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Journal Articles

Musicians Can Reliably Discriminate Between String Register Locations on the Violoncello

Caitlyn Trevor, Johanna Devaney, David Huron
Journal: Music Perception
Music Perception (2022) 40 (1): 27–38.
https://doi.org/10.1525/mp.2022.40.1.27
Published: 01 September 2022
View article titled, Musicians Can Reliably Discriminate Between String Register Locations on the Violoncello
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Journal Articles

The Lone Instrument: Musical Solos and Sadness-Related Features

Niels Chr. Hansen, David Huron
Journal: Music Perception
Music Perception (2018) 35 (5): 540–560.
https://doi.org/10.1525/mp.2018.35.5.540
Published: 01 June 2018
View article titled, The Lone Instrument: Musical Solos and Sadness-Related Features
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Journal Articles

Catching the Lyrics: Intelligibility in Twelve Song Genres

Nathaniel Condit-Schultz, David Huron
Journal: Music Perception
Music Perception (2015) 32 (5): 470–483.
https://doi.org/10.1525/mp.2015.32.5.470
Published: 01 June 2015
View article titled, Catching the Lyrics: Intelligibility in Twelve Song Genres
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Journal Articles

A Statistical Approach to Tracing the Historical Development of Major and Minor Pitch Distributions, 1400-1750

Joshua D. Albrecht, David Huron
Journal: Music Perception
Music Perception (2014) 31 (3): 223–243.
https://doi.org/10.1525/mp.2014.31.3.223
Published: 01 February 2014
View article titled, A Statistical Approach to Tracing the Historical Development of Major and Minor Pitch Distributions, 1400-1750
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Journal Articles

Is Higher Music Faster? Pitch–Speed Relationships in Western Compositions

Yuri Broze, David Huron
Journal: Music Perception
Music Perception (2013) 31 (1): 19–31.
https://doi.org/10.1525/mp.2013.31.1.19
Published: 01 September 2013
View article titled, Is Higher Music Faster? Pitch–Speed Relationships in Western Compositions
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Journal Articles

On the Virtuous and the Vexatious in an Age of Big Data

David Huron
Journal: Music Perception
Music Perception (2013) 31 (1): 4–9.
https://doi.org/10.1525/mp.2013.31.1.4
Published: 01 September 2013
View article titled, On the Virtuous and the Vexatious in an Age of Big Data
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Journal Articles

Agogic Contrast in French and English Themes: Further Support for Patel and Daniele (2003)

DAVID HURON, JOY OLLEN
Journal: Music Perception
Music Perception (2003) 21 (2): 267–271.
https://doi.org/10.1525/mp.2003.21.2.267
Published: 01 December 2003
View article titled, Agogic Contrast in French and English Themes: Further Support for Patel and Daniele (2003)
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Journal Articles

Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles

David Huron
Journal: Music Perception
Music Perception (2001) 19 (1): 1–64.
https://doi.org/10.1525/mp.2001.19.1.1
Published: 01 September 2001
View article titled, Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles
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Journal Articles

Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure

Paul Von Hippel, David Huron
Journal: Music Perception
Music Perception (2000) 18 (1): 59–85.
https://doi.org/10.2307/40285901
Published: 01 October 2000
View article titled, Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure
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Journal Articles

Review: Highpoints: A Study of Melodic Peaks , by Zohar Eitan

David Huron
Journal: Music Perception
Music Perception (1998) 16 (2): 257–264.
https://doi.org/10.2307/40285791
Published: 01 December 1998
View article titled, Review: Highpoints: A Study of Melodic Peaks , by Zohar Eitan
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Journal Articles

What Is Melodic Accent? Converging Evidence from Musical Practice

David Huron, Matthew Royal
Journal: Music Perception
Music Perception (1996) 13 (4): 489–516.
https://doi.org/10.2307/40285700
Published: 01 July 1996
View article titled, What Is Melodic Accent? Converging Evidence from Musical Practice
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Journal Articles

Review: Music, Imagination, and Culture , by Nicholas Cook

David Huron
Journal: Music Perception
Music Perception (1995) 12 (4): 473–481.
https://doi.org/10.2307/40285677
Published: 01 July 1995
View article titled, Review: Music, Imagination, and Culture , by Nicholas Cook
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Journal Articles

Absolute Pitch as a Learned Phenomenon: Evidence Consistent with the Hick-Hyman Law

Jasba Simpson, David Huron
Journal: Music Perception
Music Perception (1994) 12 (2): 267–270.
https://doi.org/10.2307/40285656
Published: 01 December 1994
View article titled, Absolute Pitch as a Learned Phenomenon: Evidence Consistent with the Hick-Hyman Law
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Journal Articles

Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance

David Huron
Journal: Music Perception
Music Perception (1994) 11 (3): 289–305.
https://doi.org/10.2307/40285624
Published: 01 April 1994
View article titled, Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance
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Journal Articles

Note-Onset Asynchrony in J. S. Bach's Two-Part Inventions

David Huron
Journal: Music Perception
Music Perception (1993) 10 (4): 435–443.
https://doi.org/10.2307/40285582
Published: 01 July 1993
View article titled, Note-Onset Asynchrony in J. S. Bach's Two-Part Inventions
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Journal Articles

Critical Bands and the Spelling of Vertical Sonorities

David Huron, Peter Sellmer
Journal: Music Perception
Music Perception (1992) 10 (2): 129–149.
https://doi.org/10.2307/40285604
Published: 01 December 1992
View article titled, Critical Bands and the Spelling of Vertical Sonorities
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Journal Articles

The Ramp Archetype and the Maintenance of Passive Auditory Attention

David Huron
Journal: Music Perception
Music Perception (1992) 10 (1): 83–91.
https://doi.org/10.2307/40285540
Published: 01 October 1992
View article titled, The Ramp Archetype and the Maintenance of Passive Auditory Attention
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Journal Articles

Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities

David Huron
Journal: Music Perception
Music Perception (1991) 9 (2): 135–154.
https://doi.org/10.2307/40285526
Published: 01 December 1991
View article titled, Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities
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Journal Articles

The Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice

David Huron
Journal: Music Perception
Music Perception (1991) 9 (1): 93–103.
https://doi.org/10.2307/40286160
Published: 01 October 1991
View article titled, The Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice
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Journal Articles

Increment/Decrement Asymmetries in Polyphonic Sonorities

David Huron
Journal: Music Perception
Music Perception (1990) 7 (4): 385–393.
https://doi.org/10.2307/40285474
Published: 01 July 1990
View article titled, Increment/Decrement Asymmetries in Polyphonic Sonorities
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