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Journal Articles

Instrument Timbre Enhances Perceptual Segregation in Orchestral Music

Manda Fischer, Kit Soden, Etienne Thoret, Marcel Montrey, Stephen McAdams

Music Perception (2021) 38 (5): 473–498.

DOI: https://doi.org/10.1525/mp.2021.38.5.473

Published: 01 June 2021

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Includes: Supplementary data

Journal Articles

Semantic Dimensions of Sound Mass Music: Mappings between Perceptual and Acoustic Domains

Jason Noble, Etienne Thoret, Max Henry, Stephen McAdams

Music Perception (2020) 38 (2): 214–242.

DOI: https://doi.org/10.1525/mp.2020.38.2.214

Published: 25 November 2020

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Journal Articles

Short-term Recognition of Timbre Sequences: Music Training, Pitch Variability, and Timbral Similarity

Kai Siedenburg, Stephen McAdams

Music Perception (2018) 36 (1): 24–39.

DOI: https://doi.org/10.1525/mp.2018.36.1.24

Published: 01 September 2018

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Journal Articles

Effects of Musical Context on the Recognition of Musical Motives During Listening

Cecilia Taher, Robert Hasegawa, Stephen McAdams

Music Perception (2018) 36 (1): 77–97.

DOI: https://doi.org/10.1525/mp.2018.36.1.77

Published: 01 September 2018

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Includes: Supplementary data

Journal Articles

Activity Analysis and Coordination in Continuous Responses to Music

Finn Upham, Stephen McAdams

Music Perception (2018) 35 (3): 253–294.

DOI: https://doi.org/10.1525/mp.2018.35.3.253

Published: 01 February 2018

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Journal Articles

Blending Between Bassoon and Horn Players: An Analysis of Timbral Adjustments During Musical Performance

Sven-Amin Lembke, Scott Levine, Stephen McAdams

Music Perception (2017) 35 (2): 144–164.

DOI: https://doi.org/10.1525/mp.2017.35.2.144

Published: 01 December 2017

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Journal Articles

Psychophysiological Indices of Music-Evoked Emotions in Musicians

Mattson Ogg, David R. W. Sears, Manuela M. Marin, Stephen McAdams

Music Perception (2017) 35 (1): 38–59.

DOI: https://doi.org/10.1525/mp.2017.35.1.38

Published: 01 September 2017

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Journal Articles

Analysis, Performance, and Tension Perception of an Unmeasured Prelude for Harpsichord

Meghan Goodchild, Bruno Gingras, Stephen McAdams

Music Perception (2016) 34 (1): 1–20.

DOI: https://doi.org/10.1525/mp.2016.34.1.1

Published: 01 September 2016

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Journal Articles

Auditory Scene Analysis and the Perception of Sound Mass in Ligeti’s Continuum

Chelsea Douglas, Jason Noble, Stephen McAdams

Music Perception (2016) 33 (3): 287–305.

DOI: https://doi.org/10.1525/mp.2016.33.3.287

Published: 01 February 2016

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Journal Articles

Effects of Repetition on Attention in Two-Part Counterpoint

Cecilia Taher, René Rusch, Stephen McAdams

Music Perception (2016) 33 (3): 306–318.

DOI: https://doi.org/10.1525/mp.2016.33.3.306

Published: 01 February 2016

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Journal Articles

Introduction to the Two Special Issues of Music Perception on BKN25 : Milestones in Music Cognition

Stephen McAdams, Alexander Rozin, David Temperley

Music Perception (2015) 33 (1): 1–2.

DOI: https://doi.org/10.1525/mp.2015.33.1.1

Published: 01 September 2015

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Journal Articles

A Tribute to David Wessel (1942-2014) Consulting Editor for Music Perception, 1983-2008

Stephen McAdams, Roger Reynolds

Music Perception (2015) 32 (4): 434–436.

DOI: https://doi.org/10.1525/mp.2015.32.4.434

Published: 01 April 2015

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Journal Articles

Perceiving the Classical Cadence

David Sears, William E. Caplin, Stephen McAdams

Music Perception (2014) 31 (5): 397–417.

