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First blocks (eight trials) in the blocked and interleaved conditions from ...
Published: 01 June 2024
Figure 1. First blocks (eight trials) in the blocked and interleaved conditions from Experiment 1. Within a block, participants heard a phrase and were given two seconds to respond on each of the eight trials. In the blocked condition, participants heard and responded to the same phrase on all eig... More about this image found in First blocks (eight trials) in the blocked and interleaved conditions from ...
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Effects of conditions across repetitions in Experiment 1. (A) Modeled chang...
Published: 01 June 2024
Figure 2. Effects of conditions across repetitions in Experiment 1. (A) Modeled change in musicality ratings across repetitions based on exposure condition. Asterisks denote significant contrasts between conditions. (B) Average change in musicality ratings across trials based on exposure condition... More about this image found in Effects of conditions across repetitions in Experiment 1. (A) Modeled chang...
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Effects of conditions across repetitions in Experiment 2. (A) Modeled chang...
Published: 01 June 2024
Figure 3. Effects of conditions across repetitions in Experiment 2. (A) Modeled change in musicality ratings across repetitions based on exposure condition. Asterisks denote significant contrast between conditions. (B) Average change in musicality ratings across trials based on exposure condition.... More about this image found in Effects of conditions across repetitions in Experiment 2. (A) Modeled chang...
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[I] Musical pentagram showing the tonal-baroque extract. [II] Musical penta...
Published: 01 June 2024
Figure 1. [I] Musical pentagram showing the tonal-baroque extract. [II] Musical pentagram showing the atonal-contemporary extract. [III] Notation corresponding to the contemporary score script [II]: [a]: quartertone (left hand); [b]: less than quarter-tone trill (left hand); [c]: fingernail pizzic... More about this image found in [I] Musical pentagram showing the tonal-baroque extract. [II] Musical penta...
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A) View of the EEG recording room; outside are PCs, EEG connections, speake...
Published: 01 June 2024
Figure 2. A) View of the EEG recording room; outside are PCs, EEG connections, speakers, etc. B) Cellist with EEG cap, connections, and sleep mask. C) Cellist during real interpretation. D) Cellist during imagined interpretation or at rest. More about this image found in A) View of the EEG recording room; outside are PCs, EEG connections, speake...
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Global mean values (±95% confidence interval) for the Graph Strength (A), D...
Published: 01 June 2024
Figure 3. Global mean values (±95% confidence interval) for the Graph Strength (A), Degree (B), Normalized Local Efficiency (C), and Normalized Global Efficiency (D) of EEG graph/network obtained during Real-INT or Imag-INT interpretations (INT) under TAR (tonal, atonal, and resting) conditions. T... More about this image found in Global mean values (±95% confidence interval) for the Graph Strength (A), D...
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Head maps in which the statistical significance ( p ) of the strength of ea...
Published: 01 June 2024
Figure 4. Head maps in which the statistical significance ( p ) of the strength of each node of the graph (STR) and the magnitudes of their contrasts in each condition are represented in colors. The interpretation conditions and contrasts are indicated in the first column, and the EEG frequency ba... More about this image found in Head maps in which the statistical significance ( p ) of the strength of ea...