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cognitive-musicology

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Journal Articles
Music Perception (2016) 33 (5): 631–661.
Published: 01 June 2016
... estimation of S&C descriptions. The S&C model highlights promising connections between music data processing and information retrieval on the one hand, and modern theories in music perception, cognition and semiotics on the other hand, together with interesting perspectives in Musicology. © 2016...
Journal Articles
Music Perception (2017) 35 (2): 211–234.
Published: 01 December 2017
...Asterios Zacharakis; Maximos Kaliakatsos-Papakostas; Costas Tsougras; Emilios Cambouropoulos The cognitive theory of conceptual blending may be employed to understand the way music becomes meaningful and, at the same time, it may form a basis for musical creativity per se. This work constitutes a...
Journal Articles
Music Perception (2003) 20 (4): 411–429.
Published: 01 June 2003
...Emilios Cambouropoulos In this article, cognitive and musicological aspects of pitch and pitch interval representations are explored via computational modeling. The specific task under investigation is pitch spelling , that is, how traditional score notation can be derived from a simple...
Journal Articles
Music Perception (2020) 37 (5): 373–391.
Published: 10 June 2020
... cognitive musicology might reconsider form, style, and genre together. Stimuli consisted of uncompressed audio clips from commercial recordings of a subset of the movements in our total corpus. For each movement, we used the initial fifteen seconds of the recording, presenting the opening of the...
Journal Articles
Music Perception (2020) 37 (5): 403–422.
Published: 10 June 2020
... the University of California 2020 12 9 2019 19 3 2020 Andrea Schiavio, Centre for Systematic Musicology, University of Graz, Merangasse 70, 8010, Graz, Austria, andrea.schiavio@uni-graz.at synchronization interaction embodied cognition music education joint action...
Journal Articles
Music Perception (2020) 37 (4): 263–277.
Published: 11 March 2020
... lasting longer compared to nonmusicians. Based on findings of the influence of cognitive load on time estimations and on the attentional gate model ( Block et al., 2010 ; Block & Zakay, 1996 ; Zakay & Block, 1995 ), it was assumed that musicians would find it easier to perform the SMS tasks and...
Journal Articles
Music Perception (2020) 37 (4): 347–358.
Published: 11 March 2020
.... , & Di Paolo , E. A. ( 2011 ). The enactive approach: Theoretical sketches from cell to society . Pragmatics and Cognition , 19 ( 1 ), 1 – 36 . Heaton , C. P. ( 1992 ). Air ball: Spontaneous large‐group precision chanting . Popular Music and Society , 16 ( 1 ), 81 – 83...
Journal Articles
Music Perception (2020) 37 (4): 278–297.
Published: 11 March 2020
... : Routledge . Agawu , K. ( 2006 ). Structural analysis or cultural analysis? Competing perspectives on the “standard pattern” of West African rhythm . Journal of the American Musicological Society , 59 , 1 – 46 . Allen , M. , Poggiali , D. , Whitaker , K. , Marshall , T. R...
Journal Articles
Music Perception (2020) 37 (3): 185–195.
Published: 01 February 2020
... boundaries: An introductory essay . Empirical Musicology Review 4 ( 2 ), 45 – 48 . Becker , J. ( 2009 b). Ethnomusicology and empiricism in the twenty-first century . Ethnomusicology , 53 , 479 - 501 . Blacking , J. ( 1973 ). How musical is man? Seattle, WA : University of...
Journal Articles
Music Perception (2020) 37 (3): 225–239.
Published: 01 February 2020
... reviewers for helpful comments on the manuscript. A part of data appearing in this paper were presented at the autumn meeting of the Japanese Society for Music Perception and Cognition, 2018. This work was supported by JSPS KAKENHI Grant Number 16K21452. The authors declare no competing financial interest...
Journal Articles
Music Perception (2020) 37 (3): 208–224.