DOI: https://doi.org/10.1525/mp.2014.31.5.397

Published: 01 June 2014

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Journal Articles

Empathy and Emotional Contagion as a Link Between Recognized and Felt Emotions in Music Listening

Hauke Egermann, Stephen McAdams

Music Perception (2013) 31 (2): 139–156.

DOI: https://doi.org/10.1525/mp.2013.31.2.139

Published: 01 December 2013

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Journal Articles

Perception of Dyads of Impulsive and Sustained Instrument Sounds

Damien Tardieu, Stephen McAdams

Music Perception (2012) 30 (2): 117–128.

DOI: https://doi.org/10.1525/mp.2012.30.2.117

Published: 01 December 2012

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Journal Articles

Sound Source Mechanics and Musical Timbre Perception: Evidence From Previous Studies

Bruno L. Giordano, Stephen McAdams

Music Perception (2010) 28 (2): 155–168.

DOI: https://doi.org/10.1525/mp.2010.28.2.155

Published: 01 December 2010

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Journal Articles

Perception of Musical Similarity Among Contemporary Thematic Materials in Two Instrumentations

Stephen McAdams, Sandrine Vieillard, Olivier Houix, Roger Reynolds

Music Perception (2004) 22 (2): 207–237.

DOI: https://doi.org/10.1525/mp.2004.22.2.207

Published: 01 December 2004

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Journal Articles

Influences of Large-Scale Form on Continuous Ratings in Response to a Contemporary Piece in a Live Concert Setting

Stephen McAdams, Bradley W. Vines, Sandrine Vieillard, Bennett K. Smith, Roger Reynolds

Music Perception (2004) 22 (2): 297–350.

DOI: https://doi.org/10.1525/mp.2004.22.2.297

Published: 01 December 2004

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Journal Articles

The Perceptual Structure of Thematic Materials in The Angel of Death

Philippe Lalitte, Emmanuel Bigand, Bénédicte Poulin-Charronnat, Stephen McAdams, Charles Delbé ...

Music Perception (2004) 22 (2): 265–296.

DOI: https://doi.org/10.1525/mp.2004.22.2.265

Published: 01 December 2004

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Journal Articles

Prolog

Stephen McAdams

Music Perception (2004) 22 (2): 171–172.

DOI: https://doi.org/10.1525/mp.2004.22.2.171

Published: 01 December 2004

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NARROW

Instrument Timbre Enhances Perceptual Segregation in Orchestral Music

Semantic Dimensions of Sound Mass Music: Mappings between Perceptual and Acoustic Domains

Short-term Recognition of Timbre Sequences: Music Training, Pitch Variability, and Timbral Similarity

Effects of Musical Context on the Recognition of Musical Motives During Listening

Activity Analysis and Coordination in Continuous Responses to Music

Blending Between Bassoon and Horn Players: An Analysis of Timbral Adjustments During Musical Performance

Psychophysiological Indices of Music-Evoked Emotions in Musicians

Analysis, Performance, and Tension Perception of an Unmeasured Prelude for Harpsichord

Auditory Scene Analysis and the Perception of Sound Mass in Ligeti’s Continuum

Effects of Repetition on Attention in Two-Part Counterpoint

Introduction to the Two Special Issues of Music Perception on BKN25 : Milestones in Music Cognition

A Tribute to David Wessel (1942-2014) Consulting Editor for Music Perception, 1983-2008

Perceiving the Classical Cadence

Empathy and Emotional Contagion as a Link Between Recognized and Felt Emotions in Music Listening

Perception of Dyads of Impulsive and Sustained Instrument Sounds

Sound Source Mechanics and Musical Timbre Perception: Evidence From Previous Studies

Perception of Musical Similarity Among Contemporary Thematic Materials in Two Instrumentations

Influences of Large-Scale Form on Continuous Ratings in Response to a Contemporary Piece in a Live Concert Setting

The Perceptual Structure of Thematic Materials in The Angel of Death

Prolog

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