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William Forde Thompson
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Journal Articles

The Perceptual and Emotional Consequences of Articulation in Music

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Nathan R. Carr, Kirk N. Olsen, William Forde Thompson
Journal: Music Perception
Music Perception (2023) 40 (3): 202–219.
https://doi.org/10.1525/mp.2023.40.3.202
Published: 01 February 2023
View articletitled, The Perceptual and Emotional Consequences of Articulation in Music
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Journal Articles

Vowel Content Influences Relative Pitch Perception in Vocal Melodies

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Frank A. Russo, Dominique T. Vuvan, William Forde Thompson
Journal: Music Perception
Music Perception (2019) 37 (1): 57–65.
https://doi.org/10.1525/mp.2019.37.1.57
Published: 01 September 2019
View articletitled, Vowel Content Influences Relative Pitch Perception in Vocal Melodies
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Journal Articles

Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music

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Kirk N. Olsen, William Forde Thompson, Iain Giblin
Journal: Music Perception
Music Perception (2018) 35 (5): 527–539.
https://doi.org/10.1525/mp.2018.35.5.527
Published: 01 June 2018
View articletitled, Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music
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Includes: Supplementary data
Journal Articles

Impaired Explicit Processing of Musical Syntax and Tonality in a Group of Mandarin-Speaking Congenital Amusics

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Cunmei Jiang, Fang Liu, William Forde Thompson
Journal: Music Perception
Music Perception (2016) 33 (4): 401–413.
https://doi.org/10.1525/mp.2016.33.4.401
Published: 01 April 2016
View articletitled, Impaired Explicit Processing of Musical Syntax and Tonality in a Group of Mandarin-Speaking Congenital Amusics
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Journal Articles

Effects of Emergent-Level Structure on Melodic Processing Difficulty

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Frank A. Russo, William Forde Thompson, Lola L. Cuddy
Journal: Music Perception
Music Perception (2015) 33 (1): 96–109.
https://doi.org/10.1525/mp.2015.33.1.96
Published: 01 September 2015
View articletitled, Effects of Emergent-Level Structure on Melodic Processing Difficulty
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Journal Articles

Experiential and Cognitive Changes Following Seven Minutes Exposure to Music and Speech

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Gabriela Ilie, William Forde Thompson
Journal: Music Perception
Music Perception (2011) 28 (3): 247–264.
https://doi.org/10.1525/mp.2011.28.3.247
Published: 01 February 2011
View articletitled, Experiential and Cognitive Changes Following Seven Minutes Exposure to Music and Speech
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Journal Articles

Facial Expressions and Emotional Singing: A Study of Perception and Production with Motion Capture and Electromyography

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Steven R. Livingstone, William Forde Thompson, Frank A. Russo
Journal: Music Perception
Music Perception (2009) 26 (5): 475–488.
https://doi.org/10.1525/mp.2009.26.5.475
Published: 01 June 2009
View articletitled, Facial Expressions and Emotional Singing: A Study of Perception and Production with Motion Capture and Electromyography
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Journal Articles

Multimodal Affective Interaction: A Comment on Musical Origins

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Steven Robert Livingstone, William Forde Thompson
Journal: Music Perception
Music Perception (2006) 24 (1): 89–94.
https://doi.org/10.1525/mp.2006.24.1.89
Published: 01 September 2006
View articletitled, Multimodal Affective Interaction: A Comment on Musical Origins
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Journal Articles

A Comparison of Acoustic Cues in Music and Speech for Three Dimensions of Affect

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Gabriella Ilie, William Forde Thompson
Journal: Music Perception
Music Perception (2006) 23 (4): 319–330.
https://doi.org/10.1525/mp.2006.23.4.319
Published: 01 April 2006
View articletitled, A Comparison of Acoustic Cues in Music and Speech for Three Dimensions of Affect
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Journal Articles

Effects of Musical Tempo and Mode on Arousal, Mood, and Spatial Abilities

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Gabriela Husain, William Forde Thompson, E. Glenn Schellenberg
Journal: Music Perception
Music Perception (2002) 20 (2): 151–171.
https://doi.org/10.1525/mp.2002.20.2.151
Published: 01 December 2002
View articletitled, Effects of Musical Tempo and Mode on Arousal, Mood, and Spatial Abilities
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Journal Articles

Review: Melodic Similarity: Concepts, Procedures, and Applications (Computing in Musicology 11) , by Walter B. Hewlett and Eleanor Selfridge-Field

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William Forde Thompson
Journal: Music Perception
Music Perception (1999) 17 (2): 261–266.
https://doi.org/10.2307/40285895
Published: 01 December 1999
View articletitled, Review: Melodic Similarity: Concepts, Procedures, and Applications (Computing in Musicology 11) , by Walter B. Hewlett and Eleanor Selfridge-Field
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Journal Articles

A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues

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Laura-Lee Balkwill, William Forde Thompson
Journal: Music Perception
Music Perception (1999) 17 (1): 43–64.
https://doi.org/10.2307/40285811
Published: 01 October 1999
View articletitled, A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues
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Journal Articles

Expectancy in Bohemian Folk Song Melodies: Evaluation of Implicative Principles for Implicative and Closural Intervals

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William Forde Thompson, Murray Stainton
Journal: Music Perception
Music Perception (1998) 15 (3): 231–252.
https://doi.org/10.2307/40285766
Published: 01 April 1998
View articletitled, Expectancy in Bohemian Folk Song Melodies: Evaluation of Implicative Principles for Implicative and Closural Intervals
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Journal Articles

Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model

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William Forde Thompson, Richard Parncutt
Journal: Music Perception
Music Perception (1997) 14 (3): 263–280.
https://doi.org/10.2307/40285721
Published: 01 April 1997
View articletitled, Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model
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Journal Articles

Composer-Specific Aspects of Musical Performance: An Evaluation of Clynes's Theory of Pulse for Performances of Mozart and Beethoven

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William Forde Thompson
Journal: Music Perception
Music Perception (1989) 7 (1): 15–42.
https://doi.org/10.2307/40285446
Published: 01 October 1989
View articletitled, Composer-Specific Aspects of Musical Performance: An Evaluation of Clynes's Theory of Pulse for Performances of Mozart and Beethoven
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