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auditory-scene-analysis

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Journal Articles
Music Perception. 2016; 333287–305 doi: https://doi.org/10.1525/mp.2016.33.3.287
Published: 01 February 2016
...Chelsea Douglas; Jason Noble; Stephen McAdams Sound mass has been an influential trend in music since the 1950’s and yet many questions about its perception remain unanswered. Approaching sound mass from the perspective of auditory scene analysis, we define it as a type of auditory grouping that...
Journal Articles
Music Perception. 2015; 33170–82 doi: https://doi.org/10.1525/mp.2015.33.1.70
Published: 01 September 2015
...Claude Alain; Lori J. Bernstein Albert Bregman’s (1990) book Auditory Scene Analysis: The Perceptual Organization of Sound has had a tremendous impact on research in auditory neuroscience. Here, we outline some of the accomplishments. This review is not meant to be exhaustive, but rather aims to...
Journal Articles
Music Perception. 2015; 33112–19 doi: https://doi.org/10.1525/mp.2015.33.1.12
Published: 01 September 2015
...Albert S. Bregman In this paper, I make the following claims: (1) Subjective experience is tremendously useful in guiding productive research. (2) Studies of auditory scene analysis (ASA) in adults, newborn infants, and non-human animals (e.g., in goldfish or pigeons) establish the generality of...
Journal Articles
Music Perception. 2015; 331110–128 doi: https://doi.org/10.1525/mp.2015.33.1.110
Published: 01 September 2015
...Zuzana Cenkerová; Richard Parncutt In theories of auditory scene analysis and melodic implication/realization, melodic expectation results from an interaction between top-down processes (assumed to be learned and schema-based) and bottom-up processes (assumed innate, based on Gestalt principles...
Journal Articles
Music Perception. 2020; 373208–224 doi: https://doi.org/10.1525/mp.2020.37.3.208
Published: 01 February 2020
... California 2020 1 4 2019 27 9 2019 perception auditory scene analysis computational models artificial intelligence composition References Arthur , C. , & Huron , D. ( 2016 ). The direct octaves rule: Testing a scene-analysis interpretation . Musicae...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
... may also influence time perception. In a study of the effects of music in slow motion video scenes, music influenced perceived time, leading to more accurate estimations of scene durations compared to conditions without music ( Wöllner, Hammerschmidt, & Albrecht, 2018 ). Author Note This...
Journal Articles
Music Perception. 2020; 373240–258 doi: https://doi.org/10.1525/mp.2020.37.3.240
Published: 01 February 2020
... methodological design, including self-report, biological approaches, developmental approaches, cross-cultural approaches, and music analysis approaches. The section on music stimuli examined the number of musical passages used in each study, the durations of these passages, the genres represented, how the...
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
...Jo Fougner Skaansar; Bruno Laeng; Anne Danielsen T he present study tested two assumptions concerning the auditory processing of microtiming in musical grooves (i.e., repeating, movement-inducing rhythmic patterns): 1) Microtiming challenges the listener's internal framework of timing regularities...
Journal Articles
Music Perception. 2019; 365448–456 doi: https://doi.org/10.1525/mp.2019.36.5.448
Published: 01 June 2019
... 30 11 2018 2 3 2019 Ronald S. Friedman, Department of Psychology, University at Albany, State University of New York, 1400 Washington Avenue, Albany, NY 12222. E-mail: rfriedman@albany.edu music emotion source dilemma dissonance auditory scene analysis Notes 1...
Journal Articles
Music Perception. 2019; 364371–389 doi: https://doi.org/10.1525/mp.2019.36.4.371
Published: 01 April 2019
... meaning in music . Chicago, IL : University of Chicago Press . Montano, E. ( 2009 ). DJ culture in the commercial Sydney dance music scene . Dancecult: Journal of Electronic Dance Music Culture , 1 ( 1 ), 81 – 93 . Overy, K. , & Molnar-Szakacs, I. ( 2009 ). Being together in time...
