.3.297
Published: 01 February 2012
...Vinoo Alluri; Petri Toiviainen polyphonic timbre perception was investigated in a cross-cultural context wherein Indian and Western nonmusicians rated short Indian and Western popular music excerpts (1.5 s, n = 200) on eight bipolar scales. Intrinsic dimensionality estimation revealed a higher...
Journal Articles
Music Perception. 2008; 253213–223 doi: https://doi.org/10.1525/mp.2008.25.3.213
Published: 01 February 2008
...Steven M. Demorest; Steven J. Morrison; Denise Jungbluth; Müünir N. Beken THE PURPOSE OF THIS STUDY WAS TO TEST THE cross-cultural musical understanding of trained and untrained listeners from two distinct musical cultures by exploring the influence of enculturation on musical memory performance...
Journal Articles
Music Perception. 2013; 305441–462 doi: https://doi.org/10.1525/mp.2013.30.5.441
Published: 01 June 2013
... and linguistic literature, is associated with a particular intonational formula—the calling contour —and intriguingly, with a purportedly cross-cultural musical fingerprint: the interval of the minor third. A reading task was used to systematically compare the stylized interjection to four other...
Journal Articles
Music Perception. 2008; 253241–252 doi: https://doi.org/10.1525/mp.2008.25.3.241
Published: 01 February 2008
...-cultural differences in pitch memory. ©© 2008 By the Regents of the University of California pitch memory absolute pitch cross-cultural differences music and children academic achievement E. GLENN SCHELLENBERG AND SANDRA E. TREHUB University of Toronto, Mississauga, Ontario, Canada ABSOLUTE...
Journal Articles
Music Perception. 2005; 2311–27 doi: https://doi.org/10.1525/mp.2005.23.1.1
Published: 01 September 2005
..., cross-cultural, and neuroscience research to address the ways in which a domain is innately constrained. Candidate constraints in music include the importance of the octave and other simple pitch ratios, the categorization of the octave into tones, the importance of melodic contour, tonal hierarchies...
Journal Articles
Music Perception. 1984; 22131–165 doi: https://doi.org/10.2307/40285289
Published: 01 December 1984
...Edward J. Kessler; Christa Hansen; Roger N. Shepard Krumhansl and Shepard's probe-tone method, in which listeners rate the musical relatedness of probe tones to preceding musical contexts, was adapted for a cross-cultural comparison of the perception of Western and Balinese melodies by both Western...
Journal Articles
Music Perception. 2018; 362135–155 doi: https://doi.org/10.1525/mp.2018.36.2.135
Published: 01 December 2018
... absolute pitch relative pitch cross-cultural tonality music education References Bachem, A. ( 1937 ). Various types of absolute pitch . Journal of the Acoustical Society of America , 9 , 146 – 151 . Bachem, A. ( 1940 ). The genesis of absolute pitch . Journal of the Acoustical...
Journal Articles
Music Perception. 2018; 36198–108 doi: https://doi.org/10.1525/mp.2018.36.1.98
Published: 01 September 2018
... 12 10 2017 21 3 2018 Anna Wolf, Institute for Systematic Musicology, University of Hamburg, Neue Rabenstraße 13, 20354 Hamburg Germany. E-mail: anna.wolf@uni-hamburg.de empirical aesthetics cross-cultural performance music evaluation Note 1. The MIDI sound files of the...
Includes: Multimedia, Supplementary data