Published: 01 February 2020
...Peter M. C. Harrison; Marcus T. Pearce Voice leading is a common task in Western music composition whose conventions are consistent with fundamental principles of auditory perception. Here we introduce a computational cognitive model of voice leading, intended both for analyzing voice-leading...
Journal Articles
Music Perception (2019) 37 (2): 165–178.
Published: 01 December 2019
... Harrison, P. M. , & Pearce, M. T. ( 2018 ). Dissociating sensory and cognitive theories of harmony perception through computational modeling . In R. Parncutt & S. Sattmann (Eds.), Proceedings of ICMPC15/ESCOM10 (pp. 194 – 199 ). Graz, Austria : Centre for Systematic Musicology...
Journal Articles
Music Perception (2019) 37 (2): 134–146.
Published: 01 December 2019
... happy and sad melodies may reflect different musical scale (or interval) structures, we included 60 happy and 60 sad melodic stimuli in order to avoid the possible interaction between timbre type and scale structure of the melody. The selections were based on musicological analysis and self-reports from...
Journal Articles
Music Perception (2004) 21 (3): 431–456.
Published: 01 March 2004
...WILLIAM THOMSON Current musicology demands opposing explanations of pitch structure, a styles-driven approach that ignores both the kinetics common to diverse musics and the broadly shared bases of human perception. To establish a unified theory, a ““from-bit-to-whole”” path is argued, noting...
Journal Articles
Music Perception (2019) 37 (1): 66–91.
Published: 01 September 2019
... 2019 emotion perception applied music cognition valence arousal References Bach, J. S. ( 1953 ). Bach: The Well-Tempered Clavier Book I - Prelude #24 in B minor, BWV 855 [CD; Recorded by R. Tureck] . RFA-Neef, Wittingen, Germany : Deutsche Grammonphon . (Original work...
Journal Articles
Music Perception (2019) 37 (1): 1–25.
Published: 01 September 2019
... performance . In M. Lesaffre , P. J. Maes , & M. Leman (Eds.), The Routledge companion to embodied music interaction (pp. 150 – 159 ). New York : Routledge . Moran, N. ( 2014 ). Social implications arise in embodied music cognition research which can counter musicological “individualism...
Journal Articles
Music Perception (2019) 37 (1): 57–65.
Published: 01 September 2019
..., melisma, and repetition priming . Empirical Musicology Review . 9 , 2 – 20 . KAE Labs . ( 2005 ). VocalWriter [Software] . Woodinville, WA : KAE Labs . Klatt, D. H. , & Klatt, L. C. ( 1990 ). Analysis, synthesis, and perception of voice quality variations among female and male talkers...
Journal Articles
Music Perception (2019) 37 (1): 26–41.
Published: 01 September 2019
... research was supported by a Finnish Core Fulbright Scholar grant to author JL, and by an Academy of Finland grant (project ‘‘Dynamics of Music Cognition,’’ project numbers 272250, 274037) to authors PT, BB, and MT. © 2019 by The Regents of the University of California 2019 15 1 2018 16 6...
Journal Articles
Music Perception (2019) 36 (5): 448–456.
Published: 01 June 2019
... interferes more with a concurrent cognitive task than does harmonic music . Attention, Perception, and Psychophysics , 78 , 946 – 959 . DOI: 10.3758/s13414-015-1042-y Bonin, T. , Trainor, L. J. , Belyk, M. , & Andrews, P. W. ( 2016 ). The source dilemma hypothesis: Perceptual uncertainty...
Journal Articles
Music Perception (2019) 36 (5): 457–467.
Published: 01 June 2019
... musician/non-musician dichotomy . Psychology of Music , 46 ( 4 ), 459 – 472 . Cross, I. A. N. ( 2006 ). Music, cognition, culture, and evolution . Annals of the New York Academy of Sciences , 930 ( 1 ), 28 – 42 . Eraut, M. ( 1995 ). Developing professional knowledge And competence...