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absolute-versus-relative-tempo-judgment

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Journal Articles
Music Perception. 2020; 374298–322 doi: https://doi.org/10.1525/mp.2020.37.4.298
Published: 11 March 2020
... judgments . Hillsdale (USA) : Lawrence Erlbaum Associates . https://doi.org/10.2307/1423161 Pressnitzer , D. , McAdams , S. , Winsberg , S. , & Fineberg , J. ( 2000 ). Perception of musical tension for nontonal orchestral timbres and its relation to psychoacoustic roughness...
Journal Articles
Music Perception. 2019; 37126–41 doi: https://doi.org/10.1525/mp.2019.37.1.26
Published: 01 September 2019
... 2019 rhythm beat salience tempo absolute versus relative tempo judgment perceptual sharpening Notes 1. Flux rates reported here differ from those reported in London et al. (2016) , as here the values were normalized according to their RMS volume to allow for comparison across...
Journal Articles
Music Perception. 2019; 365448–456 doi: https://doi.org/10.1525/mp.2019.36.5.448
Published: 01 June 2019
... Option Indexed by Experimental Condition Low Harmonicity High Harmonicity Altered Timbre M SD M SD Preference Judgment Trumpet 0.30 0.25 0.16 0.18 Xylophone 0.92 0.11 0.44 0.24 Pleasantness Judgment Trumpet 0.29 0.23 0.15 0.18...
Journal Articles
Music Perception. 2018; 3611–23 doi: https://doi.org/10.1525/mp.2018.36.1.1
Published: 01 September 2018
... deviation of asynchronies between stimulus and response onsets) with an isochronous (1:1) target rhythm at the slow tempo, separated by “musician” versus “nonmusician” clusters of participant groups. The tested groups are plotted to the x -axis; the y -axis shows the mean values (symbol) and standard...
Includes: Supplementary data
Journal Articles
Music Perception. 2018; 361109–128 doi: https://doi.org/10.1525/mp.2018.36.1.109
Published: 01 September 2018
... auditory feedback on the timing accuracy and judgments of instrument quality for two groups of participants: professional percussionists and non-percussionist amateur musicians. The amounts of delay tested in this study are relatively small in comparison to similar studies of auditory delays in a musical...
Journal Articles
Music Perception. 2018; 355540–560 doi: https://doi.org/10.1525/mp.2018.35.5.540
Published: 01 June 2018
... from an existing collection and categorized as solos or non-solos. Independently, the passages were characterized on seven other features previously linked to sad affect, including mode, tempo, dynamics, articulation, rhythmic smoothness, relative pitch height, and pitch range. Using the first four...
Journal Articles
Music Perception. 2018; 355607–621 doi: https://doi.org/10.1525/mp.2018.35.5.607
Published: 01 June 2018
.... Subsequent studies suggest that it takes at least a 250 ms segment of musical information for the lis- tener to make basic emotional judgments, classify genre, and discern familiar music from unfamiliar music (Bigand, Ge´rard, and Molin, 2009; Filipic, Tillmann, & Bigand, 2010; Gjerdingen & Perrott, 2008...
Journal Articles
Music Perception. 2018; 354518–523 doi: https://doi.org/10.1525/mp.2018.35.4.518
Published: 01 April 2018
.... Rather, their judgments seemed to have relied solely on comparing the absolute pitch heights of the melodies that were rendered accessible to working memory at the time of test, irrespective of what they had heard during the train- ing phase. These preliminary results suggest that the influence of...
Journal Articles
Music Perception. 2018; 354475–501 doi: https://doi.org/10.1525/mp.2018.35.4.475
Published: 01 April 2018
... violin sounds slightly sharp relative to the oboe, we are making a rel- ative pitch judgment. It is not necessarily true that the fundamental frequency of the violin is higher than the fundamental frequency of the oboe; to answer that question would require a physical measurement. To confirm that the...
Journal Articles
Music Perception. 2018; 353364–375 doi: https://doi.org/10.1525/mp.2018.35.3.364
Published: 01 February 2018
...Noola K. Griffiths; Jonathon L. Reay Aural and visual information have been shown to affect audience evaluations of music performance (Griffiths, 2010; Juslin, 2000); however, it is not fully understood which modality has the greatest relative impact upon judgements of performance or if the...