Journal Articles
Music Perception. 2018; 362156–174 doi: https://doi.org/10.1525/mp.2018.36.2.156
Published: 01 December 2018
.... , Denham, S. L. , & Nelken, I. ( 2009 ). Modeling the auditory scene: Predictive regularity representations and perceptual objects . Trends in Cognitive Sciences , 13 , 532 – 540 . Winkler, I. , Tervaniemi, M. , Schröger, E. , Wolff, C. , & Näätänen, R. ( 1998 ). Preattentive...
Journal Articles
Music Perception. 2018; 362175–200 doi: https://doi.org/10.1525/mp.2018.36.2.175
Published: 01 December 2018
... review and an analysis of the component structure . Psychophysiology , 24 ( 4 ), 375 – 425 . Navarro Cebrian, A. , & Janata, P. ( 2010 ). Electrophysiological correlates of accurate mental image formation in auditory perception and imagery tasks . Brain Research , 1342 , 39 – 54 . DOI...
Journal Articles
Music Perception. 2018; 354475–501 doi: https://doi.org/10.1525/mp.2018.35.4.475
Published: 01 April 2018
... be explained? In Bregman s (1990) theory of auditory scene analysis, larger melodic intervals (per- haps fourths and larger) tend to break up a melody in the listener s imagination: tones spanning such intervals are perceived as belonging to different melodies (streams). Tones spanning smaller...
Journal Articles
Music Perception. 2018; 354437–453 doi: https://doi.org/10.1525/mp.2018.35.4.437
Published: 01 April 2018
... auditory and visual modalities. The visual information, when avail- able, lengthened audience members perception of phrase durations. Cueing and breathing motions made prior to the beginning of a phrase, as well as extended motions made at the end of the phrase, were thought to be responsible for the...
Journal Articles
Music Perception. 2018; 354502–517 doi: https://doi.org/10.1525/mp.2018.35.4.502
Published: 01 April 2018
... scenes with sounds (burbling of water, singing birds, etc.) to support partici- pants resuming a neutral emotional state. Next, partici- pants listened to one happy or one sad excerpt. They rated each on the emotion categories provided by the DES as well as on additional 5-point Likert-type scales for...
Journal Articles
Music Perception. 2017; 352144–164 doi: https://doi.org/10.1525/mp.2017.35.2.144
Published: 01 December 2017
...Sven-Amin Lembke; Scott Levine; Stephen McAdams Achieving a blended timbre between two instruments is a common aim of orchestration. It relates to the auditory fusion of simultaneous sounds and can be linked to several acoustic factors (e.g., temporal synchrony, harmonicity, spectral relationships...
Journal Articles
Music Perception. 2017; 352235–248 doi: https://doi.org/10.1525/mp.2017.35.2.235
Published: 01 December 2017
... particular kinds of scenes. This suggests that the kind of listening encouraged by movie music might extend to repertoire well beyond its borders. Ongoing follow-up work uses implicit measures to ascertain whether narrative listening occurs as fre- quently in situations where no instructions or task have...
Journal Articles
Music Perception. 2017; 3513–37 doi: https://doi.org/10.1525/mp.2017.35.1.3
Published: 01 September 2017
... scene analysis alone might go far in identi- fying the virtual sources and explaining some inferences they trigger on the basis of normal auditory cognition, but it would fail to account for the further inferences that one draws by observing the movement of the voices in tonal pitch space for instance...
Journal Articles
Music Perception. 2017; 35177–93 doi: https://doi.org/10.1525/mp.2017.35.1.77
Published: 01 September 2017
... given scene, participants then received two visual recognition probes and were required to select the one whose rate was identical to vs. faster or slower than the original. Auditory Driving 85 Forty-eight students (22 males, 26 females) from an introductory psychology course participated in the...
Journal Articles
Music Perception. 2017; 35138–59 doi: https://doi.org/10.1525/mp.2017.35.1.38
Published: 01 September 2017
... factor analysis that emotions can be characterized by their position among orthogonal and bipolar axes representing valence (pleasure vs. displea- sure) and arousal (high vs. low alertness) (Russell, 1980). While there are shortcomings with both the discrete and dimensional approaches (Scherer, 2004...