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agency

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Journal Articles
Music Perception (2016) 34 (1): 104–117.
Published: 01 September 2016
... perceptions of change in the sound, human agency, musical segmentation, and random effects across participants, as model components. We confirm each of these expectations, and provide indications that perceived change in the music may eventually be subsumed adequately under its components such as acoustic...
Journal Articles
Music Perception (2020) 37 (5): 403–422.
Published: 10 June 2020
... extended mind (pp. 155 – 166 ). Cambridge, MA : MIT Press . Ryan , K. , & Schiavio , A. ( 2019 ) Extended musicking, extended mind, extended agency. Notes on the third wave . New Ideas in Psychology , 55 , 8 – 17 . DOI: 10.1016/j.newideapsych.2019.03.001 Sawyer , R...
Journal Articles
Music Perception (2019) 36 (3): 314–330.
Published: 01 February 2019
.... Panel 1: Distance to lived-through experience Evocativeness 0.78 0.65 Panel 2: Contents of the description Movements/dynamic forms 0.52 0.30 Bodily experiences 0.70 0.63 Images of agency 0.62 0.49 Images of environments/object 0.82 0.68 Autobiographical exp...
Journal Articles
Music Perception (2019) 36 (3): 289–299.
Published: 01 February 2019
..., and to the ABRSM for assisting with this research. This research received no specific grant from any funding agency in the public, commercial, or not-for-profit sectors. © 2019 by The Regents of the University of California 2019 … it's also nice to be able to trust your experience. The...
Journal Articles
Music Perception (2018) 36 (2): 201–216.
Published: 01 December 2018
.... The authors would like to thank the performers for their participation in this study and Adriano Barbosa for his invaluable advice on instantaneous correlation. This research was funded by the Brazilian governmental agencies FAPEMIG, CAPES, and CNPq. © 2018 by The Regents of the University of...
Journal Articles
Music Perception (2018) 35 (3): 332–363.
Published: 01 February 2018
Includes: Supplementary data
Journal Articles
Music Perception (2017) 35 (2): 235–248.
Published: 01 December 2017
.... Just as participants in the Heider and Simmel (1944) experiment were more likely to ascribe agency to shapes when they made movements not explicable by intuitive physics, listeners might be more likely to turn to narra- tive when music makes a significant change not under- standable in any other way...
Journal Articles
Music Perception (2017) 35 (2): 127–143.
Published: 01 December 2017
Journal Articles
Music Perception (2017) 35 (1): 3–37.
Published: 01 September 2017
Journal Articles
Music Perception (2017) 34 (5): 541–556.
Published: 01 June 2017
Journal Articles
Music Perception (2016) 34 (2): 152–166.
Published: 01 December 2016
Journal Articles
Music Perception (2016) 34 (1): 21–32.
Published: 01 September 2016
...). Action, enaction & inter(en)action. Empirical Musicology Review, 9(3-4), 254-262. SCHIAVIO, A., & CUMMINS, F. (2015). An inter(en)active approach to musical agency and learning. In R. Timmers, N. Dibben, Z. Eitan, R. Granot, T. Metcalfe, A. Schiavio, V. & Williamson (Eds Proceedings of the International...
Journal Articles
Music Perception (2016) 33 (5): 631–661.
Published: 01 June 2016
Journal Articles
Music Perception (2016) 33 (4): 515–517.
Published: 01 April 2016
... music induces a sense of agency in the lis- tener, which would invoke mechanisms of affective and Music Perception, VOLUME 33, ISSUE 4, PP. 515 517, ISSN 0730-7829, ELECTRONIC ISSN 1533-8312. © 2016 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA ALL RIGHTS RESERVED. PLEASE DIRECT ALL REQUESTS FOR...
Journal Articles
Music Perception (2016) 33 (3): 306–318.
Published: 01 February 2016
... (Ed Learning and memory: A comprehensive reference (Vol. 1, pp. 243 257). Oxford, UK: Elsevier. DAVISON, L. L., & BANKS, W. P. (2003). Selective attention in two-part counterpoint. Music Perception, 21, 3-20. DUANE, B. (2012). Agency and information content in eigh- teenth- and early nineteenth...
Journal Articles
Music Perception (2015) 32 (5): 493–506.
Published: 01 June 2015
... results suggests that simple pair-associative learning plays a cru- cial role in the acquisition of AP, although the contribu- tion of genetic and other factors remains to be settled. Author Note This research received no specific grant from any funding agency in the public, commercial, or not-for-profit...
Journal Articles
Music Perception (2015) 32 (4): 413–433.
Published: 01 April 2015
Journal Articles
Music Perception (2014) 32 (1): 51–66.
Published: 01 September 2014
Journal Articles
Music Perception (2014) 32 (1): 67–84.
Published: 01 September 2014
..., such as imagined activity (Maus, 1988), kinaesthetic empathy (Mead, 1999), imaginary agency (Levinson, 2006), sim- ulated control (Leman, 2007), and active perception (Krueger, 2009). What all of these accounts have in common is their reference to a direct, sensory-motor engagement with music; to how...
Journal Articles
Music Perception (2013) 31 (2): 97–117.
Published: 01 December 2013