1-6 of 6 Search Results for

backbeat

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
Music Perception. 2017; 343291–302 doi: https://doi.org/10.1525/mp.2017.34.3.291
Published: 01 February 2017
... ranges of both variables were somewhat constrained. Backbeat delay (a systematic delay of snare drum at even-numbered beats) was found to be frequently present at beat 2, but not at beat 4. Additionally, this study introduces a quantity called “swing density,” defined as the proportion of even-numbered...
Journal Articles
Music Perception. 2016; 342123–131 doi: https://doi.org/10.1525/mp.2016.34.2.123
Published: 01 December 2016
... have asserted that no-asynchrony is the condition that will obtain the highest groove. The current study examined whether no-asynchrony exclusively elicits the highest groove. In Experiment 1, we measured the groove increment of a backbeat drum pattern as a function of the asynchronies between bass...
Journal Articles
Music Perception. 2019; 364353–370 doi: https://doi.org/10.1525/mp.2019.36.4.353
Published: 01 April 2019
... rock backbeat, with kick drum on quarter-note beats 1 and 3 and snare drum on beats 2 and 4; we left this unchanged in our modified transcriptions. (In songs lacking this drum beat, or lacking drums altogether, the identification of the tactus level can be quite debatable; Bob Dylan's “Blowin’ in the...
Journal Articles
Music Perception. 2010; 273157–176 doi: https://doi.org/10.1525/mp.2010.27.3.157
Published: 01 February 2010
... backbeats since the ride cymbal was absent on beats 1 and 3. Because listening for timing and assertion together was the most successful strategy in Experiment 1, par- ticipants in Experiment 2 were asked to determine which instrument tended to strike the beat first and to listen in terms of assertion or...
Journal Articles
Music Perception. 2002; 193387–414 doi: https://doi.org/10.1525/mp.2002.19.3.387
Published: 01 March 2002
Journal Articles
Music Perception. 2002; 193285–310 doi: https://doi.org/10.1525/mp.2002.19.3.285
Published: 01 March 2002
... reggae doubletime backbeat). Higher prime numbers (5, 7, 11) violate this predilection for simplicity; accordingly, grooves based on subdivision of 5 are extremely rare, and those of higher prime numbers nonexistent to my knowledge. Thus, groove design presents a prioritization of rhythmic subdivision...