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affect

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Two-dimensional structures of <b>affect</b>.   FIGURE 8. Two-dimensional structure...
Published: 01 December 2019
FIGURE 8. Two-dimensional structures of affect. FIGURE 8. Two-dimensional structures of affect. FIGURE 8. Two-dimensional structures of affect. FIGURE 8. Two-dimensional structures of affect. More
Journal Articles
Music Perception. 2012; 30149–70 doi: https://doi.org/10.1525/mp.2012.30.1.49
Published: 01 September 2012
... role of timbre in the perception of affect dimensions in isolated musical sounds, by way of three behavioral experiments. In Experiment 1, participants evaluated perceived affects of 110 instrument sounds that were equal in duration, pitch, and dynamics using a three-dimensional affect model (valence...
Journal Articles
Music Perception. 2019; 37166–91 doi: https://doi.org/10.1525/mp.2019.37.1.66
Published: 01 September 2019
... achievement . Multiple Linear Regression Viewpoints , 27 , 16 – 23 . Carroll, J. M. , Yik, M. S. , Russell, J. A. & Barrett, L.F. ( 1999 ). On the psychometric principles of affect . Review of General Psychology , 3 , 14 – 22 . Cohen, J. , & Cohen, P. ( 1983 ). Applied multiple...
Journal Articles
Music Perception. 2018; 36160–76 doi: https://doi.org/10.1525/mp.2018.36.1.60
Published: 01 September 2018
...’ knowledge of a work can affect their rating process and the importance of making a strong first impression in performance. TABLE 3. Mean Final Continuous Scores (R 2 ), Final Scores Converted to a 7-point Scale, and Overall Written Scores (R 3 ) for the Five Works Work R 2 (SD...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception. 2017; 344371–386 doi: https://doi.org/10.1525/mp.2017.34.4.371
Published: 01 April 2017
...Eduardo Coutinho; Klaus R. Scherer The systematic study of music-induced emotions requires standardized measurement instruments to reliably assess the nature of affective reactions to music, which tend to go beyond garden-variety basic emotions. We describe the development and conceptual validation...
Journal Articles
Music Perception. 2012; 295493–500 doi: https://doi.org/10.1525/mp.2012.29.5.493
Published: 01 June 2012
... functions. Furthermore, recognition tasks are well suited to study memory for melodies, as most people find it difficult to recall by singing. Finally, recognition procedures allow for Does Pathological aging affect Musical learning anD MeMory? séverine saMson Université de Lille Nord de France, France...
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Design of the cross-modal <b>affective</b> priming paradigm. Musical melodies were...
Published: 01 December 2019
FIGURE 1. Design of the cross-modal affective priming paradigm. Musical melodies were used as primes, and emotional faces as targets. Facial images were affectively congruent or incongruent with the prime melodies. FIGURE 1. Design of the cross-modal affective priming paradigm. Musical melodies FIGURE 1. Design of the cross-modal affective priming paradigm. Musical melodies were used as primes, and emotional faces as targets. Facial images were affectively congruent or incongruent with the prime melodies. FIGURE 1. Design of the cross-modal affective priming paradigm. Musical melodies More
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Scalp distribution of the <b>affectively</b> incongruent-minus-congruent differenc...
Published: 01 December 2019
FIGURE 5. Scalp distribution of the affectively incongruent-minus-congruent difference waves in the 280—320 ms, 280—440 ms and 500—600 ms time windows for the violin version, the voice version, and the flute version. FIGURE 5. Scalp distribution of the affectively incongruent-minus-congruent FIGURE 5. Scalp distribution of the affectively incongruent-minus-congruent difference waves in the 280—320 ms, 280—440 ms and 500—600 ms time windows for the violin version, the voice version, and the flute version. FIGURE 5. Scalp distribution of the affectively incongruent-minus-congruent More
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Grand mean ERP waveforms elicited by <b>affectively</b> congruent and incongruent ...
Published: 01 December 2019
FIGURE 4. Grand mean ERP waveforms elicited by affectively congruent and incongruent facial images preceded by melodies presented in the violin version, the voice version, and the flute version. Gray-shaded areas indicate the time windows used for statistical analysis. FIGURE 4. Grand mean ERP FIGURE 4. Grand mean ERP waveforms elicited by affectively congruent and incongruent facial images preceded by melodies presented in the violin version, the voice version, and the flute version. Gray-shaded areas indicate the time windows used for statistical analysis. FIGURE 4. Grand mean ERP More
Journal Articles
Music Perception. 2006; 234319–330 doi: https://doi.org/10.1525/mp.2006.23.4.319
Published: 01 April 2006
...Gabriella Ilie; William Forde Thompson Using a three-dimensional model of affect, we compared the affective consequences of manipulating intensity, rate, and pitch height in music and speech. Participants rated 64 music and 64 speech excerpts on valence (pleasant-unpleasant), energy arousal (awake...
