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Plots showing the predictor effects of music exposure between T1 and T2 on ...
Published: 01 April 2024
Figure 5. Plots showing the predictor effects of music exposure between T1 and T2 on receptive vocabulary scores at T2 (A), of maternal musicality on expressive vocabulary scores at T2 (B), and of music exposure between T2 and T3 on expressive vocabulary scores at T3 (C) in our regression models. More about this image found in Plots showing the predictor effects of music exposure between T1 and T2 on ...
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A) Illustration of the tone memory forward task (upper) and the tone memory...
Published: 01 April 2024
Figure 1. A) Illustration of the tone memory forward task (upper) and the tone memory backward task (lower). B) Example of a seven-tone atonal sequence in the forward task (upper) and a five-tone tonal sequence in the backward task (lower). More about this image found in A) Illustration of the tone memory forward task (upper) and the tone memory...
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Tone memory performance in the forward task, indicated by the signal detect...
Published: 01 April 2024
Figure 2. Tone memory performance in the forward task, indicated by the signal detection measure sensitivity d’ , in Finnish musicians, Chinese musicians, Finnish nonmusicians, and Chinese nonmusicians. Error bars represent 95% confidence intervals. More about this image found in Tone memory performance in the forward task, indicated by the signal detect...
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Tone memory performance in the backward task, indicated by the signal detec...
Published: 01 April 2024
Figure 3. Tone memory performance in the backward task, indicated by the signal detection measure sensitivity d’ , in Finnish musicians, Chinese musicians, Finnish nonmusicians, and Chinese nonmusicians. Error bars represent 95% confidence intervals. More about this image found in Tone memory performance in the backward task, indicated by the signal detec...
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Panel A  shows the notation for the four stimulus melodies at the pitch lev...
Published: 01 April 2024
Figure 1. Panel A shows the notation for the four stimulus melodies at the pitch level recorded on violin (C4–A4). Vocal renditions were recorded at six transpositions relative to the violin rendition (-16, -12, -8, -4, 0, +4 semitones). The first two melodies have a clear tonal center, the last... More about this image found in Panel A shows the notation for the four stimulus melodies at the pitch lev...