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Journal Articles

Vowel Content Influences Relative Pitch Perception in Vocal Melodies

Frank A. Russo, Dominique T. Vuvan, William Forde Thompson

Music Perception (2019) 37 (1): 57–65.

DOI: https://doi.org/10.1525/mp.2019.37.1.57

Published: 01 September 2019

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Journal Articles

Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music

Kirk N. Olsen, William Forde Thompson, Iain Giblin

Music Perception (2018) 35 (5): 527–539.

DOI: https://doi.org/10.1525/mp.2018.35.5.527

Published: 01 June 2018

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Includes: Supplementary data

Journal Articles

Impaired Explicit Processing of Musical Syntax and Tonality in a Group of Mandarin-Speaking Congenital Amusics

Cunmei Jiang, Fang Liu, William Forde Thompson

Music Perception (2016) 33 (4): 401–413.

DOI: https://doi.org/10.1525/mp.2016.33.4.401

Published: 01 April 2016

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Journal Articles

Effects of Emergent-Level Structure on Melodic Processing Difficulty

Frank A. Russo, William Forde Thompson, Lola L. Cuddy

Music Perception (2015) 33 (1): 96–109.

DOI: https://doi.org/10.1525/mp.2015.33.1.96

Published: 01 September 2015

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Journal Articles

Experiential and Cognitive Changes Following Seven Minutes Exposure to Music and Speech

Gabriela Ilie, William Forde Thompson

Music Perception (2011) 28 (3): 247–264.

DOI: https://doi.org/10.1525/mp.2011.28.3.247

Published: 01 February 2011

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Journal Articles

Facial Expressions and Emotional Singing: A Study of Perception and Production with Motion Capture and Electromyography

Steven R. Livingstone, William Forde Thompson, Frank A. Russo

Music Perception (2009) 26 (5): 475–488.

DOI: https://doi.org/10.1525/mp.2009.26.5.475

Published: 01 June 2009

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Journal Articles

Multimodal Affective Interaction: A Comment on Musical Origins

Steven Robert Livingstone, William Forde Thompson

Music Perception (2006) 24 (1): 89–94.

DOI: https://doi.org/10.1525/mp.2006.24.1.89

Published: 01 September 2006

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Journal Articles

A Comparison of Acoustic Cues in Music and Speech for Three Dimensions of Affect

Gabriella Ilie, William Forde Thompson

Music Perception (2006) 23 (4): 319–330.

DOI: https://doi.org/10.1525/mp.2006.23.4.319

Published: 01 April 2006

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Journal Articles

Effects of Musical Tempo and Mode on Arousal, Mood, and Spatial Abilities

Gabriela Husain, William Forde Thompson, E. Glenn Schellenberg

Music Perception (2002) 20 (2): 151–171.

DOI: https://doi.org/10.1525/mp.2002.20.2.151

Published: 01 December 2002

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Journal Articles

Review: Melodic Similarity: Concepts, Procedures, and Applications (Computing in Musicology 11) , by Walter B. Hewlett and Eleanor Selfridge-Field

William Forde Thompson

Music Perception (1999) 17 (2): 261–266.

DOI: https://doi.org/10.2307/40285895

Published: 01 December 1999

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Journal Articles

A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues

Laura-Lee Balkwill, William Forde Thompson

Music Perception (1999) 17 (1): 43–64.

DOI: https://doi.org/10.2307/40285811

Published: 01 October 1999

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Journal Articles

Expectancy in Bohemian Folk Song Melodies: Evaluation of Implicative Principles for Implicative and Closural Intervals

William Forde Thompson, Murray Stainton

Music Perception (1998) 15 (3): 231–252.

DOI: https://doi.org/10.2307/40285766

Published: 01 April 1998

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Journal Articles

Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model

William Forde Thompson, Richard Parncutt

Music Perception (1997) 14 (3): 263–280.

DOI: https://doi.org/10.2307/40285721

Published: 01 April 1997

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Journal Articles

Composer-Specific Aspects of Musical Performance: An Evaluation of Clynes's Theory of Pulse for Performances of Mozart and Beethoven

William Forde Thompson

Music Perception (1989) 7 (1): 15–42.

DOI: https://doi.org/10.2307/40285446

Published: 01 October 1989

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NARROW

Vowel Content Influences Relative Pitch Perception in Vocal Melodies

Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music

Impaired Explicit Processing of Musical Syntax and Tonality in a Group of Mandarin-Speaking Congenital Amusics

Effects of Emergent-Level Structure on Melodic Processing Difficulty

Experiential and Cognitive Changes Following Seven Minutes Exposure to Music and Speech

Facial Expressions and Emotional Singing: A Study of Perception and Production with Motion Capture and Electromyography

Multimodal Affective Interaction: A Comment on Musical Origins

A Comparison of Acoustic Cues in Music and Speech for Three Dimensions of Affect

Effects of Musical Tempo and Mode on Arousal, Mood, and Spatial Abilities

Review: Melodic Similarity: Concepts, Procedures, and Applications (Computing in Musicology 11) , by Walter B. Hewlett and Eleanor Selfridge-Field

A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues

Expectancy in Bohemian Folk Song Melodies: Evaluation of Implicative Principles for Implicative and Closural Intervals

Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model

Composer-Specific Aspects of Musical Performance: An Evaluation of Clynes's Theory of Pulse for Performances of Mozart and Beethoven

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