Journal Articles
Music Perception. 2017; 345569–584 doi: https://doi.org/10.1525/mp.2017.34.5.569
Published: 01 June 2017
... context was weaker (Experiment 1 as compared to Experiment 2). Results suggest that implicit absolute pitch perception, reflecting key and pitch class occurrence frequency, significantly affects tonal music processing; such absolute pitch effects may be activated principally when tonal perception or tonal...
Journal Articles
Music Perception. 2004; 22115–39 doi: https://doi.org/10.1525/mp.2004.22.1.15
Published: 01 September 2004
...Alexander Rozin; Paul Rozin; Emily Goldberg This study was conducted to determine how listeners derive global evaluations of past musical durations from moment-to-moment experience. Participants produced moment-to-moment affective intensity ratings by pressing a pressure-sensitive button while...
Journal Articles
Music Perception. 2008; 262103–119 doi: https://doi.org/10.1525/mp.2008.26.2.103
Published: 01 December 2008
... Affective Sciences, University of Geneva, Geneva, Switzerland ANTONIO CAMURRI AND GUALTIERO VOLPE InfoMus Lab, University of Genoa, Genoa, Italy KLAUS SCHERER Swiss Center for Affective Sciences, University of Geneva, Geneva, Switzerland EMOTIONAL EXPRESSION IN MUSIC PERFORMANCE includes important cues...
Journal Articles
Music Perception. 1995; 13179–108 doi: https://doi.org/10.2307/40285686
Published: 01 October 1995
...Bruce F. Katz A connectionist model of harmonic resolution, based on affective principles, is proposed. The connectionist model consists of a note-recognition layer; and a chord-recognition layer; the chord- recognition layer feeds back to the note-recognition layer to produce a resonance loop...
Journal Articles
Music Perception. 2014; 322160–169 doi: https://doi.org/10.1525/mp.2014.32.2.160
Published: 01 December 2014
... language. No differences in length of attention to singing and speech were found in either experiment. The results of the study reconcile the seemingly contradicting findings of previous investigations and show that mode of presentation affects infants’ preferential attention to speech and singing. The...
Journal Articles
Music Perception. 2019; 372134–146 doi: https://doi.org/10.1525/mp.2019.37.2.134
Published: 01 December 2019
...FIGURE 1. Design of the cross-modal affective priming paradigm. Musical melodies were used as primes, and emotional faces as targets. Facial images were affectively congruent or incongruent with the prime melodies. FIGURE 1. Design of the cross-modal affective priming paradigm. Musical melodies...
Journal Articles
Music Perception. 1991; 92199–229 doi: https://doi.org/10.2307/40285529
Published: 01 December 1991
... analogy with evidence from the processing of language. I will then examine how processing of the sort I propose provides a basis for considering a particular issue in the theory of musical affect. [Footnotes] 1 Mc- Clelland and Rumelhart, 1986 Bharucha (1987) Gjerdingen (1990). 3...
Journal Articles
Music Perception. 2014; 315470–484 doi: https://doi.org/10.1525/mp.2014.31.5.470
Published: 01 June 2014
..., Department of Music, The University of Sheffield, Jessop Building, 34 Leavygreave Road. Sheffield, S3 7RD UK. E-mail: r.timmers@sheffield.ac.uk music emotion priming expectation cross-modality AFFECTIVE PRIMING IN MUSIC LISTENING: EMOTIONS AS A SOURCE OF MUSICAL EXPECTATION RENEE TIMMERS The...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
...David Hammerschmidt; Clemens Wöllner The aim of the present study was to investigate if the perception of time is affected by actively attending to different metrical levels in musical rhythmic patterns. In an experiment with a repeated-measures design, musicians and nonmusicians were presented...
Journal Articles
Music Perception. 2019; 365448–456 doi: https://doi.org/10.1525/mp.2019.36.5.448
Published: 01 June 2019
...Douglas A. Kowalewski; Ronald S. Friedman; Stan Zavoyskiy; W. Trammell Neill I n a recent article , B onin , T rainor , B elyk , and Andrews (2016) proposed a novel way in which basic processes of auditory perception may influence affective responses to music. According to their source dilemma...