1-20 of 72 Search Results for

adjective-ratings

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
Music Perception (2001) 18 (3): 245–274.
Published: 01 March 2001
... op. 33a) and provided adjective ratings for each extract. Similarity judgments were found to be context-specific and roughly equivalent for both types of listener, and were primarily based on more "surface" features such as dynamics, articulation, texture, and contour rather than on "deeper" features...
Journal Articles
Music Perception (2001) 18 (4): 427–454.
Published: 01 June 2001
... each clip, some participants were asked to extrapolate the film's ending, evaluate the personality and motivations of the main character(s), and complete a series of bipolar adjective ratings about the film's actions. In addition, other participants returned a week later for a surprise recognition test...
Journal Articles
Music Perception (1993) 10 (4): 469–501.
Published: 01 July 1993
... literature in order to compare and contrast results with stud- ies using artificial stimuli and amusical rating scales. In the first experi- ment, all adjectives in Piston's (1955) Orchestration were collated and subsequently reduced to 61 examples. A checklist procedure was used in response to the dyad...
Journal Articles
Music Perception (2020) 37 (5): 392–402.
Published: 10 June 2020
... “commendable” ( Rocklage & Fazio, 2015 ). The overall rating of “emotionality” captures the degree of emotionality of a text. For example, the adjective “amazing” has a higher emotionality rating than the adjective “flawless” (Rocklage et al., 2017). Higher emotionality ratings are associated with more...
Journal Articles
Music Perception (2020) 37 (5): 373–391.
Published: 10 June 2020
... features, and that rondos would involve more acoustic cues for happiness (e.g., higher average pitch height and higher average attack rate). In a corpus analysis, we examined paired movement openings from 180 instrumental works, composed between 1770 and 1799. Rondos had significantly higher pitch height...
Journal Articles
Music Perception (2020) 37 (3): 185–195.
Published: 01 February 2020
Journal Articles
Music Perception (2019) 37 (2): 147–164.
Published: 01 December 2019
... the approach of the adjective checklist introduced by Hevner (1936) —to propose a music-specific rating scale: the Geneva Emotional Music Scales (GEMS). This list involves several dozen labels organized in a hierarchical classification and extracts the underlying factors that are directly relevant to...
Journal Articles
Music Perception (2019) 37 (1): 66–91.
Published: 01 September 2019
... (attack rate, mode, and pitch height) work together to convey emotion in Bach's Well Tempered-Clavier (WTC) . In three experiments, we explore responses to (1) eight-measure excerpts and (2) musically “resolved” excerpts, and (3) investigate the role of different standard dimensional scales of emotion. In...
Journal Articles
Music Perception (1993) 10 (4): 445–467.
Published: 01 July 1993
... & Shepard, 1979). The semantic differential (Osgood et al., 1957) has been used widely to operationalize the "meaning" of perceptual or cognitive events. Several important studies on the verbal attributes of timbre have used this tech- nique. Solomon (1958) used 50 bipolar adjectives to rate 20 sonar sounds...
Journal Articles
Music Perception (2019) 36 (4): 371–389.
Published: 01 April 2019
... Reported Pleasure for Each Track Track Mean SD 2 3.17 1 3 2.75 .94 4 2.63 .92 5 2.62 .92 Note: 1 = not at all pleasant; 5 = very pleasant; N = 24 TABLE 3. Friedman ANOVA Test Comparing Ratings of Adjective Descriptors Across Tracks (N = 24...
Journal Articles
Music Perception (2018) 36 (2): 217–242.
Published: 01 December 2018
... its opportunities and challenges in the specific context of musical emotion perception. Twenty sound engineers rated 60 musical excerpts from a broad range of styles with respect to 22 spectral, musical, and cross-modal features ( perceptual features ) and perceived emotional expression. In addition...
Journal Articles
Music Perception (2018) 35 (5): 540–560.
Published: 01 June 2018
... interest or engagement with the world, and cognitive reflection about life-station issues (Andrews & Thomson, 2009; Nesse, 1991). Grief is a high arousal emotion associated with high heart rate, erratic respi- ration, punctuated vocalized exhaling, constricted pharynx (choked up), and incipient or actual...
Journal Articles
Music Perception (2018) 35 (4): 502–517.
Published: 01 April 2018
... previous work. Happy music evoked more happiness, higher skin conductance level, higher respiratory rate, and more zygomatic facial muscle activity than sad music, whereas sad music generated higher corrugator muscle activity than happy music. Influences of music sophistication as well as of sex were...
Journal Articles
Music Perception (2018) 35 (3): 295–314.
Published: 01 February 2018
... explained in the Method section, it was decided that the best method of approach was to use a condensed version of the most commonly used adjectives to describe the qualia of scale degrees, and have partici- pants rate the appropriateness of the terms. Limiting the variables also makes the somewhat daunting...
Journal Articles
Music Perception (2018) 35 (3): 332–363.
Published: 01 February 2018
..., little attention has been paid to timbre as a possible mediator between musical embodiment and affect. In three experiments, we investigated the embodied dimensions of timbre perception by focusing on timbral qualities considered “noisy” and aversive. In Experiment 1, participants rated brief isolated...
Includes: Supplementary data
Journal Articles
Music Perception (2017) 35 (2): 211–234.
Published: 01 December 2017
... optimality criteria. A selection of “novel” cadences is subject to empirical evaluation in order to gain a better understanding of perceptual relationships between cadences. Pairwise dissimilarity ratings between cadences are transformed into a perceptual space and a verbal attribute magnitude estimation...
Journal Articles
Music Perception (2017) 34 (5): 605–623.
Published: 01 June 2017
... with significantly more inferences about one character intending to harm another charac- ter and more negative adjectives describing the main character s personality. The music accompanying a scene may also shape viewers expectations about what events may unfold next. Vitouch (2001) played the opening...
Journal Articles
Music Perception (2017) 34 (4): 452–481.
Published: 01 April 2017
... stress mismatches. In a follow-up experiment, MLE and SBE participants read four short English sentences and then rated text settings in pairs of specially constructed song fragments with and without stress mismatches. MLE participants’ speech showed the expected lower variability in vocalic duration and...
Journal Articles
Music Perception (2017) 34 (4): 371–386.
Published: 01 April 2017
...- cipants are requested to listen to music and then describe their emotional reaction to the music by rating predetermined affect terms. Most researchers in this area use ad hoc lists of emotion terms or borrow emo- tion models and measures from nonmusical areas of emotion research. Given that the qualities...
Journal Articles
Music Perception (2016) 33 (4): 493–508.
Published: 01 April 2016
... appointments at the start, halfway through, and at the end of the trial. At each appointment participants completed tests of speech perception, melodic contour identification, and instrument recognition, rated the sound quality of music, and indicated their music listening habits. Sixteen participants...