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auditory-event-related-potentials

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Journal Articles
Music Perception (2017) 35 (1): 3–37.
Published: 01 September 2017
... stability, points of instability, and relations of attraction among them. We sketch a framework that aggregates inferences from normal auditory cognition and tonal inferences, by way of a the- ory of musical truth: a source undergoing a musical movement m is true of an object undergoing a series of events e...
Journal Articles
Music Perception (2018) 35 (3): 315–331.
Published: 01 February 2018
... recorded change-related event-related potentials (ERPs) with electroencephalogram (EEG) to examine the auditory system in the cortical level. The mismatch negativity (MMN) is a fronto-centrally maximal negative- polarity response in the ERP waveform around 100- 250 ms after deviance onset that reflects a...
Journal Articles
Music Perception (2013) 30 (5): 463–479.
Published: 01 June 2013
..., University of Southern California, University Park Campus, B29b Hedco Neurosciences, HNB B29b, M/C 2520, Los Angeles, CA 90089-2520. E-mail: assal.habibi@usc.edu auditory event-related potentials electroencephalography pitch perception music training pitch deviations CORTICAL ACTIVITY DURING...
Journal Articles
Music Perception (2016) 33 (4): 446–456.
Published: 01 April 2016
... Conservatory and age-matched controls. Half of the musicians were violinists, the other half were clarinetists; event-related potentials (ERPs) were recorded from 128 scalp sites and analyzed. Participants judged how many notes were played in each clip. The task was extremely easy for all participants. Over...
Journal Articles
Music Perception (2003) 20 (4): 357–382.
Published: 01 June 2003
... their working memory, and thus 359Absolute Pitch and P300 Component of Event-Related Potential these subjects have no need to update their auditory environment. How- ever, individuals with RP do appear to create and evaluate temporary repre- sentations of either the sound of a current pitch or some...
Journal Articles
Music Perception (2006) 24 (2): 209–222.
Published: 01 December 2006
...Christiane Neuhaus; Thomas R. Knӧsche In two experiments with event-related potentials (ERPs), we investigated the formation of auditory Gestalts. For this purpose, we used tone sequences of different structure. In the first experiment, we contrasted a rhythmic section to a section with random time...
Journal Articles
Music Perception (2001) 19 (2): 199–222.
Published: 01 December 2001
... unfamiliar condition, patterns were formed from five arithmetically determined tone frequencies, the deviant not causing any change of mode. The no-context condition included only third-position tones. All deviants elicited the change-specific mismatch negativity component of the event-related potentials in...
Journal Articles
Music Perception (1993) 10 (3): 305–316.
Published: 01 April 1993
...M. Tervaniemi; K. Alho; P. Paavilainen; M. Sams; R. Näätänen An event-related brain potential (ERP) component called mismatch negativity (MMN) is elicited by physically deviant auditory stimuli presented among repetitive, "standard," stimuli. MMN reflects a mismatch process between sensory input...
Journal Articles
Music Perception (2020) 38 (2): 136–194.
Published: 25 November 2020
..., and has also revealed insights on the neural dynamics of audiovisual ( Nozaradan, Peretz, & Mouraux, 2012a ) and sensorimotor ( Nozaradan, Zerouali, Peretz, & Mouraux, 2015 ) integration. Approaches based on measuring transient event-related potentials (ERPs) from the neural signal have also...
Includes: Supplementary data
Journal Articles
Music Perception (2020) 38 (2): 214–242.
Published: 25 November 2020
... mass music, which shifts focus away from discrete pitch and rhythm and onto timbre and texture. We define sound mass as a perceptually homogeneous and dense auditory unit integrating multiple sound events or components while retaining an impression of multiplicity ( Noble & McAdams, 2020...
Journal Articles
Music Perception (2020) 38 (2): 106–135.
Published: 25 November 2020
... immediate auditory event to infer that event’s meter and timing properties. These effects can broadly be classed into recent context effects —that is, influences of immediately preceding context on meter perception; and learning effects , presumably due to more extensive, long-term exposure...
Journal Articles
Music Perception (2020) 38 (1): 66–77.
Published: 09 September 2020
.... , Panda , M. R. , & Raj , S. ( 2015 ). Influence of musical training on sensitivity to temporal fine structure . International Journal of Audiology , 54 , 220 – 226 . Morrongiello , B. A. , & Trehub , S. E. ( 1987 ). Age-related changes in auditory temporal perception...
Journal Articles
Music Perception (2020) 38 (1): 78–98.
Published: 09 September 2020
... dissonance calls thus for more research, with paradigms consisting of dissonant chords structured in different ways regarding roughness and harmonicity, using different chords as frequent standards and infrequent deviating stimuli, and a spectrum of event-related brain potential (ERP) methods. It might...
Journal Articles
Music Perception (2020) 38 (1): 27–45.
Published: 09 September 2020
... studies have addressed some of these limitations. Brochard, Abecasis, Potter, Ragot, and Drake (2003) measured differences in event-related brain potentials (ERPs) to occasional deviant tones (4 dB softer) in odd versus even positions in equitone isochronous sequences. The experimenters found that...
Journal Articles
Music Perception (2020) 38 (1): 1–26.
Published: 09 September 2020
... complex pattern 2 louder than the simpler pattern 1 (snare and kick). Overall, our results lend further evidence to the hypothesis that both temporal and sound-related features contribute to the indication of the timing of a rhythmic event in groove-based performance. Guilherme Schmidt Câmara, RITMO...
Journal Articles
Music Perception (2020) 38 (1): 46–65.
Published: 09 September 2020
... update their ratings if later events in the music changed their opinion. When participants were satisfied with their ratings, they could press the “Next” button in order to proceed to the next screen. If ratings were missing, participants were prompted to provide the missing ratings. When all ratings...
Journal Articles
Music Perception (1991) 8 (4): 405–430.
Published: 01 July 1991
...Dalia Cohen; Avner Erez This study investigates the possibility of measuring cognitive responses to musical stimuli. The experiments were based on measurements of the event- related potential (ERP) of three electroencephalographic electrodes. The musical stimuli consisted of five-tone pitch...
Journal Articles
Music Perception (2020) 37 (5): 373–391.
Published: 10 June 2020
... immediately signals its overall type. If rondo form is aurally identifiable only through the refrain’s return—an event that first occurs toward the middle of a piece—then it follows that the opening of a rondo will not reveal its large-scale form for listeners. Of course, eighteenth-century scores do not...
Journal Articles
Music Perception (2020) 37 (5): 373–391.
Published: 10 June 2020
... event that first occurs toward the middle of a piece—then it follows that the opening of a rondo will not reveal its large-scale form for listeners. Nonetheless, the differences between rondo and sonata movements (as actual pieces of music) arguably go beyond the differences between rondo and...
Journal Articles
Music Perception (2020) 37 (4): 347–358.
Published: 11 March 2020
... practices of ritual, protest, and the enactment of identity that span the range from speech to song and allows consideration of the manner in which such activities serve to ground collectives. We consider how the musical elements in joint speech such as rhythm, melody, and instrumentation are related to the...