Search Results for behavior
1-20 of 809 Search Results for
Music Perception. 2017; 343319–326 doi: https://doi.org/10.1525/mp.2017.34.3.319
Published: 01 February 2017
...Laura K. Cirelli; Stephanie J. Wan; Christina Spinelli; Laurel J. Trainor Moving in synchrony with others encourages prosocial behavior. Adults who walk, sing, or tap together are later more likely to be cooperative, helpful, and rate each other as likeable. Our previous studies demonstrated that...
Music Perception. 2012; 302129–146 doi: https://doi.org/10.1525/mp.2012.30.2.129
Published: 01 December 2012
... of explanatory variables. Regression trees and a random forest analysis were employed to model the empirical data statistically. Results indicate that contextual factors can account for 40% of the variability in sing-along behavior, while adding musical factors into the model – in particular those...
Music Perception. 1999; 172151–195 doi: https://doi.org/10.2307/40285890
Published: 01 December 1999
... determined the relative frequencies of tone onsets and two- and three-tone transitions. The second approach was a behavioral experiment in which listeners, either familiar (experts) or unfamiliar (nonexperts) with the hymns, made judgments about melodic continuations. The third approach simulated melodic...
Music Perception. 1998; 162223–241 doi: https://doi.org/10.2307/40285788
Published: 01 December 1998
...Petri Toiviainen; Mari Tervaniemi; Jukka Louhivuori; Marieke Saher; Minna Huotilainen; Risto Näätänen The present study compared the degree of similarity of timbre representations as observed with brain recordings, behavioral studies, and computer simulations. To this end, the electrical brain...
Music Perception. 1996; 133365–382 doi: https://doi.org/10.2307/40286175
Published: 01 April 1996
...Robert O. Gjerdingen In addition to preserving a record of tones, chords, intervals, and other musical features, the historical text known as Mozart's Keyboard Sonata in Et Major, K. 282 (189g), also preserves traces of complex musical behaviors that were developed and replicated within eighteenth...
Music Perception. 1985; 24459–470 doi: https://doi.org/10.2307/40285313
Published: 01 July 1985
... Foundation Grant GS-42802 References Ainslie, G. Specious reward: A behavioral theory of impulsiveness and impulse control. Psychological Bulletin, 1975,82,463-496. Allport, G. W. The historical background of modern social psychology. In G. Lindzey (Ed.), Handbook of social psychology...
Music Perception. 2005; 223577–580 doi: https://doi.org/10.1525/mp.2005.22.3.577
Published: 01 March 2005
... of the New York Academy of Science, 423, 168-182. Semjen A., & Garcia-Colera, A. (1986). Planning and timing of finger-tapping sequences with a stressed element. Journal of Motor Behavior, 18, 287 322. Semjen, A. (1992). Plan decoding and response timing during execution of movement sequences. Acta...
Music Perception. 2020; 374363–365 doi: https://doi.org/10.1525/mp.2020.37.4.363
Published: 11 March 2020
...Jeremy Day-O’Connell In charting the “territory between speech and song,” Cummins (2020) identifies various forms of vocal behavior involving “multiple people uttering the same thing at the same time”—what the author calls “joint speech.” I interrogate this conceptual framework in light of specific...
Music Perception. 2020; 374347–358 doi: https://doi.org/10.1525/mp.2020.37.4.347
Published: 11 March 2020
...Fred Cummins Speech and song have frequently been treated as contrasting categories. We here observe a variety of collective activities in which multiple participants utter the same thing at the same time, a behavior we call joint speech. This simple empirical definition serves to single out...
Music Perception. 2020; 374278–297 doi: https://doi.org/10.1525/mp.2020.37.4.278
Published: 11 March 2020
... psychology has almost exclusively studied European or North American listeners. While cross-cultural approaches can help us understand how different populations respond to music, comparing African and Western musical behaviors has historically tended to rely on stereotypes. Here we report on two studies in...
Music Perception. 2019; 365435–447 doi: https://doi.org/10.1525/mp.2019.36.5.435
Published: 01 June 2019
... negative in polarity. Our results suggest that very young children exhibit implicit knowledge of the pitch structure of Western music years before they have been shown to demonstrate that knowledge in behavioral tasks. TABLE 1. Number of Exact Pitches and Pitch Classes in Each Target Chord (Standard...
Music Perception. 2018; 362175–200 doi: https://doi.org/10.1525/mp.2018.36.2.175
Published: 01 December 2018
... groove in a stimulus, the urge to move, interest in a stimulus, perceived complexity, and congruency with current mood. We conclude that naturalistic looping musical stimuli serve well to examine the diverse psychological and musical determinants of choice behavior underlying music consumption. TABLE...
Music Perception. 2012; 3011–18 doi: https://doi.org/10.1525/mp.2012.30.1.1
Published: 01 September 2012
... with and appreciate music remains unexplored. The current study used experience sampling methodology to identify distinct patterns of music-related behavior in individuals with amusia and matched controls. Cluster analysis was used to group individuals according to the similarity of their behavior...
Music Perception. 2018; 36124–39 doi: https://doi.org/10.1525/mp.2018.36.1.24
Published: 01 September 2018
... importance of the dissimilarity of the swap, but did not yield any pertinent role of timbral heterogeneity of the sequence. Further analyses confirmed the strong correlation of the timbral dissimilarity of swapped sounds with response behavior, accounting for around 90% of the variance in response choices...
Music Perception. 2018; 353332–363 doi: https://doi.org/10.1525/mp.2018.35.3.332
Published: 01 February 2018
... with perception of stimuli from Experiment 1. Converging results from behavioral, acoustical, and fMRI data suggest a motor component to timbre processing, particularly timbral qualities considered “noisy,” indicating a possible enactive mechanism in timbre processing. Activity in somatomotor areas...
Includes: Supplementary data
Music Perception. 2017; 352144–164 doi: https://doi.org/10.1525/mp.2017.35.2.144
Published: 01 December 2017
... experiment, which involved several musical and acoustical factors. Performances were evaluated through acoustic measures and behavioral ratings, investigating differences across performer roles as leaders or followers, unison or non-unison intervals, and earlier or later segments of performances. In addition...
Music Perception. 2014; 314323–338 doi: https://doi.org/10.1525/mp.2014.31.4.323
Published: 01 April 2014
... role of individual differences is still debated. This study examines the impact of everyday musical behaviors and subclinical obsessive compulsive attributes on INMI experiences. In total 1,536 participants completed three online questionnaires; a novel inventory of musical behavior and INMI, and a...
Music Perception. 2017; 35138–59 doi: https://doi.org/10.1525/mp.2017.35.1.38
Published: 01 September 2017
... measuring heart rate, skin conductance, and facial electromyography during listening without requiring behavioral reports. Excerpts rated higher in arousal in Experiment 1 elicited larger cardiovascular and electrodermal responses. Excerpts rated positively in valence produced higher zygomaticus major...
Music Perception. 2017; 345501–514 doi: https://doi.org/10.1525/mp.2017.34.5.501
Published: 01 June 2017
... resource for emotion regulation. The experience sampling method (ESM) is ideal for observing music listening behavior, as it assesses current subjective experience during natural everyday music episodes. The current study aimed to develop a comprehensive model of personal music listening, and to determine...
Music Perception. 2017; 344387–404 doi: https://doi.org/10.1525/mp.2017.34.4.387
Published: 01 April 2017
... affective processing of major-minor and consonance-dissonance. This leads to considerable variance in psychophysiological and behavioral responses to these musical classifications. © 2017 by The Regents of the University of California 2017 14 3 2016 16 8 2016 music learning...