1-20 of 669 Search Results for

communication

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
Music Perception (2007) 25 (2): 169–170.
Published: 01 December 2007
... interdisciplinary investigations into music. I suggest two changes to the label proposed by Graham arguing that "affective"——rather than emotional——and "communication"——rather than signal——more broadly and precisely describe the boundaries of relevance that should be applied to music. ©© 2007 By the Regents of...
Journal Articles
Music Perception (2019) 37 (1): 1–25.
Published: 01 September 2019
... showed that performers communicated gesturally following held notes. Gesture patterns became more consistent as duos rehearsed, though consistency dropped again during a final performance given under no-visual-contact conditions. Movements were smoother and interperformer coordination was stronger during...
Journal Articles
Music Perception (1997) 14 (4): 383–418.
Published: 01 July 1997
...Patrik N. Juslin The first part of this paper presents a systematic application of a functionalist perspective to the study of emotional communication in music performance. This involves the integration of ideas and concepts from psychological research on emotion and nonverbal communication with...
Journal Articles
Music Perception (1990) 8 (2): 129–163.
Published: 01 December 1990
...Roger A. Kendall; Edward C. Carterette This study focuses on the performer-listener link of the chain of musical communication. Using different perceptual methods (categorization, matching, and rating), as well as acoustical analyses of timing and amplitude, we found that both musicians and...
Journal Articles
Music Perception (2019) 36 (3): 289–299.
Published: 01 February 2019
... extensively studied; however, research is limited on the effects of physical separation on the subjective experience of musicians. This separation is likely to have an effect on interaction between musicians as usual channels of communication are interrupted. The impact of this physical separation on the...
Journal Articles
Music Perception (2020) 37 (4): 323–338.
Published: 11 March 2020
...Eliot Farmer; Crescent Jicol; Karin Petrini Music expertise has been shown to enhance emotion recognition from speech prosody. Yet, it is currently unclear whether music training enhances the recognition of emotions through other communicative modalities such as vision and whether it enhances the...
Journal Articles
Music Perception (2020) 37 (4): 347–358.
Published: 11 March 2020
... context of occurrence and the purposes of the participants. While music and language have been greatly altered by developments in media technologies—from writing to recordings—joint speech has been, and continues to be, an integral part of practices, both formal and informal, from which communities derive...
Journal Articles
Music Perception (2020) 37 (3): 240–258.
Published: 01 February 2020
... results from previous reviews may be due to the inconsistent use of emotion terms throughout the music community. Table 1. Complete List of Emotion Terms in a Review of 306 Studies on Music and Emotion Term Number Term Number Term Number Sad 2013 Scary 12 Comforting...
Journal Articles
Music Perception (2019) 37 (1): 66–91.
Published: 01 September 2019
... “arousal” instead of “intensity” showed similar results to Experiment 1 . We discuss how these results complement and extend previous findings of studies with tightly controlled stimuli, providing additional perspective on complex issues of interpersonal communication. TABLE B3...
Journal Articles
Music Perception (2018) 35 (4): 518–523.
Published: 01 April 2018
... pitch intervals that do not appear in common practice music. Results were consistent with the notion that higher average pitch height communicates happiness and/or that lower pitch height communicates sadness. Moreover, they suggested that the effect is: (1) sufficiently robust to be detected using...
Journal Articles
Music Perception (2020) 37 (5): 403–422.
Published: 10 June 2020
... living system’s body and its ability to think, perceive, feel, act, and communicate (e.g., Gallagher, 2005 ); Embedded cognition focuses on the ways in which the cultural, physical, and social properties of the environment can shape mental life (e.g., Haugeland, 1998 ); the main concern of Extended...
Journal Articles
Music Perception (2020) 37 (5): 423–434.
Published: 10 June 2020
...-musicians . Paper presented in INTERSPEECH 2005 - Eurospeech, 9th European Conference on Speech Communication and Technology , Lisbon, Portugal . Best , C. T. ( 1995 ). A direct realist perspective on cross-language speech perception . In W. Strange (Ed.), Speech perception and...
Journal Articles
Music Perception (2020) 37 (5): 373–391.
Published: 10 June 2020
... , D. ( 2013 ). A psychological approach to musical form: The habituation-fluency theory of repetition . Current Musicology , 96 , 7 – 35 . Juslin , P. , & Laukka , P. ( 2003 ). Communication of emotions in vocal expression and music performance: Different channels, same code...
Journal Articles
Music Perception (2020) 37 (5): 392–402.
Published: 10 June 2020
...., 2016 , 2018 ). Participants were recruited through advertisements in the local community and a registry of healthy research participants. Inclusion criteria for the present study required that all raw data (memory transcriptions) were available for each participant. Participants in the present study...
Journal Articles
Music Perception (2018) 36 (1): 53–59.
Published: 01 September 2018
...Ronald S. Friedman A ccording to J uslin (2001), final ritardandi constitute part of the acoustic code employed by musicians to communicate two distinct emotional states: sadness and tenderness. To test this proposition, in two experiments, participants were exposed to a set of hymns that were...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception (2020) 37 (4): 363–365.
Published: 11 March 2020
... communal vocalizing. But in surveying his newly charted territory of “joint speech,” I found myself wondering where melody and harmony might be located—and more so, wondering whether and how musical pleasure might figure in the analysis. On the other hand, it behooves us to ponder the uniqueness of...
Journal Articles
Music Perception (2020) 37 (4): 263–277.
Published: 11 March 2020
... was used for tapping. The pickup was connected to a Scarlett 2i2 audio interface (Focusrite), and tapping data were recorded in Live 9. Software environment communication was done using a virtual MIDI port and the Mido library for Python. This set-up allowed for recordings of audio and MIDI signals...
Journal Articles
Music Perception (2020) 37 (3): 185–195.
Published: 01 February 2020
... , E. H. , Wong , P. C. M. , Simchy-Gross , R. , & Mcauley , D. ( 2019 ). What the music said: Narrative listening across cultures . Palgrave Communications , 5 , 146 . Mcallester , D. P. ( 1954 ). Enemy way music . Cambridge, MA : Harvard University Press...
Journal Articles
Music Perception (2020) 37 (3): 196–207.
Published: 01 February 2020
... . Morillon , B. , Schroeder , C. C. , & Wyart , V. ( 2014 ). Motor contributions to the temporal precision of auditory attention . Nature Communications , 5 , 5255 . Morton , J. , Marcus , S. , & Frankish , C. , ( 1976 ). Perceptual centers (P-centers...
Journal Articles
Music Perception (2020) 37 (3): 225–239.
Published: 01 February 2020
... developmental study of a sensitivity to scale structure] . Bulletin of Nara University of Education: Cultural and Social Science , 41 , 75 – 86 . Gerry , D. , Unrau , A. , & Trainor , L. J. ( 2012 ). Active music classes in infancy enhance musical, communicative and social development...