Skip Nav Destination
Close Modal
Update search
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Journal
Article Type
Date
Availability
1-1 of 1
Érico Artioli Firmino
Close
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Sort by
Journal Articles
Journal:
Music Perception
Music Perception (2016) 33 (5): 613–630.
Published: 01 June 2016
Abstract
Real and long music stimuli are seldom used in music cognition and subjective time literatures. We found longer time reproductions for Berio’s Symphony for Eight Voices and Orchestra than for Mahler’s Symphony No. 2 . Berio recomposed Mahler’s symphony, inserting complexity in all its elements. The contextual-change model explains these data, predicting longer time reproduction for a greater amount of information. Thereafter, we found synthetic tonal modulations eliciting time reproductions in an inverse function of interkey distances, with major impact for sudden ones, an opposite result from contextual change prediction. Alternatively, we proposed the Expected Development Fraction (EDF) Model, claiming disproportion between expected and perceived times. In this study, we manipulated interkey distance using the real piece Inspiração by Brazilian composer Garoto. Results confirmed the EDF Model prediction. Formatting the EDF Model’s key spatial-axis according to adapted key profile measures of Krumhansl (1990) allowed close correspondence between simulations and data.