Skip Nav Destination
Close Modal
Update search
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Date
Availability
1-1 of 1
Erin N. Bodnar
Close
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Sort by
Journal Articles
Journal:
Music Perception
Music Perception (2016) 33 (5): 590–600.
Published: 01 June 2016
Abstract
We have ample evidence of cultural bias influencing music cognition in a variety of ways including memory. The purpose of this study was to explore the influence of various musical elements on Western-born listeners’ cross-cultural recognition memory performance. Specifically, we were interested in whether the enculturation effect found in previous studies would be observed when tuning, timbre, texture, and rhythm were equalized in the presentation of music from two different cultures. In addition we wanted to explore the possible influence of music preference on recognition memory performance. Listeners were randomly assigned to hear Western and Turkish music in one of three musical context conditions (full, monophonic, isochronous) and subsequently tested on their recognition memory. Results indicated that memory performance was superior for in-culture music regardless of contextual condition, with no significant correlation between preference and memory performance. This points to the statistical properties of pitch sequences as a possible source of culturally biased responses in music listening.
Includes: Multimedia, Supplementary data