Journal Articles
Music Perception. 2017; 35160–76 doi: https://doi.org/10.1525/mp.2017.35.1.60
Published: 01 September 2017
... judgments of affect. In Verveer, Barry, and Bousfield s (1933) study, one piece of music was repeated a number of times in succession before a control piece was intro- duced; the control was played once before returning to the first piece. This cycle was repeated a number of times, and the whole experiment...
Journal Articles
Music Perception. 2017; 345569–584 doi: https://doi.org/10.1525/mp.2017.34.5.569
Published: 01 June 2017
... inconsequential for tonal cognition—thus seems inevitable. Here, we challenge the latter notion, presenting data suggesting that absolute pitch and absolute key significantly modify listeners’ judgments of tonal fit and tonal tension. In two experiments extending the probe tone technique (as applied in Krumhansl...
Journal Articles
Music Perception. 2017; 344489–495 doi: https://doi.org/10.1525/mp.2017.34.4.489
Published: 01 April 2017
... expected, some participants lacked test-retest reliability in their judgments. However, listeners who used a consistent strategy relied on a definition of pitch accuracy that appears to overlap with the quantitative criteria used by music experts. Besides clarifying the role of music expertise in the...
Journal Articles
Music Perception. 2017; 343303–312 doi: https://doi.org/10.1525/mp.2017.34.3.303
Published: 01 February 2017
... relatively short rhythmic patterns consisting of two or three notes, the extent to which nonadjacent intervals affect the produc- tion of longer, heterogeneous rhythmic sequences as found in real music has been relatively less explored. TEMPO On top of all this, we must consider the possibility that interval...
Journal Articles
Music Perception. 2017; 344438–451 doi: https://doi.org/10.1525/mp.2017.34.4.438
Published: 01 April 2017
... normalized beat duration) include 25:33:42 and 27:33:40 for SML and 25:36:39 and 28:36:36 for SLL (cf., Polak, 2010, chapters 4.3 to 4.6). Some perfor- mances begin with SML patterns at a relatively slow tempo, maintain that SML pattern during medium and fast tempos, but in the fastest passage, at the very...
Journal Articles
Music Perception. 2017; 343291–302 doi: https://doi.org/10.1525/mp.2017.34.3.291
Published: 01 February 2017
... given tempo produces the same interonset intervals as sixteenth-note swing at half that tempo; the difference is in where the tactus (the main pulse) is perceived relative to the swing level. In practice, swing ratios tend to fall in between the simple integer ratios in Figure 1, and hence do not to map...
Journal Articles
Music Perception. 2016; 34171–93 doi: https://doi.org/10.1525/mp.2016.34.1.71
Published: 01 September 2016
... version over the scrambled ones. Karno and Konec ni s study, like later ones that ask subjects to provide aesthetic judgments of scrambled music or piece together musical segments to form a coherent whole, generally concluded that large- scale tonal closure has little to no effect on aesthetic preference...
Journal Articles
Music Perception. 2015; 332135–146 doi: https://doi.org/10.1525/mp.2015.33.2.135
Published: 01 December 2015
... mistun- ings in musical intervals (Van Besouw, Brereton, & Howard, 2008). Although the pitch of notes with vibrato tends to approximate the average modulated fundamen- tal frequency (Geringer et al., 2010; Iwamiya, Kosugi, & Kitamura, 1983; Sundberg, 1972), standard deviations of pitch judgments increase...
Journal Articles
Music Perception. 2015; 33132–69 doi: https://doi.org/10.1525/mp.2015.33.1.32
Published: 01 September 2015
... and minor), duration (interval, length, rate, speed, and pace), tempo, dynamics (loudness), and texture (saving the other parameters for a later essay). By reconceptualizing the model’s core concept of functional directionality within parametric scales, only three isomorphic structural analogues...
Journal Articles
Music Perception. 2015; 324413–433 doi: https://doi.org/10.1525/mp.2015.32.4.413
Published: 01 April 2015
..., 2003). In addition, the encoding of tones and chords in a key affects musical memory and recognition (Bharucha & Krumhansl, 1983; Krumhansl, 1979; Krumhansl & Castellano, 1983; Schmuckler, 1997), as well as listeners judgments about the emotional con- tent of music (Costa, Fine, & Ricci Bitti, 2004...