Search Results for auditory-perception
1-20 of 848 Search Results for
Music Perception (1996) 13 (4): 517–561.
Published: 01 July 1996
...Berenice Carroll-Phelan; Peter J. Hampson A neurologically plausible model of the auditory perception of musical sequences is proposed, and some implications are derived for auditory imagery. In line with a cognitive neuroscience approach, a componential analysis of the major functions required of...
Music Perception (2016) 33 (3): 287–305.
Published: 01 February 2016
...Chelsea Douglas; Jason Noble; Stephen McAdams Sound mass has been an influential trend in music since the 1950’s and yet many questions about its perception remain unanswered. Approaching sound mass from the perspective of auditory scene analysis, we define it as a type of auditory grouping that...
Music Perception (2016) 34 (2): 183–191.
Published: 01 December 2016
...Francesca Talamini; Barbara Carretti; Massimo Grassi Musicians have superior performances compared to nonmusicians in many auditory perception tasks. This superiority extends to memory tasks such as the digit span. Literature suggests that the musicians’ advantage unfolds along two axes: sensory...
Music Perception (2020) 37 (3): 208–224.
Published: 01 February 2020
...Peter M. C. Harrison; Marcus T. Pearce Voice leading is a common task in Western music composition whose conventions are consistent with fundamental principles of auditory perception. Here we introduce a computational cognitive model of voice leading, intended both for analyzing voice-leading...
Music Perception (2019) 36 (5): 448–456.
Published: 01 June 2019
...Douglas A. Kowalewski; Ronald S. Friedman; Stan Zavoyskiy; W. Trammell Neill I n a recent article , B onin , T rainor , B elyk , and Andrews (2016) proposed a novel way in which basic processes of auditory perception may influence affective responses to music. According to their source dilemma...
Music Perception (2011) 29 (2): 147–155.
Published: 01 December 2011
... performance even after controlling for age, socioeconomic status, auditory perception, full-scale IQ, the number of hours that children spent reading per week, and word decoding skills. We suggest that if near transfer occurs, it is likely strongest in beginning readers or those experiencing reading...
Music Perception (1991) 8 (4): 349–368.
Published: 01 July 1991
... processes in infants' perception of auditory patterns. Child Development, 1987, 58(3), 741-749. West, R., Cross, I., & Howell, P. Effects of musical scale on discriminability of individual lines in musical counterpoint. Music Perception. (in press) Zenatti, A. Le développement génétique de la...
Music Perception (1988) 5 (4): 355–389.
Published: 01 July 1988
... data. We conclude that the effects of contour and other aspects of tonal sequences are detectable at the level of single neurons in auditory cortex of waking animals and that the use of dynamic stimuli is likely to be critical for a neurophysiological account of music perception and the perception of...
Music Perception (2009) 26 (3): 279–285.
Published: 01 February 2009
... neuroimaging techniques, especially magnetic resonance imaging (MRI). These distinctive features are present in several brain regions, all more or less involved either in gestural motor skill (therefore probably related to the use of an instrument) or auditory perception. There also is growing evidence that...
Music Perception (1984) 1 (3): 350–356.
Published: 01 April 1984
... will be paid to the role of motivation and emotion in auditory perception, to the fact that in humans limbic system functions can be activated by internally evoked images in complete detachment from the current state of environment and organism, and to the existence of two distinct strategies of...
Music Perception (2015) 32 (3): 232–241.
Published: 01 February 2015
...Psyche Loui Singing requires effortless and efficient use of auditory and motor systems that center around the perception and production of the human voice. Although perception and production are usually tightly coupled functions, occasional mismatches between the two systems inform us of...
Music Perception (2016) 33 (4): 457–471.
Published: 01 April 2016
... audiovisual excerpts of piano playing, and that visual kinematic performance cues had crossmodal effects on the perception of auditory expressivity. The present study was designed to extend these findings, and to provide additional information about the roles of sight and sound in the perception and...
Music Perception (2018) 36 (2): 156–174.
Published: 01 December 2018
...Ritva Torppa; Andrew Faulkner; Teija Kujala; Minna Huotilainen; Jari Lipsanen T he perception of speech in noise is challenging for children with cochlear implants (CIs). Singing and musical instrument playing have been associated with improved auditory skills in normal-hearing (NH) children...
Music Perception (2020) 37 (3): 196–207.
Published: 01 February 2020
... with redundant degrees of freedom . Journal of Neurophysiology , 112 , 1040 – 1053 . Finney , S. A. ( 1997 ). Auditory feedback and musical keyboard performance . Music Perception , 15 , 153 – 174 . Flash , T. , & Hogan , N. ( 1985 ). The coordination of arm movements...
Music Perception (2015) 33 (1): 70–82.
Published: 01 September 2015
... scientists from different disciplines to work together to advance knowl- edge on auditory perception and cognition. Introduced in 1984 (Bregman & Doehring, 1984), the concept of auditory scene analysis emphasizes the dynamic nature of hearing. Specifically, incoming auditory stimuli are perceived as...
Music Perception (2016) 33 (3): 319–331.
Published: 01 February 2016
... auditory responses. This leads us to reevaluate the significance of frequency relationships in the perception of music. Here, we present a dynamical systems analysis of mode-locked neural oscillation that predicts cross-cultural invariances in music perception and cognition. We show that this theoretical...
Includes: Multimedia, Supplementary data
Music Perception (2015) 32 (4): 394–412.
Published: 01 April 2015
...Asterios Zacharakis; Konstantinos Pastiadis; Joshua D. Reiss The current study expands our previous work on interlanguage musical timbre semantics by examining the relationship between semantics and perception of timbre. Following Zacharakis, Pastiadis, and Reiss (2014), a pairwise dissimilarity...
Music Perception (2017) 35 (1): 118–121.
Published: 01 September 2017
...Daniel L. Bowling; Marisa Hoeschele; Kamraan Z. Gill; W. Tecumseh Fitch In a recent Nature paper, McDermott et al. (2016) conclude that the perception of consonance arises from familiarity with the conventions of Western harmonic music and is relatively unconstrained by auditory neurobiology. We...
Music Perception (2011) 28 (3): 219–246.
Published: 01 February 2011
...Roni Y. Granot; Zohar Eitan Though the Perception of Musical Tension has recently received considerable attention, the effect of interactions among auditory parameters on perceived tension has hardly been examined systematically. In this study, 132 participants (60 with music training) listened to...
Music Perception (2010) 27 (4): 327–330.
Published: 01 April 2010
... tinnitus frequency from the music, leveraging the plasticity in the auditory cortex as a means of reducing the impact of tinnitus. Received January 27, 2010, accepted February 1, 2010. Key words: tinnitus, music therapy, plasticity, auditory cortex, retraining therapy T INNITUS IS DEFINED AS THE PERCEPTION...