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auditory-event-related-potentials

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Journal Articles
Music Perception (2017) 35 (1): 3–37.
Published: 01 September 2017
... stability, points of instability, and relations of attraction among them. We sketch a framework that aggregates inferences from normal auditory cognition and tonal inferences, by way of a the- ory of musical truth: a source undergoing a musical movement m is true of an object undergoing a series of events e...
Journal Articles
Music Perception (2018) 35 (3): 315–331.
Published: 01 February 2018
... recorded change-related event-related potentials (ERPs) with electroencephalogram (EEG) to examine the auditory system in the cortical level. The mismatch negativity (MMN) is a fronto-centrally maximal negative- polarity response in the ERP waveform around 100- 250 ms after deviance onset that reflects a...
Journal Articles
Music Perception (2013) 30 (5): 463–479.
Published: 01 June 2013
..., University of Southern California, University Park Campus, B29b Hedco Neurosciences, HNB B29b, M/C 2520, Los Angeles, CA 90089-2520. E-mail: assal.habibi@usc.edu auditory event-related potentials electroencephalography pitch perception music training pitch deviations CORTICAL ACTIVITY DURING...
Journal Articles
Music Perception (2016) 33 (4): 446–456.
Published: 01 April 2016
... Conservatory and age-matched controls. Half of the musicians were violinists, the other half were clarinetists; event-related potentials (ERPs) were recorded from 128 scalp sites and analyzed. Participants judged how many notes were played in each clip. The task was extremely easy for all participants. Over...
Journal Articles
Music Perception (2003) 20 (4): 357–382.
Published: 01 June 2003
... their working memory, and thus 359Absolute Pitch and P300 Component of Event-Related Potential these subjects have no need to update their auditory environment. How- ever, individuals with RP do appear to create and evaluate temporary repre- sentations of either the sound of a current pitch or some...
Journal Articles
Music Perception (2006) 24 (2): 209–222.
Published: 01 December 2006
...Christiane Neuhaus; Thomas R. Knӧsche In two experiments with event-related potentials (ERPs), we investigated the formation of auditory Gestalts. For this purpose, we used tone sequences of different structure. In the first experiment, we contrasted a rhythmic section to a section with random time...
Journal Articles
Music Perception (2001) 19 (2): 199–222.
Published: 01 December 2001
... unfamiliar condition, patterns were formed from five arithmetically determined tone frequencies, the deviant not causing any change of mode. The no-context condition included only third-position tones. All deviants elicited the change-specific mismatch negativity component of the event-related potentials in...
Journal Articles
Music Perception (1993) 10 (3): 305–316.
Published: 01 April 1993
...M. Tervaniemi; K. Alho; P. Paavilainen; M. Sams; R. Näätänen An event-related brain potential (ERP) component called mismatch negativity (MMN) is elicited by physically deviant auditory stimuli presented among repetitive, "standard," stimuli. MMN reflects a mismatch process between sensory input...
Journal Articles
Music Perception (2020) 37 (5): 373–391.
Published: 10 June 2020
... immediately signals its overall type. If rondo form is aurally identifiable only through the refrain’s return—an event that first occurs toward the middle of a piece—then it follows that the opening of a rondo will not reveal its large-scale form for listeners. Of course, eighteenth-century scores do not...
Journal Articles
Music Perception (2020) 37 (4): 347–358.
Published: 11 March 2020
... practices of ritual, protest, and the enactment of identity that span the range from speech to song and allows consideration of the manner in which such activities serve to ground collectives. We consider how the musical elements in joint speech such as rhythm, melody, and instrumentation are related to the...
Journal Articles
Music Perception (2020) 37 (4): 278–297.
Published: 11 March 2020
..., Wallentin, et al., 2014 ). While the study by Carl and Kutsidzo (2016) suggests that dance is involved in 30% of the times that students at Cape Coast University are exposed to music, the extent to which students actively dance during these events was not tested. Therefore, the effect of active dance...
Journal Articles
Music Perception (2020) 37 (3): 240–258.
Published: 01 February 2020
... minimal potential for biasing participants. Researchers have often utilized musical excerpts that have previously been used by other scholars, but the appropriate musical choices depend on the specific goals of the study in question and will likely change among various research designs. The intention of...
Journal Articles
Music Perception (1991) 8 (4): 405–430.
Published: 01 July 1991
...Dalia Cohen; Avner Erez This study investigates the possibility of measuring cognitive responses to musical stimuli. The experiments were based on measurements of the event- related potential (ERP) of three electroencephalographic electrodes. The musical stimuli consisted of five-tone pitch...
Journal Articles
Music Perception (2019) 37 (2): 111–133.
Published: 01 December 2019
..., 2007 ) and, specifically, the mismatch-negativity (MMN) component of event related potentials (ERPs). Magnitude and latency of early EEG-signals appear to mirror the mismatch between expectation and what is heard (e.g., Honing, 2012 ; Vuust et al., 2005 ), so that this response has been interpreted...
Journal Articles
Music Perception (2019) 37 (2): 95–110.
Published: 01 December 2019
..., 2018 ), for which the emotional experience is a psychological event constructed from more basic “core affect” and higher-level conceptual knowledge. For fans of violent or sad music, the psychological construction of a positive experience from negatively valenced sensory cues may be similar to that of...
Journal Articles
Music Perception (2019) 37 (2): 165–178.
Published: 01 December 2019
...., Narmour, 1990 ; Schellenberg, 1997 ). It also been shown to account for expectations for the timing of melodic events ( Sauvé, Sayed, Dean, & Pearce, 2018 ) and harmonic movement ( Harrison & Pearce, 2018 ; Sears, Pearce, Caplin, & McAdams, 2018 ). Furthermore, IDyOM can simulate other...
Journal Articles
Music Perception (2019) 37 (2): 134–146.
Published: 01 December 2019
... measured by event-related potentials . Neuropsychologia , 51 , 500 – 505 . Kujawa, A. , Weinberg, A. , Hajcak, G. , & Klein, D. N. ( 2013 ). Differentiating event-related potential components sensitive to emotion in middle childhood: Evidence from temporal-spatial PCA . Developmental...
Journal Articles
Music Perception (2019) 37 (1): 42–56.
Published: 01 September 2019
... musicians and nonmusicians: Event-related potential and behavioral indices . NeuroReports , 17 , 1225 – 1228 . Tervaniemi, M. , Janhunen, L. , Kruck, S. , Putkinen, V. , & Huotilainen, M. ( 2016 ). Auditory profiles of classical, jazz, and rock musicians: Genre-specific sensitivity to...
Journal Articles
Music Perception (2019) 37 (1): 26–41.
Published: 01 September 2019
... nonetheless as similar as possible in terms of tempo cues aside from BPM rate, as in Experiment 1 the acoustic features of potential stimuli were assessed using the MIR Toolbox for their initial BPM rate, sub-band spectral flux, and notes per second (event density). Stimuli chosen for use in the experiment...
Journal Articles
Music Perception (2019) 37 (1): 66–91.
Published: 01 September 2019
... relationship observed between attack rate and arousal may stem from its general use in conveying information about energy. Attack rate describes the temporal rates of events, similar to rates of other behaviors such as speech, gait, etc. Thus, as faster speech and walking pace suggests more energy and energy...